Medieval Bronze

Due to its location and importance, Benevento was an important base for Roman rule in southern Italy for centuries. After the expansion of the Lombards, Benevento became the seat of Lombard dukes but repeatedly fell into dependence on the Franks and the German emperors. In 840, Benevento was occupied by the Muslims for a few years. The city has been the seat of the Archbishopric of Benevento since 969. In 1047 it fell into the hands of Norman princes with the exception of the city, which Emperor Henry III gave to Leo IX in 1053. In the 11th and 12th centuries, four councils were held in Benevento. On February 26, 1266, in the Battle of Benevento, the Hohenstaufen Manfred, natural son of the Holy Roman Emperor Frederick II, was defeated by Charles of Anjou, after which the latter seized Apulia, Sicily, and Tuscia. The Duomo di Benevento Cathedral is the seat of the Archbishops of Benevento. It dates back to the Longobard foundation of the Duchy of Benevento in the late 8th century, but was largely rebuilt in the 1960s after being destroyed by Allied bombing during World War II. The massive bell tower was built beginning in 1279, as an inscription on the east facade attests. It remained largely undamaged during the bombings. Benevento Cathedral is the seat of the Archbishops of Benevento. It dates back to the Longobard foundation of the Duchy of Benevento in the late 8th century, but was largely rebuilt in the 1960s after being destroyed by Allied bombing during World War II. The medieval bronze door, created around 1200, was found in fragments in the rubble of the church after the bombings of 1944. However, it could be reconstructed almost completely. The content of the door consists of two parts. The upper two-thirds is filled with a relief cycle on the life of Jesus. The lower third consists of individual figures. The life of Jesus is depicted in 43 scenes, from the Annunciation to the Ascension. Ursula Mende, author of "The Bronze Doors of the Middle Ages" sees strong parallels with the mosaics in the Cathedral of Monreale and ivory works from Byzantium of the 11th century. The finely crafted figures look almost plastic against the background. Annunciation - Visitation - Nativity (incl. First Bath) - Annunciation to the Shepherds

Due to its location and importance, Benevento was an important base for Roman rule in southern Italy for centuries. After the expansion of the Lombards, Benevento became the seat of Lombard dukes but repeatedly fell into dependence on the Franks and the German emperors. In 840, Benevento was occupied by the Muslims for a few years. The city has been the seat of the Archbishopric of Benevento since 969. In 1047 it fell into the hands of Norman princes with the exception of the city, which Emperor Henry III gave to Leo IX in 1053. In the 11th and 12th centuries, four councils were held in Benevento. On February 26, 1266, in the Battle of Benevento, the Hohenstaufen Manfred, natural son of the Holy Roman Emperor Frederick II, was defeated by Charles of Anjou, after which the latter seized Apulia, Sicily, and Tuscia. The Duomo di Benevento Cathedral is the seat of the Archbishops of Benevento. It dates back to the Longobard foundation of the Duchy of Benevento in the late 8th century, but was largely rebuilt in the 1960s after being destroyed by Allied bombing during World War II. The massive bell tower was built beginning in 1279, as an inscription on the east facade attests. It remained largely undamaged during the bombings. Benevento Cathedral is the seat of the Archbishops of Benevento. It dates back to the Longobard foundation of the Duchy of Benevento in the late 8th century, but was largely rebuilt in the 1960s after being destroyed by Allied bombing during World War II. The medieval bronze door, created around 1200, was found in fragments in the rubble of the church after the bombings of 1944. However, it could be reconstructed almost completely. The content of the door consists of two parts. The upper two-thirds is filled with a relief cycle on the life of Jesus. The lower third consists of individual figures. The life of Jesus is depicted in 43 scenes, from the Annunciation to the Ascension. Ursula Mende, author of "The Bronze Doors of the Middle Ages" sees strong parallels with the mosaics in the Cathedral of Monreale and ivory works from Byzantium of the 11th century. The finely crafted figures look almost plastic against the background. Mt 2,13-14 "When they had gone, an angel of the Lord appeared to Joseph in a dream. “Get up,” he said, “take the child and his mother and escape to Egypt. Stay there until I tell you, for Herod is going to search for the child to kill him.” So he got up, took the child and his mother during the night and left for Egypt, where he stayed until the death of Herod. And so was fulfilled what the Lord had said through the prophet: "Out of Egypt I called my son." - To the right is the "Massacre of the Innocents" and the "Presentation of Jesus at the Temple". Here a byzantine icon is used. Not Mary sitting on the donkey is holding Jesus, but Joseph is carrying the child.

