Anne Arsene Charton- Demeur by Pierre Petit
Marie Heilbronn by Ulric Grob
Antonio Tamburini by Pierre Petit
Delphine Ugalde by Reutlinger
Celine Van Ghell by Reutlinger
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Feodor Chaliapin
Vera Petrova-Zvanceva
Vera Petrova-Zvanceva
Vera Petrova-Zvanceva & Nazary Raysky
Vera Petrova-Zvanceva & Alexy Borisenko
Anastasia Vialtseva
Anastasia Vialtseva
Louis Grois by Luckhardt
Bertha Ehnn by Gertlinger
Rosa Streitmann by Moriz Muller Jnr
Anna Kratz by Pokorny & Reuter
Marie Wilt by Knizeks
Jean De Reszke by Aime Dupont
Marguerite Chapuy by Reutlinger
Salvatore ? Tamburini by Franck
Salvatore ? Tamburini by Franck
Salvatore ? Tamburini by Franck
Jean Morere by Eugene de Paris
Minnie Hauk by Reutlinger (10)
Fides Devries by Reutlinger
Fides Devries by Reutlinger
Fides Devries by Reutlinger
Hortense Schneider by Disderi
Didiée or perhaps Didiér by Reutlinger
Anton Erl by Hanns Hanfstaengl
Anton Erl by Hanns Hanfstaengl
Ellen Gulbranson by Adler
Pelagrie Greef-Andriessen by Hoffert
Leon Gritzinger by Benque & Kindermann
See also...
Adele Isaac by Reutlinger
ADELE ISAAC
(8 January 1854 – 22 October 1915) French soprano,
Isaac was born in Calais. After studying with Gilbert Duprez, her professional debut was in 1870 in Victor Massé's Les noces de Jeannette at the Théatre Montmartre. In February 1873 she attracted attention singing the young shepherd in Tannhäuser at La Monnaie (Bruxelles). Her first performance at the Opéra-Comique was in 1873 as Marie in La fille du régiment, going on to sing Mozart and Gounod. On 3 April 1882 she sang Angèle in the 1,000th performance of Le Domino Noir at the Opéra-Comique
From 1883 to 1885 she appeared at the Opéra as Ophélia, Marguerite, Adele, Zerlina and Marguerite de Valois.
She sang in the first Paris revival of Carmen in April 1883, and was chosen for the more restrained, even bland interpretation of the title role she offered.
She created the roles of Olympia and Antonia in Les contes d'Hoffmann in 1881, Claire in Egmont by Salvayre in 1886, and Minka in Le roi malgré lui in 1887. Isaac was a great favourite at the Opéra-Comique: she sang Susanna in the 1882, 1886 and 1892 revivals of Le Nozze di Figaro. Her absence for a concert tour in Rome and Monte Carlo in early 1888 delayed repeat performances of Le roi malgré lui, and may have contributed to the end of its first run.
In 1884 Adèle Isaac sang in the annual performances of Beethoven's 9th Symphony given at the Société des Concerts du Conservatoire; the following year she sang music from Egmont and The Magic Flute with the same orchestra .
(8 January 1854 – 22 October 1915) French soprano,
Isaac was born in Calais. After studying with Gilbert Duprez, her professional debut was in 1870 in Victor Massé's Les noces de Jeannette at the Théatre Montmartre. In February 1873 she attracted attention singing the young shepherd in Tannhäuser at La Monnaie (Bruxelles). Her first performance at the Opéra-Comique was in 1873 as Marie in La fille du régiment, going on to sing Mozart and Gounod. On 3 April 1882 she sang Angèle in the 1,000th performance of Le Domino Noir at the Opéra-Comique
From 1883 to 1885 she appeared at the Opéra as Ophélia, Marguerite, Adele, Zerlina and Marguerite de Valois.
She sang in the first Paris revival of Carmen in April 1883, and was chosen for the more restrained, even bland interpretation of the title role she offered.
She created the roles of Olympia and Antonia in Les contes d'Hoffmann in 1881, Claire in Egmont by Salvayre in 1886, and Minka in Le roi malgré lui in 1887. Isaac was a great favourite at the Opéra-Comique: she sang Susanna in the 1882, 1886 and 1892 revivals of Le Nozze di Figaro. Her absence for a concert tour in Rome and Monte Carlo in early 1888 delayed repeat performances of Le roi malgré lui, and may have contributed to the end of its first run.
In 1884 Adèle Isaac sang in the annual performances of Beethoven's 9th Symphony given at the Société des Concerts du Conservatoire; the following year she sang music from Egmont and The Magic Flute with the same orchestra .
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