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Detail of Faust and Marguerite by Leys in the Philadelphia Museum of Art, January 2012
Faust and Marguerite
Hendrik Jan August Leys, Belgian, 1815 - 1869
Geography: Made in Antwerp, Belgium, Europe
Date: 1856
Medium: Oil on panel
Dimensions: 39 1/4 x 69 3/4 inches (99.7 x 177.2 cm)
Curatorial Department: European Painting before 1900, Johnson Collection
Object Location: Gallery 155, European Art 1850-1900, first floor (Annenberg Galleries)
Accession Number: E1924-3-83
Credit Line: The William L. Elkins Collection, 1924
Label:
This painting shows a moment in Goethe's dramatic poem Faust.
Faust stands with the demonic Mephistopheles behind an iron screen, and he first spies the chaste Marguerite emerging from a church. Faust demands that Mephistopheles secure Marguerite's love for him. Leys has followed Goethe's description in his depiction of Marguerite as a young woman of modest or lower social standing with red lips, glowing cheeks, and downcast eyes.
Like many nineteenth-century artists, Leys was interested in the Middle Ages. Here he dresses the characters in medieval costume and sets the scene at a medieval cathedral in Antwerp, Belgium.
Text from: www.philamuseum.org/collections/permanent/102947.html?mulR=28282219|7
Hendrik Jan August Leys, Belgian, 1815 - 1869
Geography: Made in Antwerp, Belgium, Europe
Date: 1856
Medium: Oil on panel
Dimensions: 39 1/4 x 69 3/4 inches (99.7 x 177.2 cm)
Curatorial Department: European Painting before 1900, Johnson Collection
Object Location: Gallery 155, European Art 1850-1900, first floor (Annenberg Galleries)
Accession Number: E1924-3-83
Credit Line: The William L. Elkins Collection, 1924
Label:
This painting shows a moment in Goethe's dramatic poem Faust.
Faust stands with the demonic Mephistopheles behind an iron screen, and he first spies the chaste Marguerite emerging from a church. Faust demands that Mephistopheles secure Marguerite's love for him. Leys has followed Goethe's description in his depiction of Marguerite as a young woman of modest or lower social standing with red lips, glowing cheeks, and downcast eyes.
Like many nineteenth-century artists, Leys was interested in the Middle Ages. Here he dresses the characters in medieval costume and sets the scene at a medieval cathedral in Antwerp, Belgium.
Text from: www.philamuseum.org/collections/permanent/102947.html?mulR=28282219|7
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