Due to its location and importance, Benevento was an important base for Roman rule in southern Italy for centuries. After the expansion of the Lombards, Benevento became the seat of Lombard dukes but repeatedly fell into dependence on the Franks and the German emperors. In 840, Benevento was occupied by the Muslims for a few years. The city has been the seat of the Archbishopric of Benevento since 969. In 1047 it fell into the hands of Norman princes with the exception of the city, which Emperor Henry III gave to Leo IX in 1053. In the 11th and 12th centuries, four councils were held in Benevento. On February 26, 1266, in the Battle of Benevento, the Hohenstaufen Manfred, natural son of the Holy Roman Emperor Frederick II, was defeated by Charles of Anjou, after which the latter seized Apulia, Sicily, and Tuscia. The Duomo di Benevento Cathedral is the seat of the Archbishops of Benevento. It dates back to the Longobard foundation of the Duchy of Benevento in the late 8th century, but was largely rebuilt in the 1960s after being destroyed by Allied bombing during World War II. The massive bell tower was built beginning in 1279, as an inscription on the east facade attests. It remained largely undamaged during the bombings. Benevento Cathedral is the seat of the Archbishops of Benevento. It dates back to the Longobard foundation of the Duchy of Benevento in the late 8th century, but was largely rebuilt in the 1960s after being destroyed by Allied bombing during World War II. The medieval bronze door, created around 1200, was found in fragments in the rubble of the church after the bombings of 1944. However, it could be reconstructed almost completely. The content of the door consists of two parts. The upper two-thirds is filled with a relief cycle on the life of Jesus. The lower third consists of individual figures. The life of Jesus is depicted in 43 scenes, from the Annunciation to the Ascension. Ursula Mende, author of "The Bronze Doors of the Middle Ages" sees strong parallels with the mosaics in the Cathedral of Monreale and ivory works from Byzantium of the 11th century. The finely crafted figures look almost plastic against the background. The angel approaches the sleeping Magis and tells them not to return to Jerusalem.

Due to its location and importance, Benevento was an important base for Roman rule in southern Italy for centuries. After the expansion of the Lombards, Benevento became the seat of Lombard dukes but repeatedly fell into dependence on the Franks and the German emperors. In 840, Benevento was occupied by the Muslims for a few years. The city has been the seat of the Archbishopric of Benevento since 969. In 1047 it fell into the hands of Norman princes with the exception of the city, which Emperor Henry III gave to Leo IX in 1053. In the 11th and 12th centuries, four councils were held in Benevento. On February 26, 1266, in the Battle of Benevento, the Hohenstaufen Manfred, natural son of the Holy Roman Emperor Frederick II, was defeated by Charles of Anjou, after which the latter seized Apulia, Sicily, and Tuscia. The Duomo di Benevento Cathedral is the seat of the Archbishops of Benevento. It dates back to the Longobard foundation of the Duchy of Benevento in the late 8th century, but was largely rebuilt in the 1960s after being destroyed by Allied bombing during World War II. The massive bell tower was built beginning in 1279, as an inscription on the east facade attests. It remained largely undamaged during the bombings. Benevento Cathedral is the seat of the Archbishops of Benevento. It dates back to the Longobard foundation of the Duchy of Benevento in the late 8th century, but was largely rebuilt in the 1960s after being destroyed by Allied bombing during World War II. The medieval bronze door, created around 1200, was found in fragments in the rubble of the church after the bombings of 1944. However, it could be reconstructed almost completely. The content of the door consists of two parts. The upper two-thirds is filled with a relief cycle on the life of Jesus. The lower third consists of individual figures. The life of Jesus is depicted in 43 scenes, from the Annunciation to the Ascension. Ursula Mende, author of "The Bronze Doors of the Middle Ages" sees strong parallels with the mosaics in the Cathedral of Monreale and ivory works from Byzantium of the 11th century. The finely crafted figures look almost plastic against the background. Crucifixion of Jesus (Jn 19:16-27) - Burial (Jn 19:38-40) - Harrowing of Hell - Resurrection (Mk 16:1-8), the three myrrh bearers find the empty tomb.

