Marie Wilt by Luckhardt
Heinrich Sontheim by Luckhardt
Lilly Lehmann by Pierson
Minna Peschka-Leutner's autograph at the back
Minna Peschka-Leutner by Eulenstein
Marie Battu by Reutlinger with autograph
Adelina Patti by Disderi (1)
Adelina Patti by Disderi (2)
Julia Reine by Maunoury
Marguerite Decroix by Cremière
Marie Blanche Peschard by Vauvray
Rosine Bloch by Reutlinger
Catarina (Kate) Morensi by Disdéri
Pasquale Brignoli by Case & Getchell
Marie Rôze by Bingham
Marie Rôze by Bénédict
Marie Rôze by Gaston & Mathieu
Marie Rôze by Maunoury
Carlotta Patti by Reutlinger (1)
Carlotta Patti by Reutlinger (2)
Christine Nilsson by Reutlinger (1)
Christine Nilsson by Reutlinger (2)
Christine Nilsson by Reutlinger (3)
Emil Scaria by Prothmann
Joseph Aloys Tichatschek by Gust Joop
Lorenzo Riese by Schubert
Marie Geistinger by Luckhardt
Marie Geistinger by Mahlknecht (2)
Marie Geistinger by Mahlknecht (1)
Theodor Wachtel by Levinthal
Albert Niemann by Luckhardt
Albert Niemann by Loescher & Petsch
Adelina Patti by Ken
Karoline Tellheim by Luckhardt
Karoline Tellheim by Székely
Pauline Lucca by Graf (2) with autograph
Pauline Lucca by Krause
Pauline Lucca by Graf (1) with autograph
Marianne Brandt by Unknown
Marianne Brandt's autograph at the back
Elisa Wiborg by Waldemar Dahllöf
Charles Louis Pubereaux (Sainte Foy) by Bingham
Enrico delle Sedie by Nadar
Nicolas-Jean-Jacques Masset by Petit
Jules-Sébastien Montjauze by Maze
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Gabrielle Krauss by Thiébault
Gabrielle Krauss (1842-1906); Austrian soprano.
She was a pupil of Mathilde Marchesi. In 1859 -at the age of 17- she made her debut as Mathilde in Rossini's “William Tell” at the Vienna Hofoper. She continued her career in Vienna until 1867. After guest appearances in Italy and Russia she settled in Paris and performed at the “Grand Opera” and at the “Théâtre-Italien”. She created the title-role at the première of Mermet’s “Jeanne d’Arc” (1876), the role of Pauline in Gounod’s “Polyeucte” (1878), Hermosa in Gounod’s “Le tribut de Zamora” (1881), Catherine d’Aragon in Saint-Saëns “Henri VIII” (1883) and Dolores in Paladilhe’s “Patrie !” (1886). She was also a celebrated concert singer.
She was a pupil of Mathilde Marchesi. In 1859 -at the age of 17- she made her debut as Mathilde in Rossini's “William Tell” at the Vienna Hofoper. She continued her career in Vienna until 1867. After guest appearances in Italy and Russia she settled in Paris and performed at the “Grand Opera” and at the “Théâtre-Italien”. She created the title-role at the première of Mermet’s “Jeanne d’Arc” (1876), the role of Pauline in Gounod’s “Polyeucte” (1878), Hermosa in Gounod’s “Le tribut de Zamora” (1881), Catherine d’Aragon in Saint-Saëns “Henri VIII” (1883) and Dolores in Paladilhe’s “Patrie !” (1886). She was also a celebrated concert singer.
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