Gabrielle Krauss by Thiébault
Marie Wilt by Luckhardt
Heinrich Sontheim by Luckhardt
Lilly Lehmann by Pierson
Minna Peschka-Leutner's autograph at the back
Minna Peschka-Leutner by Eulenstein
Marie Battu by Reutlinger with autograph
Adelina Patti by Disderi (1)
Adelina Patti by Disderi (2)
Julia Reine by Maunoury
Marguerite Decroix by Cremière
Marie Blanche Peschard by Vauvray
Rosine Bloch by Reutlinger
Catarina (Kate) Morensi by Disdéri
Pasquale Brignoli by Case & Getchell
Marie Rôze by Bingham
Marie Rôze by Bénédict
Marie Rôze by Gaston & Mathieu
Marie Rôze by Maunoury
Carlotta Patti by Reutlinger (1)
Carlotta Patti by Reutlinger (2)
Christine Nilsson by Reutlinger (1)
Christine Nilsson by Reutlinger (2)
Joseph Aloys Tichatschek by Gust Joop
Lorenzo Riese by Schubert
Marie Geistinger by Luckhardt
Marie Geistinger by Mahlknecht (2)
Marie Geistinger by Mahlknecht (1)
Theodor Wachtel by Levinthal
Albert Niemann by Luckhardt
Albert Niemann by Loescher & Petsch
Adelina Patti by Ken
Karoline Tellheim by Luckhardt
Karoline Tellheim by Székely
Pauline Lucca by Graf (2) with autograph
Pauline Lucca by Krause
Pauline Lucca by Graf (1) with autograph
Marianne Brandt by Unknown
Marianne Brandt's autograph at the back
Elisa Wiborg by Waldemar Dahllöf
Charles Louis Pubereaux (Sainte Foy) by Bingham
Enrico delle Sedie by Nadar
Nicolas-Jean-Jacques Masset by Petit
Jules-Sébastien Montjauze by Maze
Jules-Sébastien Montjauze by Bureau (2)
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Emil Scaria by Prothmann
Emil Scaria (1838-1886); Austrian bass who in 1882 created the role of Gurnemanz in the première of Wagner’s “Parsifal” at Bayreuth. In 1860 he made his debut at the Budapest Opera as St. Bris in Meyerbeer's "Les Huguenots". He then sang in Brünn ( Brno), Frankfurt am Main and Magdeburg, but without much success. In 1862 he continued his vocal studies in London with Manuel Garcia Jr. This was followed by an engagement at the "Hoftheater von Dessau" (1862), the "Opernhaus von Leipzig" (1863/65) and the "Hofoper von Dresden" (1865/72). In the years 1873/86 he was a celebrated singer at the "Wiener Hofoper", where he turned out to be a great interpreter of Wagner. In 1882 he created the role of Gurnemanz in Wagner's "Parsifal" with Hermann Winkelmann as Parsifal and Amalie Materna as Kundry.
In 1882/83 he belonged to the Angelo Neumann Travelling Company that undertook a major tour through Europe. In London, Paris, St. Petersburg and in the major musical centres of Italy were given performances of Wagner operas and Beethoven's "Fidelio". His last performance was in 1886 as Landgrave in Wagner's "Tannhäuser at the Wiener Hofoper". The death of the singer turned out to be tragically. He fell increasingly into insanity and finally had to be placed in a facility for the mentally ill. He found his final resting place in Frankfurt am Main, the city where he had made many guest appearances.
On the photo he is seen as Marcel in Meyerbeer’s “Die Hugenotten (Les Huguenots)”.
In 1882/83 he belonged to the Angelo Neumann Travelling Company that undertook a major tour through Europe. In London, Paris, St. Petersburg and in the major musical centres of Italy were given performances of Wagner operas and Beethoven's "Fidelio". His last performance was in 1886 as Landgrave in Wagner's "Tannhäuser at the Wiener Hofoper". The death of the singer turned out to be tragically. He fell increasingly into insanity and finally had to be placed in a facility for the mentally ill. He found his final resting place in Frankfurt am Main, the city where he had made many guest appearances.
On the photo he is seen as Marcel in Meyerbeer’s “Die Hugenotten (Les Huguenots)”.
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