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Detail of Third Class Carriage by Daumier in the Metropolitan Museum of Art, July 2011


The Third-Class Carriage
Artist: Honoré Daumier (French, Marseilles 1808–1879 Valmondois)
Date: ca. 1862–64
Medium: Oil on canvas
Dimensions: 25 3/4 x 35 1/2 in. (65.4 x 90.2 cm)
Classification: Paintings
Credit Line: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Accession Number: 29.100.129
Label:
As a graphic artist and painter, Daumier chronicled the impact of industrialization on modern urban life in mid-nineteenth-century Paris. Here, he amplifies the subject of a lithograph made some ten years earlier: the hardship and quiet fortitude of third-class railway travelers. Bathed in light, the nursing mother, elderly woman, and sleeping boy emanate a serenity not often associated with public transport. Unfinished and squared for transfer, this picture closely corresponds to a watercolor of 1864 (Walters Art Museum, Baltimore) and a roughly contemporary oil (National Gallery of Canada, Ottawa), but the sequence of the compositions remains unresolved.
Text from: www.metmuseum.org/collection/the-collection-online/search/436095
Artist: Honoré Daumier (French, Marseilles 1808–1879 Valmondois)
Date: ca. 1862–64
Medium: Oil on canvas
Dimensions: 25 3/4 x 35 1/2 in. (65.4 x 90.2 cm)
Classification: Paintings
Credit Line: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Accession Number: 29.100.129
Label:
As a graphic artist and painter, Daumier chronicled the impact of industrialization on modern urban life in mid-nineteenth-century Paris. Here, he amplifies the subject of a lithograph made some ten years earlier: the hardship and quiet fortitude of third-class railway travelers. Bathed in light, the nursing mother, elderly woman, and sleeping boy emanate a serenity not often associated with public transport. Unfinished and squared for transfer, this picture closely corresponds to a watercolor of 1864 (Walters Art Museum, Baltimore) and a roughly contemporary oil (National Gallery of Canada, Ottawa), but the sequence of the compositions remains unresolved.
Text from: www.metmuseum.org/collection/the-collection-online/search/436095
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