Sicily, the largest Mediterranean island, has a long history, that starts around 8000 BC, but later there were Phoenician, Carthaginian, Greek, and Roman periods. After the Roman Empire had fallen apart the Vandals tried to take over the island but failed. Finally, the Ostrogoths took possession. Mid of the 6th century Sicily was conquered by troops of the Byzantine Empire. After the advent of Islam, Sicily got attacked by Arab forces. Raids seeking loot continued until the mid-8th century. A Muslim army was sent to the island in 827 but met with much resistance. So it took a century to conquer it and even later revolts constantly occurred In 1038 the Byzantines invaded the island supported by Norman mercenaries, led by Roger. In 1072, after the siege of Palermo, most of Sicily was under Norman control. Roger´s son Roger II raised the status +of the island to a kingdom in 1130. During this period, the Kingdom of Sicily was prosperous and powerful, The court of Roger II became melting out of culture from Europe and the Middle East. This attracted scholars, scientists, artists, and artisans. Muslims, Jews, Greeks, Lombards, and Normans cooperated and created some extraordinary buildings. In 1186 the last descendant of Roger, Constance of Sicily married Emperor Henry VI, the second son of Barbarossa. So the crown of Sicily was passed on to the Hohenstaufen Dynasty. Frederick II, the only son of Constance, was crowned King of Sicily at the age of four in 1198. He became "Stupor Mundi", one of the greatest and most cultured men of the Middle Ages. - William II of Sicily built from 1172 here a fort-like complex of buildings, which included a cathedral, an archiepiscopal palace, a royal palace, and a Benedictine monastery. In 1183 the monastery became the seat of the archdiocese of Monreale. The town then developed around this complex. According to a legend, William fell asleep while hunting. The Holy Virgin appeared to him in a dream, suggesting he build a church here. After removing a tree, a treasure was found, whose coins were used to finance the construction. Well, it is much more likely that Monreale was founded in competition with the bishop of Palermo, who had commissioned the large Cathedral of Palermo. This would explain the vast dimensions and the splendor of the "Duomo di Monreale" (= "Cattedrale di Santa Maria Nuova"), that with the cloister, is the only building that survived the times. The interior is breathtaking, but as the cathedral is about 100 m long, there are distances here, not like inside the "Capella Palatina", where all the mosaics are so "near" - plus the visitors can sit down here - and gaze. It is overwhelming. Here are more than 6000m² of byzantine mosaics. The sides of the nave show many very strong parallels to the Cappella Palatina. Here and there probably the same workshop. Probably a large, maybe even a generation-spanning studio of Byzantine artists. The cathedral´s large bronze doors were cast by Bonanno Pisano, who even signed "Bonannus civis pisanus me fecit". He was a well-known artist at his time and created as well the Porta di San Ranieri of the Pisa Cathedral. Depicted are scenes of the Old and the New Testament, starting with "Adam and Eve". Here are only some details Many prophets of the Old Testament are depicted. From left to right Abraham, Isaac, Jacob, Malachias and Balaam (on his donkey) _ I have already uploaded a lot of photos from previous taken here. Now I will add only a few. If you want to see more, follow this link: www.ipernity.com/doc/323415/album/1333402

Sicily, the largest Mediterranean island, has a long history, that starts around 8000 BC, but later there were Phoenician, Carthaginian, Greek, and Roman periods. After the Roman Empire had fallen apart the Vandals tried to take over the island but failed. Finally, the Ostrogoths took possession. Mid of the 6th century Sicily was conquered by troops of the Byzantine Empire. After the advent of Islam, Sicily got attacked by Arab forces. Raids seeking loot continued until the mid-8th century. A Muslim army was sent to the island in 827 but met with much resistance. So it took a century to conquer it and even later revolts constantly occurred In 1038 the Byzantines invaded the island supported by Norman mercenaries, led by Roger. In 1072, after the siege of Palermo, most of Sicily was under Norman control. Roger´s son Roger II raised the status +of the island to a kingdom in 1130. During this period, the Kingdom of Sicily was prosperous and powerful, The court of Roger II became melting out of culture from Europe and the Middle East. This attracted scholars, scientists, artists, and artisans. Muslims, Jews, Greeks, Lombards, and Normans cooperated and created some extraordinary buildings. In 1186 the last descendant of Roger, Constance of Sicily married Emperor Henry VI, the second son of Barbarossa. So the crown of Sicily was passed on to the Hohenstaufen Dynasty. Frederick II, the only son of Constance, was crowned King of Sicily at the age of four in 1198. He became "Stupor Mundi", one of the greatest and most cultured men of the Middle Ages. - William II of Sicily built from 1172 here a fort-like complex of buildings, which included a cathedral, an archiepiscopal palace, a royal palace, and a Benedictine monastery. In 1183 the monastery became the seat of the archdiocese of Monreale. The town then developed around this complex. According to a legend, William fell asleep while hunting. The Holy Virgin appeared to him in a dream, suggesting he build a church here. After removing a tree, a treasure was found, whose coins were used to finance the construction. Well, it is much more likely that Monreale was founded in competition with the bishop of Palermo, who had commissioned the large Cathedral of Palermo. This would explain the vast dimensions and the splendor of the "Duomo di Monreale" (= "Cattedrale di Santa Maria Nuova"), that with the cloister, is the only building that survived the times. The interior is breathtaking, but as the cathedral is about 100 m long, there are distances here, not like inside the "Capella Palatina", where all the mosaics are so "near" - plus the visitors can sit down here - and gaze. It is overwhelming. Here are more than 6000m² of byzantine mosaics. The sides of the nave show many very strong parallels to the Cappella Palatina. Here and there probably the same workshop. Probably a large, maybe even a generation-spanning studio of Byzantine artists. The cathedral´s large bronze doors were cast by Bonanno Pisano, who even signed "Bonannus civis pisanus me fecit". He was a well-known artist at his time and created as well the Porta di San Ranieri of the Pisa Cathedral. Depicted are scenes of the Old and the New Testament, starting with "Adam and Eve". Here are only some details Herod, Lazarus and the Assumption _ I have already uploaded a lot of photos from previous taken here. Now I will add only a few. If you want to see more, follow this link: www.ipernity.com/doc/323415/album/1333402

