From Doré's Root to Holiday's Rat
The Carpenter and Ahasuerus
Weeds turned Horses (2)
The Baker's 42 Boxes
Holiday and Gheeraerts I
6 Sources to the Beaver's Lesson
Holiday - Millais- Anonymous - Galle, detail
Bankersnatched by the Bandersnatch
Snarked: Henry George Liddell
Henry George Liddell in "The Hunting of the Snark"
Darwin's Fireplace and the Baker's Dear Uncle
The Bellman and Sir Henry Lee (no marks)
IT WAS A BOOJUM (bw)
The Boojum sitting on some of the 42 boxes
TruthProof
Lacing Pillow
Thomas Cranmer's Burning
Nosemorph
Henry Holiday & John Martin
The Vanishing and the Gneiss Rock
The Bellman and Charles Darwin
Adriano Orefice: La cerca dello Squallo
Bellmen on the Rocks
The Butcher & the young Raleigh (details)
Bellman & Bard
Bellman & Bard
Bellman & Bard after retinex filtering
Where do Boojums live?
Bellman & Bard after retinex filtering
Holiday - Millais - Anonymous - Galle; detail
jub jub jub jub jub jub jub jub jub jub jub jub ..…
The Broker's and the Monk's Nose
The Broker's and the Monk's Nose (with a little he…
Monster Nose
The Monster in the Branches
The Uncle over Darwin's Fireplace
Two Noses
So great was his fright that his waistcoat turned…
The Bankers Fate
Two Bone Players
Again: What I tell you three times is true!
IT WAS A BOOJUM
Herbs & Horses
White Spot
The Billiard marker
Snarked Workplace
The Billiard Marker & Henry George Liddell
Carroll's Barrister's Dream
Dream Snarks
Ceci n'est pas une cloche
Paradise Lost and the Beaver's Lesson
Darwins snarked Study
About my Snark hunt
John Martin's Bard and Henry Holiday's Snark Illus…
The Banker and The Bonnetmaker
Fun with Allusions
Grünewald and Holiday
Easter Greeting
Henry Holiday's Snark Hunt on Bēhance
Recycled Bellman Draft
Heads by Henry Holiday and Marcus Gheeraerts the E…
The removed "error" had a purpose
The Flaw was no Flaw
Bellmen
Thumb & Lappet
Gnarly Monstrance
Bard and Bellman
Bonnet Head
Billiard-Marker & Henry George Liddell
Snark Hunt: Square One
Hidden Carrol
Thomas Cramer's hand?
"But if ever I meet with a Boojum, that day, I sha…
The Snark in your Dreams
The Butcher and Benjamin Jowett
Beagle and Beagle?
The Bell?
Ditchley Snark
Ditchley Snark
IT WAS A BOOJUM
While he rattled a couple of bones
While he rattled a couple of bones
What I tell you three times is true!
Crossing the Line
Anne I?
Tree of Life
The Bellman and Father Time
Snark Hunting with the HMS Beagle
Inspiration by Reinterpretation
The Bellman and Sir Henry Lee
Star and Tail
William III, Religion and Liberty, Care and Hope
Darwin's Study and the Baker's Uncle
Kerchiefs and other shapes
Holiday - Millais - Anonymous - Galle
From Doré's Root to Holiday's Rat
Anne Hale Mrs. Hoskins
Anne Hale Mrs. Hoskins
42 Boxes, Sheep, Iconoclasm
Thomas Cranmer's 42 Boxes
With yellow kid gloves and a ruff
The Bandersnatch fled as the others appeared
The Paranoiac-Critical Method serves the Art of De…
Weeds turned Horses (BW)
Weeds turned Horses
Weeds turned Horses (detail)
Monster Face
Monster Feet
The Bard (detail)
h40
h12
h10
h01
h00
h11
h20
h30
h50
h60
h70
h80
h90
h91
An Expedition Team
Holiday - Millais - Anonymous - Galle
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42 Boxes meet the Iconoclasts
[left]: Segment (devided) of Henry Holiday's depiction of the Baker's visit to his uncle (1876) in Lewis Carroll's The Hunting of the Snark (engraved by Joseph Swain). Outside of the window are some of the Baker's 42 boxes.
[right]: Anonymous: Segment (two times) of Edward VI and the Pope, An Allegory of Reformation, mirrored view (16th century). Iconoclasm depicted in the window. Under the window (see below) is Thomas Cranmer who wrote the 42 Articles in 1552. In The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait (1994, p. 72), the late Margaret Aston compared the iconoclastic scene to prints depicting the destruction of the Tower of Babel (Philip Galle after Maarten van Heemskerck, 1567). From Margaret Aston's book I learned that the section showing the iconoclasm scene is an inset, not a window. Actually, it may have been an inset which was meant to be perceived as a window as well.
[right]: Anonymous: Segment (two times) of Edward VI and the Pope, An Allegory of Reformation, mirrored view (16th century). Iconoclasm depicted in the window. Under the window (see below) is Thomas Cranmer who wrote the 42 Articles in 1552. In The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait (1994, p. 72), the late Margaret Aston compared the iconoclastic scene to prints depicting the destruction of the Tower of Babel (Philip Galle after Maarten van Heemskerck, 1567). From Margaret Aston's book I learned that the section showing the iconoclasm scene is an inset, not a window. Actually, it may have been an inset which was meant to be perceived as a window as well.
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