Irma Terväni
Catherine Mastio
Catherine Mastio
Catherine Mastio
Julia Culp
Vera Nimidoff.
Lillian Blauvelt
Julius Lieban
Paul Dufault
Hans Duhan
Lalla Miranda
Pauline Donalda
Marius Chambon
Adelina Patti by Reutlinger (21)
Christine Nilsson by Reutlinger (13)
Marie Sasse by Reutlinger (3)
Marie Heilbronn by Pierson & Braun
Lina Bell by Nadar
Ernestine Schumann-Heink
Alice Ducasse by Benque
Lucille Tostée by Ken
Marie Roze by Lafeyette
Minnie Hauk by Newsboy (11)
Emma Albani by Nadar (8)
Hortense Schneider by Ulric Gob
Milly Meyer by Nadar
Marguerite Priola by Tourtin
Adelina Patti by L & Co (20)
Pauline Lucca by L & Co
Marie Roze by Reutlinger
Adelina Patti by Reutlinger (19)
Mathilde Mallinger by Luckhardt
Lina Mayr by Graf
Frieda Hempel
Emmy Destinn
Lily Hafgren- Waag
Nicolai Shevlev
Anton Van Rooy
Anton Van Rooy
Anton Van Rooy
Robert Radford
Hippolyte-Adolphe Belhomme
Alice Verlet
Alice Verlet
Alice Verlet
See also...
Mario & Patti by Caldesi
as Faust & Marguerite in "Faust by Gounod
GIOVANNI MARIO
(Giovanni Matteo, marquis of CANDIA )
17 October 1810 – 11 December 1883).
-Italian tenor
Husband Giulia Grisi. He debuted under the name of Mario on 02 December 1838 in ROBERT LE DIABLE de Meyerbeer (Robert). He sang LE COMTE ORY Rossini. THE Draper of Halévy; THE HUGUENOTS (Raoul, 1862).
"This famous tenor of the Italians, and a moment of the Opera, was the son of the Italian general marquis of Candia." When starting at the Opera that he took the name of Mario, he was both exemplified since. After a long time living with the famous singer Giulia Grisi, who died in 1869, he eventually married her, when she became the widow of her first husband. They had six children .
ADELINA PATTI
(19 February 1843 – 27 September 1919)
Soprano
Her voice was noticed very early and she made her first tour in America at the age of seven years and was a huge success. Studied singing in New York under the direction of Maurice Strakosch, her brother-in-law, and in 1859 she sang in New York in "Lucia di Lammermoor". At Covent Garden theatre in London in 1861 where she sang "la Sonnambula", her reputation was strengthened and in 1862 she was singing in Paris at the Théâtre Italien, where she soon became the star. She remained at Paris until 1870, being heard in London during the summer season. In Paris she sang the Italian Repertory, in London the french Repertory. After a long stay in America and London, Patti returned several times to Paris at the Opera (debut in 1874) and the Théâtre de la Gaîté. Then she resumed travels and successfully created, in London, in 1882, the Charles Lenepveu's Velléda. She also created Dolores of André Pollonais in Nice on February 22, 1897. She triumphed especially in a vast Italian repertoire that suited to her beautiful light soprano voice. His career lasted for fifty-six years.
GIOVANNI MARIO
(Giovanni Matteo, marquis of CANDIA )
17 October 1810 – 11 December 1883).
-Italian tenor
Husband Giulia Grisi. He debuted under the name of Mario on 02 December 1838 in ROBERT LE DIABLE de Meyerbeer (Robert). He sang LE COMTE ORY Rossini. THE Draper of Halévy; THE HUGUENOTS (Raoul, 1862).
"This famous tenor of the Italians, and a moment of the Opera, was the son of the Italian general marquis of Candia." When starting at the Opera that he took the name of Mario, he was both exemplified since. After a long time living with the famous singer Giulia Grisi, who died in 1869, he eventually married her, when she became the widow of her first husband. They had six children .
ADELINA PATTI
(19 February 1843 – 27 September 1919)
Soprano
Her voice was noticed very early and she made her first tour in America at the age of seven years and was a huge success. Studied singing in New York under the direction of Maurice Strakosch, her brother-in-law, and in 1859 she sang in New York in "Lucia di Lammermoor". At Covent Garden theatre in London in 1861 where she sang "la Sonnambula", her reputation was strengthened and in 1862 she was singing in Paris at the Théâtre Italien, where she soon became the star. She remained at Paris until 1870, being heard in London during the summer season. In Paris she sang the Italian Repertory, in London the french Repertory. After a long stay in America and London, Patti returned several times to Paris at the Opera (debut in 1874) and the Théâtre de la Gaîté. Then she resumed travels and successfully created, in London, in 1882, the Charles Lenepveu's Velléda. She also created Dolores of André Pollonais in Nice on February 22, 1897. She triumphed especially in a vast Italian repertoire that suited to her beautiful light soprano voice. His career lasted for fifty-six years.
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.