Medieval Bronze

Already Theodoric the Great, King of the Ostrogoths, may have funded a church, erected over the tomb of Saint Zeno, who, following the legends, was born in Mauretania and died around 380 in Verona. The erection of the present church began in the 9th century. Soon after San Zeno´s relics were translated into the new church. At that time Charlemagne´s son Pepin (aka "Pepin of Italy") resided in Verona and a large Benedictine monastery grew all around the church. When the Magyars invaded Italy in the early 10th century, the church got severely damaged, but the relics were not harmed, as they had been taken out and were hidden. In 967, a new church was built with the patronage of Otto I. On January 3, 1117, the church was damaged by an earthquake, that ruined so many buildings in Northern Italy. The church was restored and got enlarged in 1138. It may well be, that soon after panels of a bronze door from another (destroyed?, damaged?) church were transferred to San Zeno - and so got reused here. Today the famous bronze door consists out of two panels on which the plates are fixed. The older ones (~ 1100) are often compared with the bronze works in Hildesheim, and Saxon Masters may have worked here. The younger ones (1200) are "smoother" and some scholars connect them to Benedetto Antelami, who worked in Parma 1178 ("Deposition"). Unfortunately the room is so small, that I was unable to take an "overview", so I could only take photos of panels and details. The "Descent from the Cross" Joseph of Arimathea and Nicodemus taking Christ down from the cross.

Already Theodoric the Great, King of the Ostrogoths, may have funded a church, erected over the tomb of Saint Zeno, who, following the legends, was born in Mauretania and died around 380 in Verona. The erection of the present church began in the 9th century. Soon after San Zeno´s relics were translated into the new church. At that time Charlemagne´s son Pepin (aka "Pepin of Italy") resided in Verona and a large Benedictine monastery grew all around the church. When the Magyars invaded Italy in the early 10th century, the church got severely damaged, but the relics were not harmed, as they had been taken out and were hidden. In 967, a new church was built with the patronage of Otto I. On January 3, 1117, the church was damaged by an earthquake, that ruined so many buildings in Northern Italy. The church was restored and got enlarged in 1138. It may well be, that soon after panels of a bronze door from another (destroyed?, damaged?) church were transferred to San Zeno - and so got reused here. Today the famous bronze door consists out of two panels on which the plates are fixed. The older ones (~ 1100) are often compared with the bronze works in Hildesheim, and Saxon Masters may have worked here. The younger ones (1200) are "smoother" and some scholars connect them to Benedetto Antelami, who worked in Parma 1178 ("Deposition"). Unfortunately the room is so small, that I was unable to take an "overview", so I could only take photos of panels and details. Christ on his way to Golgotha. Here again the soldiers (?) wear conical hats, marking them as Jews.

Already Theodoric the Great, King of the Ostrogoths, may have funded a church, erected over the tomb of Saint Zeno, who, following the legends, was born in Mauretania and died around 380 in Verona. The erection of the present church began in the 9th century. Soon after San Zeno´s relics were translated into the new church. At that time Charlemagne´s son Pepin (aka "Pepin of Italy") resided in Verona and a large Benedictine monastery grew all around the church. When the Magyars invaded Italy in the early 10th century, the church got severely damaged, but the relics were not harmed, as they had been taken out and were hidden. In 967, a new church was built with the patronage of Otto I. On January 3, 1117, the church was damaged by an earthquake, that ruined so many buildings in Northern Italy. The church was restored and got enlarged in 1138. It may well be, that soon after panels of a bronze door from another (destroyed?, damaged?) church were transferred to San Zeno - and so got reused here. Today the famous bronze door consists out of two panels on which the plates are fixed. The older ones (~ 1100) are often compared with the bronze works in Hildesheim, and Saxon Masters may have worked here. The younger ones (1200) are "smoother" and some scholars connect them to Benedetto Antelami, who worked in Parma 1178 ("Deposition"). Unfortunately the room is so small, that I was unable to take an "overview", so I could only take photos of panels and details. The "Flagellation of Christ". All jews wear cone-shaped hats here. Wearing these "jewish hats" was enforced in many places during medieval times to distinguish Jews from Christians.