Salerno (pop. ~ 130.000) is located on the Gulf of Salerno on the Tyrrhenian Sea. The site has been one of the most important and strategic ports on the Mediterranean sea, yielding a rich Greco-Roman heritage. It was an independent Lombard principality in the early Middle Ages. The Normans in 1077 made Salerno the capital of their rule in all of southern Italy. In the 16th century, under the Sanseverino family, among the most powerful feudal lords in southern Italy, the city became a center of learning, culture, and the arts. Salerno has been the seat of an archbishop since 983 and the city's medical school is famous for being the first college or "university" of medieval Europe. The construction of the Cathedral was begun by Robert Guiscard in 1076. This was just three years after the Normans took over the city, which had previously been under Lombard rule for more than 400 years. The church, built on an early Christian church, that was built on the ruins of a Roman temple, was consecrated in 1084 and completed in 1085. Due to the short construction time, cracks formed repeatedly in the building over the centuries. After severe damage from an earthquake in 1688, the cathedral was restored with baroque alterations. In the 20th century, attempts were made to reconstruct the original facade. The bronze Door of the church was cast in Constantinople in 1099. It is made up of 54 panels mostly depicting Byzantine crosses. There is also the icon of two griffins drinking from a baptismal font. Although today the door has a greenish color typical of ancient bronze, it was once covered in gold and silver. Flanking the bronze door are prayers to St. Matthew in Armenian and Greek characters, and only recently deciphered.

Salerno (pop. ~ 130.000) is located on the Gulf of Salerno on the Tyrrhenian Sea. The site has been one of the most important and strategic ports on the Mediterranean sea, yielding a rich Greco-Roman heritage. It was an independent Lombard principality in the early Middle Ages. The Normans in 1077 made Salerno the capital of their rule in all of southern Italy. In the 16th century, under the Sanseverino family, among the most powerful feudal lords in southern Italy, the city became a center of learning, culture, and the arts. Salerno has been the seat of an archbishop since 983 and the city's medical school is famous for being the first college or "university" of medieval Europe. The construction of the Cathedral was begun by Robert Guiscard in 1076. This was just three years after the Normans took over the city, which had previously been under Lombard rule for more than 400 years. The church, built on an early Christian church, that was built on the ruins of a Roman temple, was consecrated in 1084 and completed in 1085. Due to the short construction time, cracks formed repeatedly in the building over the centuries. After severe damage from an earthquake in 1688, the cathedral was restored with baroque alterations. In the 20th century, attempts were made to reconstruct the original facade. The bronze Door of the church was cast in Constantinople in 1099. It is made up of 54 panels mostly depicting Byzantine crosses. There is also the icon of two griffins drinking from a baptismal font. Although today the door has a greenish color typical of ancient bronze, it was once covered in gold and silver. Flanking the bronze door are prayers to St. Matthew in Armenian and Greek characters, and only recently deciphered. Details of this door.

Florentina was established in Roman times as a settlement for veteran soldiers. The name had changed already when young Charlemagne conquered the town in 774. It became part of the Duchy of Tuscany, with Lucca as the capital. Around 1000 Margrave Hugo chose Florence as residency instead of Lucca. After the death of Matilda of Tuscany (1115), the Florentines formed a republic ruled by a council. The town prospered, despite a constant fight between the different factions and noble families. In the 15th century, Florence was among the largest and wealthiest cities in Europe. This was when the Medici family entered the political scene. As a dynasty of art-loving, power-hungry bankers, they made Florence the birthplace of the Renaissance. The Baptistery of San Giovanni is the baptistery of Florence Cathedral. The time of origin is disputed, the church was consecrated in the 11th century. The church stands on the foundations of a Roman building. The first reliable source dates from 897, when an ecclesia (church) dedicated to John the Baptist and facing the bishop's palace is mentioned. Today's building dates from the 11th century at the earliest. The octagon had been a common shape for baptisteries for many centuries since early Christian times. The construction was finished in 1128. An octagonal lantern was added to the roof around 1150. It was enlarged with a rectangular entrance porch in 1202, leading into the original western entrance of the building, that in the 15th century became an apse, after the opening of the eastern door facing the western door of the cathedral by Lorenzo Ghiberti. Between the fourteenth and sixteenth centuries, three bronze double doors were added, with bronze and marble statues above them. In 1329 Andrea Pisano was awarded the commission to design the first set of doors. An antetype for the doors was probably the Gate of the Pisa Cathedral, done by Bonanno Pisano around 1180. The wax model and the gilding at the end were done by Andrea Pisano, whereas the bronze casting was executed by Venetian masters. It took six years to complete the doors. The gate wings consist of 28 panels. The south doors were originally installed in 1336 on the east side, facing the Duomo, and were transferred to their present location in 1452. There is an inscription on top of the door: Andreas Ugolini Nini de Pisis me fecit A.D. MCCCXXX ("Andrea Pisano made me in 1330").

