Kodak

HFF and a fine weekend! ----- Olympus XA + Kodak T-Max 400 + Kodak HC-110 (Dil.B)

HFF and a fine weekend! ----- Olympus XA + Kodak T-Max 400 + Kodak HC-110 (Dil.B)

everything changes ----- Olympus XA + Kodak T-Max 400 + Kodak HC-110 (Dil.B) ----- Two years ago: An year ago:

There are many sand pits around Sulejówek. Some of them are one hundred years old, remembering times when sand and clay (from numerous clay pits) were used to rebuilt Warsaw and nearby towns after WWI. Some are deep, some are shallow, all are dry with trees struggling to survive at their borders. ----- Olympus XA + Kodak T-Max 400 + Kodak HC-110 (Dil.B)

The Fallen House of Łubieński (Spring in Okuniew) ------ Yashica T3 Super + Kodak T-Max 400 + Kodak HC-110 (Dil.B)

------ Yashica T3 Super + Kodak T-Max 400 + Kodak HC-110 (Dil.B)

HFF and a fine weekend! ----- Olympus XA + Kodak T-Max 400 + Kodak HC-110 (Dil.B) ----- Let me say it: It is "my kind of fence". It tells me that I am trespassing but at the same time it invites me to do just that :)

My dog knows all the ways to avoid being photographed! ----- Olympus XA + Kodak T-Max 400 + Kodak HC-110 (Dil.B)

----- Olympus XA + Kodak T-Max 400 + Kodak HC-110 (Dil.B)

I am testing an old Russian (Soviet) MTO 500mm f/8 mirror tele lens (borrowed from a friend). It appears to be a good choice for street candid shots :) Crazy donut-shaped bokeh made its statement here obscuring shapes of dark leaves in the foreground. Disclaimer: the middle finger was unplanned ;) I am not going to discuss its meaning :) ----- Revueflex SD1 + MTO 500mm f/8 + Kodak T-Max 400 + Kodak HC-110 (Dil.B)

I am testing an old Russian (Soviet) MTO 500mm f/8 mirror tele lens (borrowed from a friend). It appears to be a good choice for street portraits :) ----- Revueflex SD1 + MTO 500mm f/8 + Kodak T-Max 400 + Kodak HC-110 (Dil.B)

There are many sand pits around Sulejówek. Some of them are one hundred years old, remembering times when sand and clay (from numerous clay pits) were used to rebuild Warsaw and nearby towns after WWI. Some are deep, some are shallow, all are dry with trees struggling to survive at their borders. As I have "a thing for roots" I decided to start a new album with my findings. ----- Olympus XA + Kodak T-Max 400 + Kodak HC-110 (Dil.B)

I know, I know... it is just clay and debris taken from the bottom of Glinianki (there were clay pits and brick yards there, now being converted into an eco-park) but I could not resist the light ;) See the note... ----- Olympus XA + Kodak T-Max 400 + Kodak HC-110 (Dil.B)

My dog knows all the ways to avoid being photographed! ----- Olympus XA + Kodak T-Max 400 + Kodak HC-110 (Dil.B)

----- Mamiya RB67 + Sekor C 90mm f/3.8 + Kodak Tri-X 400 + Kodak HC-110 (Dil.B) (press [z] for a sharper picture) ----- Trees in summer attire are almost unrecognizable. I am not 100% sure if it is the same tree that I shot in spring.

press [z] ----- Mamiya RB67 + Sekor C 90mm f/3.8 + Kodak Tri-X 400 + Kodak HC-110 (Dil.B)

broken limb has got a dress (press [z]) ----- Mamiya RB67 + Sekor C 90mm f/3.8 + Kodak Tri-X 400 + Kodak HC-110 (Dil.B) ----- This shot is dedicated to Leon_Vienna who unerringly recognized the tree species:

I am testing an old Russian (Soviet) MTO 500mm f/8 mirror tele lens (borrowed from a friend). It is a close-up taken from the lens minimal focusing distance: 4 meters. Correction: I was standing more than 4 meters from the orchestra. Still it is a close-up on the lens terms ;) What you see in the background is donut-shaped bokeh typical for mirror lenses. ----- Revueflex SD1 + MTO 500mm f/8 + Kodak T-Max 400 + Kodak HC-110 (Dil.B)