Bellman & Bard
Bellman & Bard after retinex filtering
Bellman & Bard for B&W printing
J. J. Grandville's Monsters
Holidays Boojum
Where do Boojums live?
yimin.tumblr.com
Millais: Study for 'The Boyhood of Raleigh'
How curious are the NPG curators?
Queen Elizabeth I at old age
Bellman & Bard after retinex filtering
jub jub jub jub jub jub jub jub jub jub jub jub ..…
Speedometer
The Broker's and the Monk's Nose (with a little he…
Lyruk
Monster Nose
Dissonanz
Portrait of Charles Robert Darwin by Laura Russell…
The Monster in the Branches
Sulfur Shelf on Cherry Tree in Spring
Dressed up Sulfur Shelf
MJ Maccarsini's "Green on Green"
The Uncle over Darwin's Fireplace
Bellmen on the Rocks
Blakeekalb
The Butcher & the young Raleigh (details)
The Art of Deniability
Henry Holiday
The Ancient of Bad Hair Days
Hennry Holiday, the Bonnetmaker and a Bonnet
The Bellman and Charles Darwin
Adriano Orefice: La cerca dello Squallo
Johannes Vermeer & Salvatore Dalí: The Lacemaker
Monster Face
The Snark in your Dreams (low resolution)
The Snark in your Dreams
Mad Tea-Party500500
Mad Tea-Party
Bonnetmaker@ipernity
Hongkong
Entropy Export
Collembolacollaboration
Snark Logo
The Vanishing and the Gneiss Rock
Henry Holiday & John Martin
See also...
See more...Keywords
Authorizations, license
-
Visible by: Everyone -
Attribution + non Commercial + share Alike
-
2 447 visits
Bellman & Bard
[main image]: John Martin: The Bard (ca. 1817), by GIMP: contrast enhanced in the rock area & light areas delated.
[inset] Henry Holiday: Illustration (1876) to chapter The Beaver's Lesson in Lewis Carroll's The Hunting of the Snark, detail
In mydailyartdisplay.wordpress.com/the-bard-by-john-martin, "Jonathan" connects the painting to the poem The Bard written by by Thomas Gray in 1755. Inspired by a Welsh tradition that said that Edward I had put to death any bards he found, to extinguish Welsh culture; the poem depicts the escape of a single bard:
· · ...
· · On a rock, whose haughty brow
· · Frowns o'er cold Conway's foaming flood,
· · Robed in the sable garb of woe
· · With haggard eyes the Poet stood;
· · ...
· · A Voice, as of the Cherub-Choir,
· · Gales from blooming Eden bear;
· · And distant warblings lessen on my ear,
· · That lost in long futurity expire.
· · Fond impious Man, think'st thou, yon sanguine cloud,
· · Rais'd by thy breath, has quench'd the Orb of day?
· · To-morrow he repairs the golden flood,
· · And warms the nations with redoubled ray.
· · "Enough for me: With joy I see
· · The different doom our Fates assign.
· · Be thine Despair, and scept'red Care,
· · To triumph, and to die, are mine."
· · He spoke, and headlong from the mountain's height
· · Deep in the roaring tide he plung'd to endless night.
· · ...
Full text:
www.thomasgray.org/cgi-bin/display.cgi?text=bapo
spenserians.cath.vt.edu/TextRecord.php?action=GET&tex...
www.english.upenn.edu/~mgamer/Etexts/gray.bard.html
www.google.com/search?q="A+Voice,+as+of+the+Cherub-Choir"
The poem and the painting may have been an inspiration to Lewis Carroll and Henry Holiday in The Hunting of the Snark. This is about The Vanishing of The Baker:
· · 537 · · "There is Thingumbob shouting!" the Bellman said,
· · 538 · · · · "He is shouting like mad, only hark!
· · 539 · · He is waving his hands, he is wagging his head,
· · 540 · · · · He has certainly found a Snark!"
· · 541 · · They gazed in delight, while the Butcher exclaimed
· · 542 · · · · "He was always a desperate wag!"
· · 543 · · They beheld him--their Baker--their hero unnamed--
· · 544 · · · · On the top of a neighbouring crag.
· · 545 · · Erect and sublime, for one moment of time.
· · 546 · · · · In the next, that wild figure they saw
· · 547 · · (As if stung by a spasm) plunge into a chasm,
· · 548 · · · · While they waited and listened in awe.
Album:
John Martin
[inset] Henry Holiday: Illustration (1876) to chapter The Beaver's Lesson in Lewis Carroll's The Hunting of the Snark, detail
In mydailyartdisplay.wordpress.com/the-bard-by-john-martin, "Jonathan" connects the painting to the poem The Bard written by by Thomas Gray in 1755. Inspired by a Welsh tradition that said that Edward I had put to death any bards he found, to extinguish Welsh culture; the poem depicts the escape of a single bard:
· · ...
· · On a rock, whose haughty brow
· · Frowns o'er cold Conway's foaming flood,
· · Robed in the sable garb of woe
· · With haggard eyes the Poet stood;
· · ...
· · A Voice, as of the Cherub-Choir,
· · Gales from blooming Eden bear;
· · And distant warblings lessen on my ear,
· · That lost in long futurity expire.
· · Fond impious Man, think'st thou, yon sanguine cloud,
· · Rais'd by thy breath, has quench'd the Orb of day?
· · To-morrow he repairs the golden flood,
· · And warms the nations with redoubled ray.
· · "Enough for me: With joy I see
· · The different doom our Fates assign.
· · Be thine Despair, and scept'red Care,
· · To triumph, and to die, are mine."
· · He spoke, and headlong from the mountain's height
· · Deep in the roaring tide he plung'd to endless night.
· · ...
Full text:
www.thomasgray.org/cgi-bin/display.cgi?text=bapo
spenserians.cath.vt.edu/TextRecord.php?action=GET&tex...
www.english.upenn.edu/~mgamer/Etexts/gray.bard.html
www.google.com/search?q="A+Voice,+as+of+the+Cherub-Choir"
The poem and the painting may have been an inspiration to Lewis Carroll and Henry Holiday in The Hunting of the Snark. This is about The Vanishing of The Baker:
· · 537 · · "There is Thingumbob shouting!" the Bellman said,
· · 538 · · · · "He is shouting like mad, only hark!
· · 539 · · He is waving his hands, he is wagging his head,
· · 540 · · · · He has certainly found a Snark!"
· · 541 · · They gazed in delight, while the Butcher exclaimed
· · 542 · · · · "He was always a desperate wag!"
· · 543 · · They beheld him--their Baker--their hero unnamed--
· · 544 · · · · On the top of a neighbouring crag.
· · 545 · · Erect and sublime, for one moment of time.
· · 546 · · · · In the next, that wild figure they saw
· · 547 · · (As if stung by a spasm) plunge into a chasm,
· · 548 · · · · While they waited and listened in awe.
Album:
John Martin
Smiley Derleth, have particularly liked this photo
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Similar to you, I also like the first version of the comparison. However, the new colored version is closer to the original. Also, everybody can desaturate the colors in that image (I used the GIMP), but properly restoring the colors from an already desaturated version is quite impossible.
The greyscale version helps to focus on shapes. As Henry Holiday's illustrations were black&white, he did not "quote" colors, rather he used shapes to connect his illustrations to the art work of earlier painters and illustrators. I think, he had some fun himself (and together with Carroll/Dodgson?) when he re-interpreted the shapes:
Not eye pleasing, but good for shape analysis.
Sign-in to write a comment.