Florentina was established in Roman times as a settlement for veteran soldiers. The name had changed already when young Charlemagne conquered the town in 774. It became part of the Duchy of Tuscany, with Lucca as the capital. Around 1000 Margrave Hugo chose Florence as residency instead of Lucca. After the death of Matilda of Tuscany (1115), the Florentines formed a republic ruled by a council. The town prospered, despite a constant fight between the different factions and noble families. In the 15th century, Florence was among the largest and wealthiest cities in Europe. This was when the Medici family entered the political scene. As a dynasty of art-loving, power-hungry bankers, they made Florence the birthplace of the Renaissance. The Baptistery of San Giovanni is the baptistery of Florence Cathedral. The time of origin is disputed, the church was consecrated in the 11th century. The church stands on the foundations of a Roman building. The first reliable source dates from 897, when an ecclesia (church) dedicated to John the Baptist and facing the bishop's palace is mentioned. Today's building dates from the 11th century at the earliest. The octagon had been a common shape for baptisteries for many centuries since early Christian times. The construction was finished in 1128. An octagonal lantern was added to the roof around 1150. It was enlarged with a rectangular entrance porch in 1202, leading into the original western entrance of the building, that in the 15th century became an apse, after the opening of the eastern door facing the western door of the cathedral by Lorenzo Ghiberti. Between the fourteenth and sixteenth centuries, three bronze double doors were added, with bronze and marble statues above them. In 1329 Andrea Pisano was awarded the commission to design the first set of doors. An antetype for the doors was probably the Gate of the Pisa Cathedral, done by Bonanno Pisano around 1180. The wax model and the gilding at the end were done by Andrea Pisano, whereas the bronze casting was executed by Venetian masters. It took six years to complete the doors. The gate wings consist of 28 panels. The south doors were originally installed in 1336 on the east side, facing the Duomo, and were transferred to their present location in 1452. There is an inscription on top of the door: Andreas Ugolini Nini de Pisis me fecit A.D. MCCCXXX ("Andrea Pisano made me in 1330"). Seen here is "Jesus´ First Bath" Well, it could be St. John's first bath. I'm not sure but it's a boy!

Florentina was established in Roman times as a settlement for veteran soldiers. The name had changed already when young Charlemagne conquered the town in 774. It became part of the Duchy of Tuscany, with Lucca as the capital. Around 1000 Margrave Hugo chose Florence as residency instead of Lucca. After the death of Matilda of Tuscany (1115), the Florentines formed a republic ruled by a council. The town prospered, despite a constant fight between the different factions and noble families. In the 15th century, Florence was among the largest and wealthiest cities in Europe. This was when the Medici family entered the political scene. As a dynasty of art-loving, power-hungry bankers, they made Florence the birthplace of the Renaissance. The Baptistery of San Giovanni is the baptistery of Florence Cathedral. The time of origin is disputed, the church was consecrated in the 11th century. The church stands on the foundations of a Roman building. The first reliable source dates from 897, when an ecclesia (church) dedicated to John the Baptist and facing the bishop's palace is mentioned. Today's building dates from the 11th century at the earliest. The octagon had been a common shape for baptisteries for many centuries since early Christian times. The construction was finished in 1128. An octagonal lantern was added to the roof around 1150. It was enlarged with a rectangular entrance porch in 1202, leading into the original western entrance of the building, that in the 15th century became an apse, after the opening of the eastern door facing the western door of the cathedral by Lorenzo Ghiberti. Between the fourteenth and sixteenth centuries, three bronze double doors were added, with bronze and marble statues above them. In 1329 Andrea Pisano was awarded the commission to design the first set of doors. An antetype for the doors was probably the Gate of the Pisa Cathedral, done by Bonanno Pisano around 1180. The wax model and the gilding at the end were done by Andrea Pisano, whereas the bronze casting was executed by Venetian masters. It took six years to complete the doors. The gate wings consist of 28 panels. The south doors were originally installed in 1336 on the east side, facing the Duomo, and were transferred to their present location in 1452. There is an inscription on top of the door: Andreas Ugolini Nini de Pisis me fecit A.D. MCCCXXX ("Andrea Pisano made me in 1330"). The Nativity and the Annunciation to the shepherds.