Already Theodoric the Great, King of the Ostrogoths, may have funded a church, erected over the tomb of Saint Zeno, who, following the legends, was born in Mauretania and died around 380 in Verona. The erection of the present church began in the 9th century. Soon after San Zeno´s relics were translated into the new church. At that time Charlemagne´s son Pepin (aka "Pepin of Italy") resided in Verona and a large Benedictine monastery grew all around the church. When the Magyars invaded Italy in the early 10th century, the church got severely damaged, but the relics were not harmed, as they had been taken out and were hidden. In 967, a new church was built with the patronage of Otto I. On January 3, 1117, the church was damaged by an earthquake, that ruined so many buildings in Northern Italy. The church was restored and got enlarged in 1138. It may well be, that soon after panels of a bronze door from another (destroyed?, damaged?) church were transferred to San Zeno - and so got reused here. Today the famous bronze door consists out of two panels on which the plates are fixed. The older ones (~ 1100) are often compared with the bronze works in Hildesheim, and Saxon Masters may have worked here. The younger ones (1200) are "smoother" and some scholars connect them to Benedetto Antelami, who worked in Parma 1178 ("Deposition"). Unfortunately the rooms is so small, that I was unable to take an "overview", so I could only take photos of panels and details. Christ in a blessing gesture, holding a bible. He is surrounded by four angels. The lower pair of angels stand on winged wheels. They are seraphim ("seraphs") having six wings.

Already Theodoric the Great, King of the Ostrogoths, may have funded a church, erected over the tomb of Saint Zeno, who, following the legends, was born in Mauretania and died around 380 in Verona. The erection of the present church began in the 9th century. Soon after San Zeno´s relics were translated into the new church. At that time Charlemagne´s son Pepin (aka "Pepin of Italy") resided in Verona and a large Benedictine monastery grew all around the church. When the Magyars invaded Italy in the early 10th century, the church got severely damaged, but the relics were not harmed, as they had been taken out and were hidden. In 967, a new church was built with the patronage of Otto I. On January 3, 1117, the church was damaged by an earthquake, that ruined so many buildings in Northern Italy. The church was restored and got enlarged in 1138. It may well be, that soon after panels of a bronze door from another (destroyed?, damaged?) church were transferred to San Zeno - and so got reused here. Today the famous bronze door consists out of two panels on which the plates are fixed. The older ones (~ 1100) are often compared with the bronze works in Hildesheim, and Saxon Masters may have worked here. The younger ones (1200) are "smoother" and some scholars connect them to Benedetto Antelami, who worked in Parma 1178 ("Deposition"). Unfortunately the rooms is so small, that I was unable to take an "overview", so I could only take photos of panels and details. The head of John the Baptist is brought to Herod's table. His daughter Salome is still dancing. On the right, the head is carried away.. Mark 6:22-25 When the daughter of Herodias came in and danced, she pleased Herod and his dinner guests. The king said to the girl, "Ask me for anything you want, and I’ll give it to you." And he promised her with an oath, "Whatever you ask I will give you, up to half my kingdom." She went out and said to her mother, "What shall I ask for?" "The head of John the Baptist," she answered. At once the girl hurried in to the king with the request: "I want you to give me right now the head of John the Baptist on a platter."

Already Theodoric the Great, King of the Ostrogoths, may have funded a church, erected over the tomb of Saint Zeno, who, following the legends, was born in Mauretania and died around 380 in Verona. The erection of the present church began in the 9th century. Soon after San Zeno´s relics were translated into the new church. At that time Charlemagne´s son Pepin (aka "Pepin of Italy") resided in Verona and a large Benedictine monastery grew all around the church. When the Magyars invaded Italy in the early 10th century, the church got severely damaged, but the relics were not harmed, as they had been taken out and were hidden. In 967, a new church was built with the patronage of Otto I. On January 3, 1117, the church was damaged by an earthquake, that ruined so many buildings in Northern Italy. The church was restored and got enlarged in 1138. It may well be, that soon after panels of a bronze door from another (destroyed?, damaged?) church were transferred to San Zeno - and so got reused here. Today the famous bronze door consists out of two panels on which the plates are fixed. The older ones (~ 1100) are often compared with the bronze works in Hildesheim, and Saxon Masters may have worked here. The younger ones (1200) are "smoother" and some scholars connect them to Benedetto Antelami, who worked in Parma 1178 ("Deposition"). Unfortunately the room is so small, that I was unable to take an "overview", so I could only take photos of panels and details. The Myrrhbearers approach the empty tomb. Here are only two ladies, but mostly seen in this situation are the "Three Marys". I have the impression, that on the left one lady got lost.

