Jean De Reszke by Mieczkowski
Jean De Reszke by Aime Dupont
Jean De Reszke by Issoire
Emma Eames by Falk
Marie Heilbronn by Benque
Johanna Gadski by Aime Dupont
Jean Lassalle by Falk
Marcel Journet by Aime Dupont
Riccardo Martin by Aime Dupont
Clara Louise Kellogg by Sarony
Victor Maurel by Aime Dupont
Adelina Patti by Mora Autographed ??
Carlotta Patti by Unknown
Maurice Renaud by Benque
Marie Roze by Mora
Marie Roze by Unknown
Sybil Sanderson by Benque
Sybil Sanderson by Reutlinger
Marcella Sembrich by Aime Dupont
Manru
Marcella Sembrich by Aime Dupont
Sofia Scalchi by Elliott & Fry
Ernest Van Dyck by Hoffert
Edouard De Reszke & Jean De Reszke by Benque
Le Cid . Metropolitan Opera .8th February 1901
Zelie De Lussan by C F Conley
Edouard De Reszke by Aime Dupont
Tosca, 25 January 1907 , Metropolitan Opera
Lina Cavalieri by Reutlinger
Guiseppe Campanari by Aime Dupont
Annie Louise Cary by H Rocher
Emma Calve by Falk
Emma Calve by Falk
Albert Alvarez by Aime Dupont
Alessandro Bonci by Aime Dupont
Ernestine Schumann-Heink
Ernestine Schumann-Heink
Ernestine Schumann-Heink
Ernestine Schumann-Heink
Ernestine Schumann-Heink
Ernestine Schumann-Heink
Jean-Baptiste Noté
Jean-Baptiste Noté
Jean-Baptiste Noté
Eleonora de Cisneros
See also...
Jean De Reszke by Aime Dupont
as Raoul in "Les Huguenots' By Meyerbeer
JEAN DE RESZKE
(Jan Mieczyslaw RESZKE )
(14 January 1850 – 3 April 1925),
Polish Tenor
abandoned his legal training and went to Milan in Italy to study voice. The most acclaimed of the pedagogues consulted by the young de Reszke was Antonio Cotogni, an eminent baritone who was a favorite of Giuseppe Verdi's.
In January 1874, he made his debut in Venice as Jan de Reschi (he later changed it to Jean de Reszke), undertaking the baritone part of Alfonso in a production of Donizetti's La favorite . The following April, he sang for the first time in London, performing at the Theatre Royal, Drury Lane, and a little later in Paris, essaying an array of different baritone roles.
De Reszke displayed limitations as a baritone and he withdrew from the stage to allow for a further period of study, this time with Giovanni Sbriglia in Paris. Under Sbirgilia's tutelage, his voice gained remarkably in the freedom of its upper register. Accordingly, when he made his first operatic reappearance in 1879 (in Madrid), it was as a tenor, scoring a success in the title-role of Meyerbeer's Robert le diable. Indeed, the then 29-year-old de Reszke's immense fame as a singer dates
JEAN DE RESZKE
(Jan Mieczyslaw RESZKE )
(14 January 1850 – 3 April 1925),
Polish Tenor
abandoned his legal training and went to Milan in Italy to study voice. The most acclaimed of the pedagogues consulted by the young de Reszke was Antonio Cotogni, an eminent baritone who was a favorite of Giuseppe Verdi's.
In January 1874, he made his debut in Venice as Jan de Reschi (he later changed it to Jean de Reszke), undertaking the baritone part of Alfonso in a production of Donizetti's La favorite . The following April, he sang for the first time in London, performing at the Theatre Royal, Drury Lane, and a little later in Paris, essaying an array of different baritone roles.
De Reszke displayed limitations as a baritone and he withdrew from the stage to allow for a further period of study, this time with Giovanni Sbriglia in Paris. Under Sbirgilia's tutelage, his voice gained remarkably in the freedom of its upper register. Accordingly, when he made his first operatic reappearance in 1879 (in Madrid), it was as a tenor, scoring a success in the title-role of Meyerbeer's Robert le diable. Indeed, the then 29-year-old de Reszke's immense fame as a singer dates
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