Sofia Scalchi by Elliott & Fry
Ernest Van Dyck by Hoffert
Hermann Winkelmann by Bieber
Adelina Patti by London Sterographic Co
L'Opera
Jean-Baptiste Faure by Erwin
Krauss/Destinn/Dietrich/Parbs
Bellini's " La Sonnambula", 1830's
Mikhail Karakash by Scassiet
Maria Slavina by Photography of Imperial Theatres…
Eugenia Mravina by Photography of Imperial Theatre…
David Yuzhin by Russian Studio Moscow
David Yuzhin by Fisher Moscow
Meyriane Heglon-Leroux by Reutlinger
Rose Caron by Benque
Juliette By Ulrich Grob
Joachim Tartakov by Russian studio
Marguerite Priola by Maunoury
L N Bragina by Russian studio
Andrei Labinski by Russian studio
Pyotr Lodiy by Russian studio
Paola Marie by Reutlinger
Therese Tietjens by Stereoscope Co
Manru
Marcella Sembrich by Aime Dupont
Sybil Sanderson by Reutlinger
Sybil Sanderson by Benque
Marie Roze by Unknown
Marie Roze by Mora
Maurice Renaud by Benque
Carlotta Patti by Unknown
Adelina Patti by Mora Autographed ??
Victor Maurel by Aime Dupont
Clara Louise Kellogg by Sarony
Riccardo Martin by Aime Dupont
Marcel Journet by Aime Dupont
Jean Lassalle by Falk
Johanna Gadski by Aime Dupont
Marie Heilbronn by Benque
Emma Eames by Falk
Jean De Reszke by Issoire
Jean De Reszke by Aime Dupont
Jean De Reszke by Mieczkowski
Jean De Reszke by Aime Dupont
Edouard De Reszke & Jean De Reszke by Benque
See also...
Marcella Sembrich by Aime Dupont
as Marie in "la Fille de Regiment" by Donizetti
MARCELLA SEMBRICH
(Prakseda Marcelina Kochańska)
(February 15, 1858 – January 11, 1935)
Polish Soprano
She entered the Vienna Conservatory in Autumn 1875. It was only then that her remarkable voice was discovered. She studied violin with Joseph Hellmesberger, Sr., piano with Julius Epstein, and voice with Viktor Rokitansky. After a year it was decided to give up study of the violin and piano and fully devote the young student to voice lessons. She arrived in Milan in September 1876 to study with one of the best vocal teachers on the continent, namely, Giovanni Battista Lamperti, son of the eminent teacher Francesco Lamperti, with whom she would later study in 1885.
Made her debut in opera at Athens as Elvira in Bellini's I Puritani on June 3, 1877. She not only sang Puritani, but also Dinorah, Lucia di Lammermoor, Robert le Diable and La Sonnambula! She continued her vocal studies, this time with Marie Seebach and Richard Lewey in Vienna. At Covent Garden and signed a contract there for five seasons. In June 1880 she created a sensation in her debut at Covent Garden as Lucia in Donizetti's Lucia di Lammermoor. She became a great favorite in the characters of Zerlina, Don Giovanni; Susanna, The Marriage of Figaro; Konstanze, The Abduction from the Seraglio; Lady Harriet/Martha, Martha; and, of course, Lucia. She made her Met debut as Lucia in the company premiere of Lucia di Lammermoor on October 24, 1883, she was also the Met's first Elvira in I Puritani, Violetta in La Traviata, Amina in La Sonnambula, Gilda in Rigoletto, Marguerite in Les Huguenots and Rosina in Il Barbiere di Siviglia.
MARCELLA SEMBRICH
(Prakseda Marcelina Kochańska)
(February 15, 1858 – January 11, 1935)
Polish Soprano
She entered the Vienna Conservatory in Autumn 1875. It was only then that her remarkable voice was discovered. She studied violin with Joseph Hellmesberger, Sr., piano with Julius Epstein, and voice with Viktor Rokitansky. After a year it was decided to give up study of the violin and piano and fully devote the young student to voice lessons. She arrived in Milan in September 1876 to study with one of the best vocal teachers on the continent, namely, Giovanni Battista Lamperti, son of the eminent teacher Francesco Lamperti, with whom she would later study in 1885.
Made her debut in opera at Athens as Elvira in Bellini's I Puritani on June 3, 1877. She not only sang Puritani, but also Dinorah, Lucia di Lammermoor, Robert le Diable and La Sonnambula! She continued her vocal studies, this time with Marie Seebach and Richard Lewey in Vienna. At Covent Garden and signed a contract there for five seasons. In June 1880 she created a sensation in her debut at Covent Garden as Lucia in Donizetti's Lucia di Lammermoor. She became a great favorite in the characters of Zerlina, Don Giovanni; Susanna, The Marriage of Figaro; Konstanze, The Abduction from the Seraglio; Lady Harriet/Martha, Martha; and, of course, Lucia. She made her Met debut as Lucia in the company premiere of Lucia di Lammermoor on October 24, 1883, she was also the Met's first Elvira in I Puritani, Violetta in La Traviata, Amina in La Sonnambula, Gilda in Rigoletto, Marguerite in Les Huguenots and Rosina in Il Barbiere di Siviglia.
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