Already Theodoric the Great, King of the Ostrogoths, may have funded a church, erected over the tomb of Saint Zeno, who, following the legends, was born in Mauretania and died around 380 in Verona. The erection of the present church began in the 9th century. Soon after San Zeno´s relics were translated into the new church. At that time Charlemagne´s son Pepin (aka "Pepin of Italy") resided in Verona and a large Benedictine monastery grew all around the church. When the Magyars invaded Italy in the early 10th century, the church got severely damaged, but the relics were not harmed, as they had been taken out and were hidden. In 967, a new church was built with the patronage of Otto I. On January 3, 1117, the church was damaged by an earthquake, that ruined so many buildings in Northern Italy. The church was restored and got enlarged in 1138. It may well be, that soon after panels of a bronze door from another (destroyed?, damaged?) church were transferred to San Zeno - and so got reused here. Today the famous bronze door consists out of two panels on which the plates are fixed. The older ones (~ 1100) are often compared with the bronze works in Hildesheim, and Saxon Masters may have worked here. The younger ones (1200) are "smoother" and some scholars connect them to Benedetto Antelami, who worked in Parma 1178 ("Deposition"). Unfortunately the room is so small, that I was unable to take an "overview", so I could only take photos of panels and details. Some of the panels depict scenes of legends around San Zeno. They tell, that before he became bishop of Verona, he lived as a hermit near the river Adige, where he went fishing. His attributes are a fishing rod and a basket - and he is still patron saint for fishermen and anglers.

Already Theodoric the Great, King of the Ostrogoths, may have funded a church, erected over the tomb of Saint Zeno, who, following the legends, was born in Mauretania and died around 380 in Verona. The erection of the present church began in the 9th century. Soon after San Zeno´s relics were translated into the new church. At that time Charlemagne´s son Pepin (aka "Pepin of Italy") resided in Verona and a large Benedictine monastery grew all around the church. When the Magyars invaded Italy in the early 10th century, the church got severely damaged, but the relics were not harmed, as they had been taken out and were hidden. In 967, a new church was built with the patronage of Otto I. On January 3, 1117, the church was damaged by an earthquake, that ruined so many buildings in Northern Italy. The church was restored and got enlarged in 1138. It may well be, that soon after panels of a bronze door from another (destroyed?, damaged?) church were transferred to San Zeno - and so got reused here. Today the famous bronze door consists out of two panels on which the plates are fixed. The older ones (~ 1100) are often compared with the bronze works in Hildesheim, and Saxon Masters may have worked here. The younger ones (1200) are "smoother" and some scholars connect them to Benedetto Antelami, who worked in Parma 1178 ("Deposition"). Unfortunately the room is so small, that I was unable to take an "overview", so I could only take photos of panels and details. Some of the panels depict scenes of legends around San Zeno. One legend tells that he exorcised a demon from the body of the daughter of the Emperor Gallienus.

Already Theodoric the Great, King of the Ostrogoths, may have funded a church, erected over the tomb of Saint Zeno, who, following the legends, was born in Mauretania and died around 380 in Verona. The erection of the present church began in the 9th century. Soon after San Zeno´s relics were translated into the new church. At that time Charlemagne´s son Pepin (aka "Pepin of Italy") resided in Verona and a large Benedictine monastery grew all around the church. When the Magyars invaded Italy in the early 10th century, the church got severely damaged, but the relics were not harmed, as they had been taken out and were hidden. In 967, a new church was built with the patronage of Otto I. On January 3, 1117, the church was damaged by an earthquake, that ruined so many buildings in Northern Italy. The church was restored and got enlarged in 1138. It may well be, that soon after panels of a bronze door from another (destroyed?, damaged?) church were transferred to San Zeno - and so got reused here. Today the famous bronze door consists out of two panels on which the plates are fixed. The older ones (~ 1100) are often compared with the bronze works in Hildesheim, and Saxon Masters may have worked here. The younger ones (1200) are "smoother" and some scholars connect them to Benedetto Antelami, who worked in Parma 1178 ("Deposition"). Unfortunately the room is so small, that I was unable to take an "overview", so I could only take photos of panels and details. Archangel Michael fighting the dragon. Revelation 12:7-8 "Then war broke out in heaven. Michael and his angels fought against the dragon, and the dragon and his angels fought back. But he was not strong enough, and they lost their place in heaven."