Florentina was established in Roman times as a settlement for veteran soldiers. The name had changed already when young Charlemagne conquered the town in 774. It became part of the Duchy of Tuscany, with Lucca as the capital. Around 1000 Margrave Hugo chose Florence as residency instead of Lucca. After the death of Matilda of Tuscany (1115), the Florentines formed a republic ruled by a council. The town prospered, despite a constant fight between the different factions and noble families. In the 15th century, Florence was among the largest and wealthiest cities in Europe. This was when the Medici family entered the political scene. As a dynasty of art-loving, power-hungry bankers, they made Florence the birthplace of the Renaissance. The Baptistery of San Giovanni is the baptistery of Florence Cathedral. The time of origin is disputed, the church was consecrated in the 11th century. The church stands on the foundations of a Roman building. The first reliable source dates from 897, when an ecclesia (church) dedicated to John the Baptist and facing the bishop's palace is mentioned. Today's building dates from the 11th century at the earliest. The octagon had been a common shape for baptisteries for many centuries since early Christian times. The construction was finished in 1128. An octagonal lantern was added to the roof around 1150. It was enlarged with a rectangular entrance porch in 1202, leading into the original western entrance of the building, that in the 15th century became an apse, after the opening of the eastern door facing the western door of the cathedral by Lorenzo Ghiberti. Between the fourteenth and sixteenth centuries, three bronze double doors were added, with bronze and marble statues above them. The northern doors (aka Porte del Paradiso) are a work of Lorenzo Ghiberti, who won in 1401 (at the age of 21) a competition for this commission together with Brunelleschi, who however left and let Ghiberti work on the doors himself It took Ghiberti 21 years to complete these doors. These gilded bronze doors consist of twenty-eight panels. Ghiberti was now widely recognized as a top artist in this field. He was showered with commissions. In 1424 he received a commission for the east doors of the baptistery, on which he and his workshop toiled for 27 years. Ghiberti employed the recently discovered principles of perspective to give depth to his compositions. The doors seen here are copies.

Florentina was established in Roman times as a settlement for veteran soldiers. The name had changed already when young Charlemagne conquered the town in 774. It became part of the Duchy of Tuscany, with Lucca as the capital. Around 1000 Margrave Hugo chose Florence as residency instead of Lucca. After the death of Matilda of Tuscany (1115), the Florentines formed a republic ruled by a council. The town prospered, despite a constant fight between the different factions and noble families. In the 15th century, Florence was among the largest and wealthiest cities in Europe. This was when the Medici family entered the political scene. As a dynasty of art-loving, power-hungry bankers, they made Florence the birthplace of the Renaissance. The Baptistery of San Giovanni is the baptistery of Florence Cathedral. The time of origin is disputed, the church was consecrated in the 11th century. The church stands on the foundations of a Roman building. The first reliable source dates from 897, when an ecclesia (church) dedicated to John the Baptist and facing the bishop's palace is mentioned. Today's building dates from the 11th century at the earliest. The octagon had been a common shape for baptisteries for many centuries since early Christian times. The construction was finished in 1128. An octagonal lantern was added to the roof around 1150. It was enlarged with a rectangular entrance porch in 1202, leading into the original western entrance of the building, that in the 15th century became an apse, after the opening of the eastern door facing the western door of the cathedral by Lorenzo Ghiberti. Between the fourteenth and sixteenth centuries, three bronze double doors were added, with bronze and marble statues above them. The northern doors (aka Porte del Paradiso) are a work of Lorenzo Ghiberti, who won in 1401 (at the age of 21) a competition for this commission together with Brunelleschi, who however left and let Ghiberti work on the doors himself It took Ghiberti 21 years to complete these doors. These gilded bronze doors consist of twenty-eight panels. Ghiberti was now widely recognized as a top artist in this field. He was showered with commissions. In 1424 he received a commission for the east doors of the baptistery, on which he and his workshop toiled for 27 years. Ghiberti employed the recently discovered principles of perspective to give depth to his compositions. The Creation of Eve.

