Queen Quiquinha Throne
CHAMPALIMAUD FOUNDATION
Monks Dining Hall
The light that glides on the nave's columns
It seems there is a festivity but no one sees it
...two elephants bother a lot more...
Morning Coffee
Some life is given to a dead angle
Santa Maria de Alcobaça
HEAT
CEILING
night
Go around
The mid-morning coffee tastes very good
MAMA MIA
On a narrow street is more difficult to sunbath
EVER
STATE OF THE NATION
Tudo o que temos é um corpo vagabundo e o pensamen…
Land preparation
Monastery of Alcobaça
Don't go under!
This couple of friends and almost neighbors is rep…
D. Inês de Castro Tomb (1320-1367)
SMS
The A-dos-Ruivos Cattery Manager has her hands ful…
The Desire of Losing Everything
Grab me to the wall!
"BEHOLD I MAKE ALL THINGS NEW" - Apocalypse 21:5
Siesta
Looking for light
ULTRAMARINE BLUE
Bombarral Municipal Holiday, silent celebration
Lisboa, 4th floor (1)
Who let the donkey in?
Windy day
The flowers photographer denounced himself
Raw material
Vinho Português e Pera Rocha, Festa do Bombarral
See also...
Group of the Visual Poets (2 photos/day, no invite needed :)
Group of the Visual Poets (2 photos/day, no invite needed :)
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231 visits
ONCE UPON A TIME...
A land not so far away, a planet called Earth...
It wasn't a crash
It wasn't a disaster
It wasn't
(intense and long break)
And that's how the world dies
In the long and slow pandemic
To feel the invisible
To feel the visible
And all antinomies appear
We hear all sufferings of living humans
We hear all sufferings of dead humans
Like a gigantic egregore
All the night beauty grows darker
And it's in the darker night
And it's in the darker night
That human despair intensifies
More than the shine of the stars
///
ERA UMA VEZ...
Uma terra não tão distante assim, um planeta chamado Terra...
Não foi estrondo
Não foi hecatombe
Não foi
(pausa intensa e demorada)
E é assim que o mundo morre
Na longa e lenta pandemia
Tatear o invisível
Tatear o visível
E todas as antinomias aparecem
Ouvimos todos os sofrimentos dos humanos vivos
Ouvimos todos os sofrimentos dos humaos mortos
Como uma gigantesca egrégora
E a beleza da noite se faz mais escura
E é na noite mais escura
E é na noite mais escura
Que o desespero humano se intensifica
Mais que o brilho das estrelas
by Maurício GOMES (Brazilian poet), seen in www.palavracomum.com, 25.06.2021
(English translated by Armando TABORDA, 2021)
(photograph - "Egregore", thought form of Charles GOUNOD's music, in accordance with Annie BESANT and C. W. LEADBEATER, in Thought Forms, 1901)
It wasn't a crash
It wasn't a disaster
It wasn't
(intense and long break)
And that's how the world dies
In the long and slow pandemic
To feel the invisible
To feel the visible
And all antinomies appear
We hear all sufferings of living humans
We hear all sufferings of dead humans
Like a gigantic egregore
All the night beauty grows darker
And it's in the darker night
And it's in the darker night
That human despair intensifies
More than the shine of the stars
///
ERA UMA VEZ...
Uma terra não tão distante assim, um planeta chamado Terra...
Não foi estrondo
Não foi hecatombe
Não foi
(pausa intensa e demorada)
E é assim que o mundo morre
Na longa e lenta pandemia
Tatear o invisível
Tatear o visível
E todas as antinomias aparecem
Ouvimos todos os sofrimentos dos humanos vivos
Ouvimos todos os sofrimentos dos humaos mortos
Como uma gigantesca egrégora
E a beleza da noite se faz mais escura
E é na noite mais escura
E é na noite mais escura
Que o desespero humano se intensifica
Mais que o brilho das estrelas
by Maurício GOMES (Brazilian poet), seen in www.palavracomum.com, 25.06.2021
(English translated by Armando TABORDA, 2021)
(photograph - "Egregore", thought form of Charles GOUNOD's music, in accordance with Annie BESANT and C. W. LEADBEATER, in Thought Forms, 1901)
Nouchetdu38, Ulrich John, cammino, homaris and 9 other people have particularly liked this photo
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