Already Theodoric the Great, King of the Ostrogoths, may have funded a church, erected over the tomb of Saint Zeno, who, following the legends, was born in Mauretania and died around 380 in Verona. The erection of the present church began in the 9th century. Soon after San Zeno´s relics were translated into the new church. At that time Charlemagne´s son Pepin (aka "Pepin of Italy") resided in Verona and a large Benedictine monastery grew all around the church. When the Magyars invaded Italy in the early 10th century, the church got severely damaged, but the relics were not harmed, as they had been taken out and were hidden. In 967, a new church was built with the patronage of Otto I. On January 3, 1117, the church was damaged by an earthquake, that ruined so many buildings in Northern Italy. The church was restored and got enlarged in 1138. It may well be, that soon after panels of a bronze door from another (destroyed?, damaged?) church were transferred to San Zeno - and so got reused here. Today the famous bronze door consists out of two panels on which the plates are fixed. The older ones (~ 1100) are often compared with the bronze works in Hildesheim, and Saxon Masters may have worked here. The younger ones (1200) are "smoother" and some scholars connect them to Benedetto Antelami, who worked in Parma 1178 ("Deposition"). Unfortunately the room is so small, that I was unable to take an "overview", so I could only take photos of panels and details. Matilda of Canossa (aka "Matilda of Tuscany"), also callled "called la Gran Contessa" was not only a powerful ruler and a supporter of Pope Gregory VII during the Investiture Controversy, she as well was a strong supporter of the Benedictian monastery to which the basilica belonged. It is said, that she is depicted here, but I did not find her. Maybe this crowned person to the right is - Matilda.

The Collegiate Church of St. Bartholomew, was part of a convent, founded outside the city walls of Liège. The building process started in the 11th century. The church got enlarged, altered and modified over the centuries. Inside the Collégiale Saint-Barthélemy, now a parish church, is this baptismal font, a medieval masterpiece and icon of the "mosan art", a Romanesque style, that developed around the Meuse valley. The center was the Bishopric of Liège, but it spread to Aachen (= Aix-la-Chapelle), Maastricht and even Cologne. The font was commissioned around 1107 by Abbé Hellin for the church of Notre-Dame-aux-Fonts, the baptistery of Liege at that time. It was completed by 1118 and is attributed to Renier de Huy, mentioned in a Liège chronicle as "Reinerus aurifaber". This church was destroyed during the French Revolution. At that time the font was hidden. When it was finally moved into the Collegiate Church of St. Bartholomew, it was incomplete. The cover and two of the 12 supporting oxen were lost. During the early 12th century the area around the Meuse Valley was known for its metalworks. The technique "Reinerus aurifaber" used here is known as lost-wax casting. The complete font was sculpted in wax first. Two moulds (inner and outer) from refractory clay then cover the wax-model completeley, before hot bronze is poured between the two moulds. The wax melts - and get replaced by the bronze that cools down and hardens.

The Collegiate Church of St. Bartholomew, was part of a convent, founded outside the city walls of Liège. The building process started in the 11th century. The church got enlarged, altered and modified over the centuries. Inside the Collégiale Saint-Barthélemy, now a parish church, is this baptismal font, a medieval masterpiece and icon of the "mosan art", a Romanesque style, that developed around the Meuse valley. The center was the Bishopric of Liège, but it spread to Aachen (= Aix-la-Chapelle), Maastricht and even Cologne. The font was commissioned around 1107 by Abbé Hellin for the church of Notre-Dame-aux-Fonts, the baptistery of Liege at that time. It was completed by 1118 and is attributed to Renier de Huy, mentioned in a Liège chronicle as "Reinerus aurifaber". This church was destroyed during the French Revolution. At that time the font was hidden. When it was finally moved into the Collegiate Church of St. Bartholomew, it was incomplete. The cover and two of the 12 supporting oxen were lost. During the early 12th century the area around the Meuse Valley was known for its metalworks. The technique "Reinerus aurifaber" used here is known as lost-wax casting. The complete font was sculpted in wax first. Two moulds (inner and outer) from refractory clay then cover the wax-model completeley, before hot bronze is poured between the two moulds. The wax melts - and get replaced by the bronze that cools down and hardens.