Florentina was established in Roman times as a settlement for veteran soldiers. The name had changed already when young Charlemagne conquered the town in 774. It became part of the Duchy of Tuscany, with Lucca as the capital. Around 1000 Margrave Hugo chose Florence as residency instead of Lucca. After the death of Matilda of Tuscany (1115), the Florentines formed a republic ruled by a council. The town prospered, despite a constant fight between the different factions and noble families. In the 15th century, Florence was among the largest and wealthiest cities in Europe. This was when the Medici family entered the political scene. As a dynasty of art-loving, power-hungry bankers, they made Florence the birthplace of the Renaissance. The Baptistery of San Giovanni is the baptistery of Florence Cathedral. The time of origin is disputed, the church was consecrated in the 11th century. The church stands on the foundations of a Roman building. The first reliable source dates from 897, when an ecclesia (church) dedicated to John the Baptist and facing the bishop's palace is mentioned. Today's building dates from the 11th century at the earliest. The octagon had been a common shape for baptisteries for many centuries since early Christian times. The construction was finished in 1128. An octagonal lantern was added to the roof around 1150. It was enlarged with a rectangular entrance porch in 1202, leading into the original western entrance of the building, that in the 15th century became an apse, after the opening of the eastern door facing the western door of the cathedral by Lorenzo Ghiberti. Between the fourteenth and sixteenth centuries, three bronze double doors were added, with bronze and marble statues above them. The northern doors (aka Porte del Paradiso) are a work of Lorenzo Ghiberti, who won in 1401 (at the age of 21) a competition for this commission together with Brunelleschi, who however left and let Ghiberti work on the doors himself It took Ghiberti 21 years to complete these doors. These gilded bronze doors consist of twenty-eight panels. Ghiberti was now widely recognized as a top artist in this field. He was showered with commissions. In 1424 he received a commission for the east doors of the baptistery, on which he and his workshop toiled for 27 years. Ghiberti employed the recently discovered principles of perspective to give depth to his compositions. Genesis 9:20-23 "Noah, a man of the soil, proceeded to plant a vineyard. When he drank some of its wine, he became drunk and lay uncovered inside his tent. Ham, the father of Canaan, saw his father naked and told his two brothers outside. But Shem and Japheth took a garment and laid it across their shoulders; then they walked in backward and covered their father’s naked body. Their faces were turned the other way so that they would not see their father naked." Most interesting for me are the animals, that had been on the ark. To the left is an elephant.

Payerne Priory (= Peterlingen), a former Cluniac monastery, was founded around 962 by Empress Adelheid as the burial place of her mother Queen Berta of Burgundy. It was annexed to the reform abbey of Cluny in 962 as one of the first daughter monasteries. It was richly endowed by the kings of Burgundy and the German emperors and had extensive landholdings In 1033, Conrad II was crowned King of Burgundy in Peterlingen. The priory was first directly managed by the abbots from Cluny, but starting in 1050 the local prior led the monastery with increasing independence. Saint Ulrich of Zell, was prior here in the later 11th century. He later founded two Cluniac monasteries in the Black Forest. In 1444, the antipope Felix V raised the priory to an abbey. This elevation brought no benefits to the monastery. The Reformation and the weakening of Savoy's power led to the dissolution of the monastery. After the Bernese conquest of Vaud, some of the buildings were demolished. The former abbey church of Notre Dame is an example of Cluniac architecture and an important Romanesque church building. The current construction was started in the 11th century by Abbot Odilo of Cluny on the site of the previous 10th-century church. Parts of the previous building, including the archaic capitals, were included in the new church.After the Reformation, the church was profaned and served in the 17th century as a bell foundry, in the 18th century as a granary, and later also as a prison and barracks. Since 1926 a careful restoration was carried out. Doorknockers

Not much is known about the foundation of Braunschweig. Tradition tells, Brunswick (= Braunschweig) was created through the merger of two settlements on either side of the River Oker around 860. The city was first mentioned in documents from the St. Magni Church in 1031. Up to the 12th century, Brunswick was ruled by the Saxon noble family, then, through marriage, it fell to the House of Welf. In 1142, Henry the Lion of the House of Welf became Duke of Saxony and made Braunschweig the capital of his state. He turned Dankwarderode Castle into his own Pfalz and developed the city further to represent his authority. Under Henry's rule, the Cathedral of St. Blasius was built and he also had the statue of a lion, his heraldic animal, erected in front of the castle. Henry the Lion became so powerful that he dared to refuse military aid to Emperor Frederick I Barbarossa, which led to his banishment in 1182. Henry went into exile in England. He had previously established ties to the English crown in 1168, through his marriage to King Henry II of England's daughter Matilda, sister of Richard the Lionheart. However, his son Otto, who could regain influence and was eventually crowned Holy Roman Emperor, continued to foster the city's development. Brunswick was an important center of trade, an economic and a political centers and a member of the Hanseatic League from the 13th century on. By the year 1600. Brunswick was the seventh largest city in Germany. It was de facto ruled independently by a powerful class of patricians and the guilds throughout much of the Late Middle Ages and the early modern period. Because of the growing power of Brunswick's burghers, the Princes of Brunswick-Wolfenbüttel finally moved their Residenz out of the city and to the nearby town of Wolfenbüttel in 1432. The Princes of Brunswick-Wolfenbüttel did not regain control over the city until the late 17th century, when Rudolph Augustus, Duke of Brunswick-Lüneburg, took the city by siege. St. Blasii Cathedral was built in 1173 as a collegiate church by order of Henry the Lion, Duke of Bavaria and Saxony, opposite his Dankwarderode Castle and designated by him as the burial place of him and his second wife Matilda of England. The cathedral was consecrated in 1226. The construction of the church was disrupted several times during the various exiles of Henry the Lion, so that he and his consort were both buried in an unfinished church. In 1543, at the time of the Protestant Reformation, the church came into Lutheran use. Its college was dissolved. The cathedral is the burial place of Otto IV, Holy Roman Emperor (1175 - 1218) and Caroline of Brunswick, Queen Consort of George IV of the United Kingdom. - The bronze seven-armed candelabrum from the 12th century consists of 74 individual parts, has a height of 4.80 m, a span of 4.30 m, and weighs over 400 kg. The time of origin has not been handed down in writing. It is regarded as a foundation of Henry the Lion. Based on material analyses, it is probable that the candlestick was made in a bronze foundry workshop in the Braunschweig area. It was first mentioned in a document in 1196 when Ludolf von Volkmarode undertook to take care of the wax candles for this candelabrum.

