The Limbo Connection's photos

A dismantled Chinon CX SLR photographed using a Nikon No.4T Close-Up attachment on a Nikkor AF 50mm f1.4D lens.

Micro-Nikkor 55mm f/3.5 lens on a Nikon D2Xs set at 100 ISO. 1/100th at f/5.6.

Nikon D90 and 18-70mm f/3.5-4.5 G Nikkor lens at f/4.5. Low light and a shutter speed of 1/15th, hand held, no flash. A suggestion of a soft portrait filter, but in reality it's bad technique.

Nikon D90 and Nikkor 35-70mm f/2.8 AF lens.

Photographed with a Nikkor 50mm f/1.4 D lens on a Nikon D2Xs. 200 ISO; f/5.6; 1/125th.

Photographed with a Nikon D50 and a Nikkor 50mm f/1.8 AF lens at f/8. 1600 ISO; 1/1250th.

Kennet and Avon Canal at Caen Hill, Devizes, Wilts. Nikon D50 with a 18-135mm f/3.5-5.6 G lens.

I used a Fujifilm FinePix S3 Pro camera with a Nikon DX AF-S Nikkor 35mm f/1.8G lens to make this photograph, assisted by a Minolta Close-Up Lens No.1, dating from the Minolta SR days. Minolta made three of these close-up lenses: No.0 (+1 dioptre); No.1 (+2); and No.2 (+4). They’re high-quality two-element (doublet), achromatic lenses, like Nikon ‘T’ series or Canon ‘D’ series supplementary lenses. They screw on to your camera like filters, and increase close-up and macro capabilities.

The Vivitar 28mm Close Focus f/2.8 lens was made under contract by Komine to Vivitar's specification. Mine dates from 1984. Here it was mounted on a Nikon D2Xs. It can focus as close as nine and a half inches (23cm) from the image plane.

Nikon D90 set at 200 ISO, f/4.8 and 1/100th. 18-135mm f/3.5-5.6 Nikkor lens at 44mm.

Nikkor 35-70mm f/2.8 AF lens on a Nikon D2Xs set to hi-speed crop, which halves the number of megapixels as a trade for more telephoto. F/6.3 and 1/160th.