Celine Van Ghell by Reutlinger
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Vera Petrova-Zvanceva
Vera Petrova-Zvanceva
Vera Petrova-Zvanceva & Nazary Raysky
Vera Petrova-Zvanceva & Alexy Borisenko
Anastasia Vialtseva
Anastasia Vialtseva
Anastasia Vialtseva
Anton Sekar-Rozhansky
Anton Bonachich
Lidya Lipkowska
Antonio Tamburini by Pierre Petit
Marie Heilbronn by Ulric Grob
Anne Arsene Charton- Demeur by Pierre Petit
Adele Isaac by Reutlinger
Louis Grois by Luckhardt
Bertha Ehnn by Gertlinger
Rosa Streitmann by Moriz Muller Jnr
Anna Kratz by Pokorny & Reuter
Marie Wilt by Knizeks
Jean De Reszke by Aime Dupont
Marguerite Chapuy by Reutlinger
Salvatore ? Tamburini by Franck
Salvatore ? Tamburini by Franck
Salvatore ? Tamburini by Franck
Jean Morere by Eugene de Paris
Minnie Hauk by Reutlinger (10)
Fides Devries by Reutlinger
Fides Devries by Reutlinger
Fides Devries by Reutlinger
Hortense Schneider by Disderi
Didiée or perhaps Didiér by Reutlinger
Anton Erl by Hanns Hanfstaengl
See also...
Delphine Ugalde by Reutlinger
DELPHINE UGALDE, née Beaucé, (3 December 1829 – 19 July 1910) was a French soprano. She was the mother of Marguerite Ugalde.
Delphine Ugalde was born in Paris. After studies with her mother and the tenor Théodore-François Moreau-Sainti in Paris, she made her debut at the Opéra Comique in 1848 as Angèle in Auber’s Le domino noir, followed by L'ambassadrice. She went on to create roles in several popular operas of the time including the title role in Galathée by Massé on 14 April 1852, Virginie in Le caïd by Thomas on 3 January 1849 and Coraline in Le Toréador on 18 May 1849. After a break, she returned for Psyché (Eros) by Thomas on 26 January 1857.She sang in Auber’s L’enfant prodigue in London in 1851. At the Paris Opéra she sang Alice in Robert le diable in 1851 and Leonora in Il Trovatore (1858).
In 1858, she made her debut at the Théâtre Lyrique, where she sang Suzanne in Les Noces de Figaro, Carabosse Mélodine in La fée Carabosse by Massé (28 February 1859), Blondine in L’Enlèvement au Sérail (1859), Martine in Ma tante dort (21 Jan 1860), and the title role in Gil Blas (24 March 1860). Her final benefit performance on 14 May 1860 was a lavish affair with, as well as many popular singers, contributions from Massé, Sarasate and Gounod. She returned briefly in 1865 to sing Papagena.
In February 1861, From 1863, she sang at the Théâtre des Bouffes-Parisiens (Orphée, Les bavards), including her own operetta Halte au Moulin (1867), but retired from the stage in 1871.
Delphine Ugalde was born in Paris. After studies with her mother and the tenor Théodore-François Moreau-Sainti in Paris, she made her debut at the Opéra Comique in 1848 as Angèle in Auber’s Le domino noir, followed by L'ambassadrice. She went on to create roles in several popular operas of the time including the title role in Galathée by Massé on 14 April 1852, Virginie in Le caïd by Thomas on 3 January 1849 and Coraline in Le Toréador on 18 May 1849. After a break, she returned for Psyché (Eros) by Thomas on 26 January 1857.She sang in Auber’s L’enfant prodigue in London in 1851. At the Paris Opéra she sang Alice in Robert le diable in 1851 and Leonora in Il Trovatore (1858).
In 1858, she made her debut at the Théâtre Lyrique, where she sang Suzanne in Les Noces de Figaro, Carabosse Mélodine in La fée Carabosse by Massé (28 February 1859), Blondine in L’Enlèvement au Sérail (1859), Martine in Ma tante dort (21 Jan 1860), and the title role in Gil Blas (24 March 1860). Her final benefit performance on 14 May 1860 was a lavish affair with, as well as many popular singers, contributions from Massé, Sarasate and Gounod. She returned briefly in 1865 to sing Papagena.
In February 1861, From 1863, she sang at the Théâtre des Bouffes-Parisiens (Orphée, Les bavards), including her own operetta Halte au Moulin (1867), but retired from the stage in 1871.
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