Frieda Hempel
Lina Mayr by Graf
Mathilde Mallinger by Luckhardt
Adelina Patti by Reutlinger (19)
Marie Roze by Reutlinger
Pauline Lucca by L & Co
Adelina Patti by L & Co (20)
Marguerite Priola by Tourtin
Milly Meyer by Nadar
Hortense Schneider by Ulric Gob
Emma Albani by Nadar (8)
Mario & Patti by Caldesi
Irma Terväni
Catherine Mastio
Catherine Mastio
Catherine Mastio
Julia Culp
Vera Nimidoff.
Lillian Blauvelt
Julius Lieban
Paul Dufault
Hans Duhan
Lalla Miranda
Lily Hafgren- Waag
Nicolai Shevlev
Anton Van Rooy
Anton Van Rooy
Anton Van Rooy
Robert Radford
Hippolyte-Adolphe Belhomme
Alice Verlet
Alice Verlet
Alice Verlet
Agnes Nichols
Adelaide Bolska
Charles Rousseliere
Charles Rousseliere
Paul Bender
Marcella Sembrich
Rose Deschamps & Lise Tautin & by Mayer & Pierson
Lillian Nordica
Emmy Destinn
Frieda Hempel
Herman Jadlowker
Geraldine Farrar & Herman Jadlowker
Emmy Destinn
as Salome "Salome" by Strauss
Emmy Destinn
(Emílie Pavlína Věnceslava Kittlová)
1878-1930
Czech Soprano
Her voice teacher since age thirteen had been Marie Maria von Dreger Loewe-Destinn, and the young singer began using her teacher's surname as a tribute.
Debut 19 July 1898 at the Berlin Court Opera as Santuzza in "Cavalleria Rusticana" .London debut at Covent Garden's Royal Opera House on 2 May 1904, as Donna Anna in Don Giovanni. She appeared there in several operas for the next two seasons, including the London premiere of Madama Butterfly with Caruso. Her Metropolitan Opera debut came in 1908 with an acclaimed performance of Aida, she created the role of Minnie in the premiere of Puccini's La fanciulla del West, again opposite Caruso, While she was highly successful in the lighter roles of Wagner's operas, her voice,excelled in the French part of Carmen, in which she was said to rival Calvé, and in the Italian roles of Aida, Madama Butterfly and Leonora (in Il trovatore).
Emmy Destinn
(Emílie Pavlína Věnceslava Kittlová)
1878-1930
Czech Soprano
Her voice teacher since age thirteen had been Marie Maria von Dreger Loewe-Destinn, and the young singer began using her teacher's surname as a tribute.
Debut 19 July 1898 at the Berlin Court Opera as Santuzza in "Cavalleria Rusticana" .London debut at Covent Garden's Royal Opera House on 2 May 1904, as Donna Anna in Don Giovanni. She appeared there in several operas for the next two seasons, including the London premiere of Madama Butterfly with Caruso. Her Metropolitan Opera debut came in 1908 with an acclaimed performance of Aida, she created the role of Minnie in the premiere of Puccini's La fanciulla del West, again opposite Caruso, While she was highly successful in the lighter roles of Wagner's operas, her voice,excelled in the French part of Carmen, in which she was said to rival Calvé, and in the Italian roles of Aida, Madama Butterfly and Leonora (in Il trovatore).
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