Marble Strigilated Vase in the Metropolitan Museum…
Seated Torso of a Man in the Metropolitan Museum o…
Marble Strigilated Vase in the Metropolitan Museum…
Marble Pediment of a Funerary Altar in the Metropo…
Marble Relief Fragment of an Animal Hunt from Sard…
Detail of a Marble Pediment of a Funerary Altar in…
Seated Statue of Gudea in the Metropolitan Museum…
Seated Statue of Gudea in the Metropolitan Museum…
Seated Statue of Gudea in the Metropolitan Museum…
Assyrian Reliefs in the Metropolitan Museum of Art…
South Italian Wall Painting in the Metropolitan Mu…
Detail of a South Italian Wall Painting in the Met…
Marble Relief of Herakles in the Metropolitan Muse…
Marble Relief of Hermes in the Metropolitan Museum…
Marble Relief of Hermes in the Metropolitan Museum…
Marble Male Cycladic Figurine in the Metropolitan…
Detail of a Roman Mosaic Floor Panel in the Metrop…
The "Cellini Cup" Ewer in the Metropolitan Museum…
The "Cellini Cup" Ewer in the Metropolitan Museum…
Perseus by Canova in the Metropolitan Museum of Ar…
Detail of the Foot of Perseus by Canova in the Met…
The Demidoff Table in the Metropolitan Museum of A…
Detail of the Demidoff Table in the Metropolitan M…
Detail of a Foot of the Monumental Bronze Statue o…
Detail of the Midsection of the Monumental Bronze…
Detail of the Head of the Monumental Bronze Statue…
Detail of the Monumental Bronze Statue of the Empe…
Detail of the Monumental Bronze Statue of the Empe…
Detail of the Monumental Bronze Statue of the Empe…
Monumental Bronze Statue of the Emperor Trebonianu…
Monumental Bronze Statue of the Emperor Trebonianu…
Monumental Bronze Statue of the Emperor Trebonianu…
Monumental Bronze Statue of the Emperor Trebonianu…
Reconstruction Drawing of a Statue of Trebonianus…
Head of a Ruler in the Metropolitan Museum of Art,…
Standing Male Worshiper in the Metropolitan Museum…
Bronze Statuette of a Lar in the Metropolitan Muse…
Bronze Statuette of a Lar in the Metropolitan Muse…
Paris by Canova in the Metropolitan Museum of Art,…
Paris by Canova in the Metropolitan Museum of Art,…
Detail of the Plaster Model of Cupid & Psyche by C…
Plaster Model of Cupid & Psyche by Canova in the M…
Plaster Model of Cupid & Psyche by Canova in the M…
The Visitation in the Metropolitan Museum of Art,…
The Triumph of Love Over Time Mantle Clock in the…
Location
Lat, Lng:
Lat, Lng:
You can copy the above to your favourite mapping app.
Address: unknown
Lat, Lng:
You can copy the above to your favourite mapping app.
Address: unknown
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
987 visits
Detail of a Foot of the Monumental Bronze Statue of the Emperor Trebonianus Gallus in the Metropolitan Museum of Art, July 2007
Bronze statue of the emperor Trebonianus Gallus
A.D. 251–253
Roman
Object Details
Period: Imperial
Date: A.D. 251–253
Culture: Roman
Medium: Bronze
Dimensions: H. 95 in. (241.3 cm)
Classification: Bronzes
Credit Line: Rogers Fund, 1905
Accession Number: 05.30
This bronze monumental statue is one of the very few nearly complete Roman bronze statues of the third century preserved today. It is a reminder that many of the disembodied portrait heads displayed in these galleries were once attached to freestanding sculptures, whose original appearances were undoubtedly quite different. Portraits of the emperor served the highly important function in imperial propaganda of presenting the ruler to the public and of projecting the personality with which he wished to be perceived. Leadership and military strength are evoked in the heroic nudity of the figure and in the pose, which recalls the famous statue of Alexander the Great with the Lance by Lysippos. In contrast to the idealized body, the portrait head represents the emperor with brutish realism. Trebonianus likely would have cradled a parazonium, or short sword, in his left arm, and held a spear in his upraised right hand.
The statue has undergone several campaigns of restoration since its discovery in the early nineteenth century and was examined in great detail as part of the conservation treatment in preparation for its display here. Visual examination inside and out, combined with x-radiography, made possible the clear identification of ancient and restored areas, which are indicated in the accompanying illustration. At least three-quarters of the statue is ancient. Despite the discrepancy in scale, the head belongs to the body. Although the mantle draped over his left shoulder is a modern restoration, cast edges beneath it confirm that the statue had a similar embellishment in antiquity. The left foot with its elaborately decorated open-fronted boot appears to be ancient but may not belong.
Text from: www.metmuseum.org/art/collection/search/247117
A.D. 251–253
Roman
Object Details
Period: Imperial
Date: A.D. 251–253
Culture: Roman
Medium: Bronze
Dimensions: H. 95 in. (241.3 cm)
Classification: Bronzes
Credit Line: Rogers Fund, 1905
Accession Number: 05.30
This bronze monumental statue is one of the very few nearly complete Roman bronze statues of the third century preserved today. It is a reminder that many of the disembodied portrait heads displayed in these galleries were once attached to freestanding sculptures, whose original appearances were undoubtedly quite different. Portraits of the emperor served the highly important function in imperial propaganda of presenting the ruler to the public and of projecting the personality with which he wished to be perceived. Leadership and military strength are evoked in the heroic nudity of the figure and in the pose, which recalls the famous statue of Alexander the Great with the Lance by Lysippos. In contrast to the idealized body, the portrait head represents the emperor with brutish realism. Trebonianus likely would have cradled a parazonium, or short sword, in his left arm, and held a spear in his upraised right hand.
The statue has undergone several campaigns of restoration since its discovery in the early nineteenth century and was examined in great detail as part of the conservation treatment in preparation for its display here. Visual examination inside and out, combined with x-radiography, made possible the clear identification of ancient and restored areas, which are indicated in the accompanying illustration. At least three-quarters of the statue is ancient. Despite the discrepancy in scale, the head belongs to the body. Although the mantle draped over his left shoulder is a modern restoration, cast edges beneath it confirm that the statue had a similar embellishment in antiquity. The left foot with its elaborately decorated open-fronted boot appears to be ancient but may not belong.
Text from: www.metmuseum.org/art/collection/search/247117
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.