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Rose Deschamps & Lise Tautin & by Mayer & Pierson
Therese Malten by Hoffert
Therese Malten , Karl Scheidemantel & Heinrich Gud…
Therese Malten by Hoffert
Lina Bell by Mulnier
Sebastian Hofmuller by Hoffert
Heinrich Wiegand by Hoffert
Pavel Andreev by Cransky
Edna Thornton by Bassano
Meyriane Heglon by Ogerau
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Georgine von Januschofsky by Benque
Scene from Faust by Albert
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Julia Hisson by Pierre Petit
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Adelina Patti by Reutlinger (21)
Christine Nilsson by Reutlinger (13)
Marie Sasse by Reutlinger (3)
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Lina Bell by Nadar
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Anna Sachse-Hofmeister
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Emma Calve by Dupont
Gabriel Soulacroix by Dupont
Edmond Vergnet by Dupont
Eloi Sylva by Dupont
Blanche Deschamps-Jéhin by Dupont
Marthe Louise Ernestine Duvivier by Dupont
Marie Roze by Dupont
Albert Alvarez by Bary
Aino Ackte by Reutlinger
See also...
Hortense Schneider by Ulric Gob
![Hortense Schneider by Ulric Gob Hortense Schneider by Ulric Gob](https://cdn.ipernity.com/200/60/22/42206022.af0ba2f8.640.jpg?r2)
![](https://s.ipernity.com/T/L/z.gif)
Schneider as Tata-Lili in "La Veuve des Malabar" by Herve CREATOR ,Theatere des Varieties ,Paris 26/4/1873
HORTENSE CATHERINE SCHNEIDER, La Snédèr, (30 April 1833 – 6 May 1920) was a French soprano, one of the greatest operetta stars of the 19th century, particularly associated with the works of composer Jacques Offenbach.
]Born in Bordeaux, where she studied with Schaffner, she made her debut in Agen in 1853, as Inés in La favorite.
She came to Paris and was turned down by the director of the Théâtre des Variétés but was noticed by Jacques Offenbach who invited her to the Théâtre des Bouffes Parisiens, where she made her debut in 1855 in Le violoneux. She enjoyed immediate success and created for Offenbach the role of Boulotte in Barbe-bleue and the title roles in La belle Hélène, La Grande-Duchesse de Gérolstein and La Périchole, all resounding triumphs. She also appeared in London and Saint Petersburg, to great acclaim.
An accomplished singer and actress, she was much admired for her brio and verve on stage, was the toast of the Second Empire and a favourite of royal visitors to Paris. La Snédèr was reputedly one of King Edward VII's mistresses (because of the favours which she liberally granted to the members of the nobility, she was known as Le Passage des Princes.). She retired in 1878, after her marriage, and died in Paris over forty years later at age 87.
HORTENSE CATHERINE SCHNEIDER, La Snédèr, (30 April 1833 – 6 May 1920) was a French soprano, one of the greatest operetta stars of the 19th century, particularly associated with the works of composer Jacques Offenbach.
]Born in Bordeaux, where she studied with Schaffner, she made her debut in Agen in 1853, as Inés in La favorite.
She came to Paris and was turned down by the director of the Théâtre des Variétés but was noticed by Jacques Offenbach who invited her to the Théâtre des Bouffes Parisiens, where she made her debut in 1855 in Le violoneux. She enjoyed immediate success and created for Offenbach the role of Boulotte in Barbe-bleue and the title roles in La belle Hélène, La Grande-Duchesse de Gérolstein and La Périchole, all resounding triumphs. She also appeared in London and Saint Petersburg, to great acclaim.
An accomplished singer and actress, she was much admired for her brio and verve on stage, was the toast of the Second Empire and a favourite of royal visitors to Paris. La Snédèr was reputedly one of King Edward VII's mistresses (because of the favours which she liberally granted to the members of the nobility, she was known as Le Passage des Princes.). She retired in 1878, after her marriage, and died in Paris over forty years later at age 87.
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