John Oram's photos with the keyword: Street Photography

With the rise of the mobile phone, telephone booths or kiosks are no longer popular and can be seen in varying states of repair in many countries. This is at Budapest Keleti Station. 200_3_P1070605

A contemplative moment near a Gosport park on a Sunday morning. I love the sign which, for me, makes the composition. 200_3_P1030592M

A contemplative moment near a Gosport park on a Sunday morning. I love the sign which, for me, makes the composition. 200_3_P1030592

The street performer on London's Millennium Bridge who became Saul in my earlier pictures. 200_2_P1090622

In my short series, a street performer is conveniently imagined as Saul confronted by a vision of his distant future. 200_2_P1090620M

In my short series, a street performer is conveniently imagined as Saul confronted by a vision of his distant future. 200_2_P1090620

In my short series, a street performer is conveniently imagined as Saul confronted by a vision of his distant future. 200_2_P1090618M

In my short series, a street performer is conveniently imagined as Saul confronted by a vision of his distant future. 200_2_P1090618

In my short series, a street performer is conveniently imagined as Saul confronted by a vision of his distant future. 200_2_P1090617M

In my short series, a street performer is conveniently imagined as Saul confronted by a vision of his distant future. 200_2_P1090617

In my short series, a street performer is conveniently imagined as Saul confronted by a vision of his distant future. 200_2_P1090616M

In my short series, a street performer is conveniently imagined as Saul confronted by a vision of his distant future. 200_2_P1090616

For one normally obsessed with verticals, this piece of street photography cum art is a bold departure. A Damascene conversion perhaps? This is the first image in a short series which conveniently imagines a street performer as Saul confronted by a vision of his distant future. 200_2_P1090619C

For one normally obsessed with verticals, this piece of street photography cum art is a bold departure. A Damascene conversion perhaps? This is the first image in a short b&w series which conveniently imagines a street performer as Saul confronted by a vision of his distant future. 200_2_P1090619CM

The Miroir d'eau (Water Mirror) in Bordeaux is the world's largest reflecting pool. Covered in 2cm of water, in summer it creates a fog every 15 minutes. This is a source of fascination and amusement to both locals and visitors. One woman apparently found it a sensory experience. A short distance away, a couple struck ballet poses for a photographer in the rising, swirling fog. The pictures, I imagine, were remarkable. 200_2_P1000680M

The Miroir d'eau (Water Mirror) in Bordeaux is the world's largest reflecting pool. Covered in 2cm of water, in summer it creates a fog every 15 minutes. This is a source of fascination and amusement to both locals and visitors. One woman apparently found it a sensory experience. A short distance away, a couple struck ballet poses for a photographer in the rising, swirling fog. The pictures, I imagine, were remarkable. 200_2_P1000680

This is street photography - the TZ30 is an ideal tool - and an irresistible opportunity to comment on the fashion world. A walk through Toronto's streets for dinner, an unexpected encounter with a cameo from World Mastercard Fashion Week in David Pecaut Square. The professional photographers in front of the models with their Dufferin Mall mini-placards, the amateurs, like me, scattered around. The widest subject in the line up ........a lamp post. TZ30_P1020416C

I am not known for my candids but , when one presents itself to me, my camera is ready. I was preoccupied with buses and trains but not to the extent that I missed the sight of this woman walking in Eastleigh with what was probably her art and having a rather hard time in the wind. I have worked on the contrast in this image in order to accentuate the colours of her proudly borne load. P1180902