With a victory in the Battle of Lenzen in 929, the Saxens made a significant advance into the dominion of the Slavic tribes. Shortly thereafter, the area around Havelberg was conquered and a castle complex was built on the ridge. Otto I continued the conquest of eastern Elbe areas and founded the bishopric of Havelberg as a suffragan diocese of the Archdiocese of Magdeburg. The settlement of a bishopric in Havelberg suggests that the place represented a regional center as early as the 10th century and possibly before. As early as 983, a rebellion broke out among Slavic groups, during which the bishopric of Havelberg was conquered. It was not until 1130 that King Lothar III succeeded. to recapture the place. The city was built in the middle of the 12th century, spatially separate from the cathedral district, on a promontory in a bend in the Havel River, that was made to an island for strategic reasons. The first construction work on the church must have taken place in the middle of the 10th century. A chronicler reports that the church was destroyed during the uprising in 983. Around 1150, under the influence of the local Bishop, a cathedral was built. The basilica was consecrated in 1170. The church was about 70 meters long and 20 meters wide. The Romanesque building consisted of two tower-like crossbars with a three-aisled nave in between. A large triumphal arch visually separated the chancel from the nave. The chancel itself was rectangular and ended in a semi-circular apse. The westwork, appearing defensively closed from the outside, had five round-arched portals to the naves on the inside. A fire in 1279 destroyed significant parts of the cathedral. Using the existing Romanesque components, the basilica was rebuilt in a Gothic style with bricks. The entire conversion was probably not completed until 1330 when the high altar was consecrated. After the Reformation, the cathedral chapter converted to Protestantism in 1561. The bishopric of Havelberg itself was dissolved in 1598 by Elector Joachim Friedrich of Brandenburg. Adjacent to the cathedral is the 12th-century convent building of the Premonstratensian canons. Today the buildings host the "Prignitz Museum". This bronze cross is dated to the 12th century and was probably cast in the Northern Harz Mountains. Such crosses were used by missionaries. This was found in a field.

Tangermünde Castle was first mentioned in 1009 as "civitate Tongeremuthi" because this is where the Tanger (Tongera) flows into the Elbe. The city was first mentioned in 1275. From 1373 to 1378 Tangermünde was the second seat of Emperor Charles IV, who appointed his 12-year-old son Wenzel Elector of Brandenburg in 1373. After the death of Emperor Charles IV, there was a turbulent development in the Mark, until the Hohenzollerns were enfeoffed with the Mark as electors in 1415 and initially resided in Tangermünde. The heyday of the Hanseatic city was the 15th century, when the city gates and the town hall were built in the North German brick Gothic style. At this time, St. Stephen's Church was expanded into a Gothic hall church. The city lost the Elector's favor after the uprising of 1488, when the citizens rebelled against the beer tax. In 1617 the city burned down almost completely. After the fire, many magnificent half-timbered houses were built. Due to the Thirty Years' War, however, the city became a rather insignificant country town. - The predecessor of St. Stephan was a Romanesque basilica. It was in existence by 1188. Parts of this original building were reused in the construction of the present church. The transept of the former building gave the width of the new nave. Emperor Charles IV, who lived in Tangermünde between 1373 and 1378, founded a house of Augustinian Canons, to which he gave the church as a source of income. The canons conducted the services. During the late Middle Ages the construction took place in several phases of today's triple-aisled Gothic hall church. Firstly, after 1350, the northern wall of the nave and the southern wall were built, and in about 1405, the roof and the rib vaults. The prominent octagonal pillars are unusual. The south tower remains uncompleted to this day. In 1450 work began on the construction of the new choir, followed by the outside walls of the new ambulatory and also the arms of the transept. Only then was the old choir removed. The choir was roofed in 1475. The city-wide fire from 1617 damaged the church and the top part of the north tower collapsed. It was not restored until after 1714, when the tower received its present Baroque roof. The bronze baptismal font was cast in 1508. The casting convinces less by its figural decoration than by its chalice shape, whose surface appears to be turned. The figures are not co-cast, but riveted on.