The Collegiate Church of St. Bartholomew, was part of a convent, founded outside the city walls of Liège. The building process started in the 11th century. The church got enlarged, altered and modified over the centuries. Inside the Collégiale Saint-Barthélemy, now a parish church, is this baptismal font, a medieval masterpiece and icon of the "mosan art", a Romanesque style, that developed around the Meuse valley. The center was the Bishopric of Liège, but it spread to Aachen (= Aix-la-Chapelle), Maastricht and even Cologne. The font was commissioned around 1107 by Abbé Hellin for the church of Notre-Dame-aux-Fonts, the baptistery of Liege at that time. It was completed by 1118 and is attributed to Renier de Huy, mentioned in a Liège chronicle as "Reinerus aurifaber". This church was destroyed during the French Revolution. At that time the font was hidden. When it was finally moved into the Collegiate Church of St. Bartholomew, it was incomplete. The cover and two of the 12 supporting oxen were lost. During the early 12th century the area around the Meuse Valley was known for its metalworks. The technique "Reinerus aurifaber" used here is known as lost-wax casting. The complete font was sculpted in wax first. Two moulds (inner and outer) from refractory clay then cover the wax-model completeley, before hot bronze is poured between the two moulds. The wax melts - and get replaced by the bronze that cools down and hardens.

Sicily, the largest Mediterranean island, has a long history, that starts around 8000 BC, but later there were Phoenician, Carthaginian, Greek and Roman periods. After the Roman Empire had fallen apart the Vandals tried to take over the island but failed. Finally, the Ostrogoths took possession. Mid of the 6th century Sicily was conquered by troops of the Byzantine Empire. After the advent of Islam, Sicily got attacked by the Arab forces. Raids seeking loot continued until the mid-8th century. A Muslim army was sent to the island in 827 but met with much resistance. So it took a century to conquer it and even later revolts constantly occurred In 1038 the Byzantines invaded the island supported by Norman mercenaries, led by Roger. In 1072, after the siege of Palermo, most of Sicily was under Norman control. Roger´s son Roger II raised the status +of the island to a kingdom in 1130. During this period, the Kingdom of Sicily was prosperous and powerful, The court of Roger II became melting out of culture from Europe and the Middle East. This attracted scholars, scientists, artists, and artisans. Muslims, Jews, Greeks, Lombards, and Normans cooperated and created some extraordinary buildings. In 1186 the last descendant of Roger, Constance of Sicily married Emperor Henry VI, the second son of Barbarossa. So the crown of Sicily was passed on to the Hohenstaufen Dynasty. Frederick II, the only son of Constance, was crowned King of Sicily at the age of four in 1198. He became "Stupor Mundi", one of the greatest and most cultured men of the Middle Ages. - William II of Sicily built from 1172 here a fort-like complex of buildings, which included a cathedral, an archiepiscopal palace, a royal palace and a Benedictine monastery. In 1183 the monastery became the seat of the archdiocese of Monreale. The town then developed around this complex. According to a legend, William fell asleep while hunting. The Holy Virgin appeared to him in a dream, suggesting him to build a church here. After removing a tree, a treasure was found, whose coins were used to finance the construction. Well, it is much more likely that Monreale was founded in competition with the bishop of Palermo, who had commissioned the large Cathedral of Palermo. This would explain the vast dimensions and the splendour of the "Duomo di Monreale" (= "Cattedrale di Santa Maria Nuova"), that with the cloister, is the only building that survived the times. The cathedral´s large bronze doors were cast by Bonanno Pisano, who even signed "Bonannus civis pisanus me fecit". He was a well-known artist at his time and created as well the Porta di San Ranieri of the Pisa Cathedral. There are 42 different scenes on the bronze doors, here are three. The Magi on horsebacks following the Star of Bethlehem. The Annunciation to the shepherds (and the Star above them), below the Nativity - and the First Bath. The Flight into Egypt.

