Julio-Claudian Funerary Altar in the Metropolitan…
Detail of a Julio-Claudian Funerary Altar in the M…
Square with a Bucolic Landscape in the Metropolita…
Tapestry Fragment with Two Figures in the Metropol…
Glass Cage Cup Vivas Diatretum in the Metropolitan…
Glass Cage Cup Vivas Diatretum in the Metropolitan…
Pentelic Marble Fragment of a Hero Relief in the M…
Pentelic Marble Fragment of a Hero Relief in the M…
Bronze Statues of Girls Chasing Partridges in the…
Bronze Statues of Girls Chasing Partridges in the…
Bronze Statues of Girls Chasing Partridges in the…
Bronze Statues of Girls Chasing Partridges in the…
Bronze Statues of Girls Chasing Partridges in the…
Bronze Statues of Girls Chasing Partridges in the…
Bronze Statues of Girls Chasing Partridges in the…
Bronze Statues of Girls Chasing Partridges in the…
Bronze Statues of Girls Chasing Partridges in the…
Bronze Statues of Girls Chasing Partridges in the…
Bronze Statues of Girls Chasing Partridges in the…
Bronze Statues of Girls Chasing Partridges in the…
Bronze Statues of Girls Chasing Partridges in the…
Bronze Statues of Girls Chasing Partridges in the…
Bronze Statues of Girls Chasing Partridges in the…
Marble Inscribed Cippus in the Metropolitan Museum…
Marble Inscribed Cippus in the Metropolitan Museum…
Human-Headed Winged Genie Relief in the Metropolit…
Human-Headed Winged Genie Relief in the Metropolit…
Detail of the Veranda Post with an Equestrian Figu…
Detail of the Veranda Post with an Equestrian Figu…
Veranda Post with an Equestrian Figure and Female…
Veranda Post with an Equestrian Figure and Female…
Latin Bible with Leather Binding in the Metropolit…
Detail of a Jester Candle-holder in the Metropolit…
Jester Candle-holder in the Metropolitan Museum of…
Reliquary Monstrance of St. John the Baptist in th…
Reliquary Monstrance of St. John the Baptist in th…
Fayum Portrait of a Young Woman in Red in the Metr…
Fayum Portrait of a Young Woman in Red in the Metr…
Falcata Type Sword in the Metropolitan Museum of A…
Falcata Type Sword in the Metropolitan Museum of A…
Detail of the Fresco of the Banquet Scene from the…
Detail of the Fresco of the Banquet Scene from the…
Detail of the Fresco of the Banquet Scene from the…
Detail of the Fresco of the Banquet Scene from the…
Detail of the Fresco of the Banquet Scene from the…
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
79 visits
Julio-Claudian Funerary Altar in the Metropolitan Museum of Art, March 2022
Title: Marble funerary altar
Period: Early Imperial, Julio-Claudian
Date: ca. 14–68 CE
Culture: Roman
Medium: Marble
Dimensions: 31 3/4 in. × 17 in. × 14 in. (80.7 cm)
Classification: Stone Sculpture
Credit Line: Fletcher Fund, 1925
Accession Number: 25.78.29
The inscription commemorates a certain Q. Fabius Diogenes and Fabia Primigenia, who lived together for forty-seven years, and tells that the altar was set up by his freedmen, freedwomen, and household slaves. Diogenes himself was probably a freed slave who had acquired a certain wealth and position. This is reflected in the ornamentation of the altar, which is a deliberate echo of imagery used in imperial art of the Julio-Claudian period. The heavy garland suspended from rams’ heads derives from the kind of decoration found on the walls of public sanctuaries. The three types of birds surrounding the garland were all familiar from Augustan monuments: at the center, an eagle, bird of Jupiter, ruler of the gods; at the corners, swans, birds of Apollo, patron god of the emperor; and below the garland, two songbirds, symbols of bountiful nature.
Text from: www.metmuseum.org/art/collection/search/251815
Period: Early Imperial, Julio-Claudian
Date: ca. 14–68 CE
Culture: Roman
Medium: Marble
Dimensions: 31 3/4 in. × 17 in. × 14 in. (80.7 cm)
Classification: Stone Sculpture
Credit Line: Fletcher Fund, 1925
Accession Number: 25.78.29
The inscription commemorates a certain Q. Fabius Diogenes and Fabia Primigenia, who lived together for forty-seven years, and tells that the altar was set up by his freedmen, freedwomen, and household slaves. Diogenes himself was probably a freed slave who had acquired a certain wealth and position. This is reflected in the ornamentation of the altar, which is a deliberate echo of imagery used in imperial art of the Julio-Claudian period. The heavy garland suspended from rams’ heads derives from the kind of decoration found on the walls of public sanctuaries. The three types of birds surrounding the garland were all familiar from Augustan monuments: at the center, an eagle, bird of Jupiter, ruler of the gods; at the corners, swans, birds of Apollo, patron god of the emperor; and below the garland, two songbirds, symbols of bountiful nature.
Text from: www.metmuseum.org/art/collection/search/251815
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.