Sicily, the largest Mediterranean island, has a long history, that starts around 8000 BC, but later there were Phoenician, Carthaginian, Greek and Roman periods. After the Roman Empire had fallen apart the Vandals tried to take over the island but failed. Finally, the Ostrogoths took possession. Mid of the 6th century Sicily was conquered by troops of the Byzantine Empire. After the advent of Islam, Sicily got attacked by the Arab forces. Raids seeking loot continued until the mid-8th century. A Muslim army was sent to the island in 827 but met with much resistance. So it took a century to conquer it and even later revolts constantly occurred In 1038 the Byzantines invaded the island supported by Norman mercenaries, led by Roger. In 1072, after the siege of Palermo, most of Sicily was under Norman control. Roger´s son Roger II raised the status +of the island to a kingdom in 1130. During this period, the Kingdom of Sicily was prosperous and powerful, The court of Roger II became melting out of culture from Europe and the Middle East. This attracted scholars, scientists, artists, and artisans. Muslims, Jews, Greeks, Lombards, and Normans cooperated and created some extraordinary buildings. In 1186 the last descendant of Roger, Constance of Sicily married Emperor Henry VI, the second son of Barbarossa. So the crown of Sicily was passed on to the Hohenstaufen Dynasty. Frederick II, the only son of Constance, was crowned King of Sicily at the age of four in 1198. He became "Stupor Mundi", one of the greatest and most cultured men of the Middle Ages. - William II of Sicily built from 1172 here a fort-like complex of buildings, which included a cathedral, an archiepiscopal palace, a royal palace and a Benedictine monastery. In 1183 the monastery became the seat of the archdiocese of Monreale. The town then developed around this complex. According to a legend, William fell asleep while hunting. The Holy Virgin appeared to him in a dream, suggesting him to build a church here. After removing a tree, a treasure was found, whose coins were used to finance the construction. Well, it is much more likely that Monreale was founded in competition with the bishop of Palermo, who had commissioned the large Cathedral of Palermo. This would explain the vast dimensions and the splendour of the "Duomo di Monreale" (= "Cattedrale di Santa Maria Nuova"), that with the cloister, is the only building that survived the times. The cathedral´s large bronze doors were cast by Bonanno Pisano, who even signed "Bonannus civis pisanus me fecit". He was a well-known artist at his time and created as well the Porta di San Ranieri of the Pisa Cathedral. There are 42 different scenes on the bronze doors.

Sicily, the largest Mediterranean island, has a long history, that starts around 8000 BC, but later there were Phoenician, Carthaginian, Greek and Roman periods. After the Roman Empire had fallen apart the Vandals tried to take over the island but failed. Finally, the Ostrogoths took possession. Mid of the 6th century Sicily was conquered by troops of the Byzantine Empire. After the advent of Islam, Sicily got attacked by the Arab forces. Raids seeking loot continued until the mid-8th century. A Muslim army was sent to the island in 827 but met with much resistance. So it took a century to conquer it and even later revolts constantly occurred In 1038 the Byzantines invaded the island supported by Norman mercenaries, led by Roger. In 1072, after the siege of Palermo, most of Sicily was under Norman control. Roger´s son Roger II raised the status +of the island to a kingdom in 1130. During this period, the Kingdom of Sicily was prosperous and powerful, The court of Roger II became melting out of culture from Europe and the Middle East. This attracted scholars, scientists, artists, and artisans. Muslims, Jews, Greeks, Lombards, and Normans cooperated and created some extraordinary buildings. In 1186 the last descendant of Roger, Constance of Sicily married Emperor Henry VI, the second son of Barbarossa. So the crown of Sicily was passed on to the Hohenstaufen Dynasty. Frederick II, the only son of Constance, was crowned King of Sicily at the age of four in 1198. He became "Stupor Mundi", one of the greatest and most cultured men of the Middle Ages. - William II of Sicily built from 1172 here a fort-like complex of buildings, which included a cathedral, an archiepiscopal palace, a royal palace and a Benedictine monastery. In 1183 the monastery became the seat of the archdiocese of Monreale. The town then developed around this complex. According to a legend, William fell asleep while hunting. The Holy Virgin appeared to him in a dream, suggesting him to build a church here. After removing a tree, a treasure was found, whose coins were used to finance the construction. Well, it is much more likely that Monreale was founded in competition with the bishop of Palermo, who had commissioned the large Cathedral of Palermo. This would explain the vast dimensions and the splendour of the "Duomo di Monreale" (= "Cattedrale di Santa Maria Nuova"), that with the cloister, is the only building that survived the times. The cathedral´s large bronze doors were cast by Bonanno Pisano, who even signed "Bonannus civis pisanus me fecit". He was a well-known artist at his time and created as well the Porta di San Ranieri of the Pisa Cathedral. There are 42 different scenes on the bronze doors.

Trani may have been founded by Greek settlers, but the known history starts late. After the fall of the Western Roman Empire, it was dominated by Lombards, Byzantines, Saracens and again Byzantines. With the conquest of southern Italy by the Normans and after 50 days of siege by Robert Guiscard´s troops, Trani became part of the Norman Empire in 1073. Already under the Byzantines, Trani had become an important port for trade with the Orient. The heyday was in the time of the crusades in the 12th and 13th centuries, when crusaders and merchants mainly went to the Holy Land from Bari and Trani. It became an episcopal see in place of Canosa, destroyed by the Saracens. Frederick II promoted the Teutonic Knights and the Jewish community and built a massive castle. Under his rule, the city reached its highest point of wealth and prosperity. The construction of the "Cattedrale di Trani" began in 1099, over the earlier church of "Santa Maria della Scala", which went back to the 4th century. It is dedicated to "San Nicola Pellegrino". Bari had the relics of "Saint Nicholas of Myra". The Bishop of Trani could convince Pope Urban II to canonized a young pilgrim, who had died on his way to Jerusalem in Trani in 1094 from exhaustion. The new church was intended to house the relics of "Saint Nicholas the Pilgrim". Pina Belli d'Elia ("Puglia romanica") is sure, that this cathedral is the most important of all romanic buildings in Apulia. The building process started at the crypt. The "translatio corporis S. Nicolai ad novam Ecclediam" took place in 1142. As parts of the old church, dedicated to Virgin Mary, were maintained, the construction is pretty complex. The "Cattedrale di Trani" was completed around 1200, the construction of the campanile started by Nicolaus Sacerdos (see "Bitonto") and completed in the mid 14th century. In the20th century the bell tower was in such a bad state, that it was completely dismantled and rebuilt in the 1950s to avoid it collapsing. The cathedral was built from white, local stones, that change the colour from white to yellowish and reddish, during the sunset. The central bronze door was executed by Barisano da Trani in 1185/90. Seen here is a replica, as the original piece is now inside the church. Here Barisano da Trani used the niello, a technology where a black (metal) paste is used as an inlay on the engraved metal. Around 1200 he created the portal of the Duomo di Monreale in a quite different way (PiP).

Sicily, the largest Mediterranean island, has a long history, that starts around 8000 BC, but later there were Phoenician, Carthaginian, Greek and Roman periods. After the Roman Empire had fallen apart the Vandals tried to take over the island but failed. Finally, the Ostrogoths took possession. Mid of the 6th century Sicily was conquered by troops of the Byzantine Empire. After the advent of Islam, Sicily got attacked by the Arab forces. Raids seeking loot continued until the mid-8th century. A Muslim army was sent to the island in 827 but met with much resistance. So it took a century to conquer it and even later revolts constantly occurred In 1038 the Byzantines invaded the island supported by Norman mercenaries, led by Roger. In 1072, after the siege of Palermo, most of Sicily was under Norman control. Roger´s son Roger II raised the status +of the island to a kingdom in 1130. During this period, the Kingdom of Sicily was prosperous and powerful, The court of Roger II became melting out of culture from Europe and the Middle East. This attracted scholars, scientists, artists, and artisans. Muslims, Jews, Greeks, Lombards, and Normans cooperated and created some extraordinary buildings. In 1186 the last descendant of Roger, Constance of Sicily married Emperor Henry VI, the second son of Barbarossa. So the crown of Sicily was passed on to the Hohenstaufen Dynasty. Frederick II, the only son of Constance, was crowned King of Sicily at the age of four in 1198. He became "Stupor Mundi", one of the greatest and most cultured men of the Middle Ages. - William II of Sicily built from 1172 here a fort-like complex of buildings, which included a cathedral, an archiepiscopal palace, a royal palace and a Benedictine monastery. In 1183 the monastery became the seat of the archdiocese of Monreale. The town then developed around this complex. According to a legend, William fell asleep while hunting. The Holy Virgin appeared to him in a dream, suggesting him to build a church here. After removing a tree, a treasure was found, whose coins were used to finance the construction. Well, it is much more likely that Monreale was founded in competition with the bishop of Palermo, who had commissioned the large Cathedral of Palermo. This would explain the vast dimensions and the splendor of the "Duomo di Monreale" (= "Cattedrale di Santa Maria Nuova"), that with the cloister, is the only building that survived the times. The cathedral´s large bronze doors were cast by Bonanno Pisano, who even signed "Bonannus civis pisanus me fecit". He was a well-known artist at his time and created as well the Porta di San Ranieri of the Pisa Cathedral. Depicted are scenes of the Old and the New Testament, starting with "Adam and Eve" and in "Christ and Mary in the glory of Paradise"