Martin M. Miles' photos with the keyword: shepherd

A Celtic castle existed here, from which resistance against the Romans originated. The city was nevertheless taken. Afterward, it began to be built as a Roman city and became an important Roman military base. In the second half of the 5th century, Segovia became part of the Visigoth Empire. From the 8th to the 11th centuries, Segovia was under Moorish possession. In 1085 Alfonso VI conquered the city. From the 13th to the 15th century it was a royal residence. San Lorenzo has undergone various alterations throughout its history. The erection of the one nave church in the Romanesque-Mudejar style started in the 12th century and like most Romanesque churches in Segovia, San Lorenzo has an interesting portico. The capitals are a little weathered. A shepherd and his sheep. Or goats.

Salamanca is a "real city" with a population of more than 140.000 inhabitants. Under Roman and Visigothic rule called “Helmantica,” the city developed into an important trading center. In the 8th century, Salamanca was taken by the Moors, but in 939 it became Christian again as a result of the Battle of Simancas. Salamanca became a border town to the Islamic south of the Iberian Peninsula and was subsequently exposed to constant attacks, which resulted in depopulation and only after the conquest of Toledo by Alfonso VI. León's rule ended in 1085. In 1102 the period of repopulation began. The Christian new settlers rose against Castile-León in 1162 and called on Portugal for help in 1163, which occupied Salamanca for two years. Salamanca experienced its heyday in the 16th century. In 1524, the construction of the church and monastery of San Esteban began and at the same time, the new cathedral was built. The "New Cathedral" ("Catedral Nueva") is, together with the "Old Cathedral" ("Catedral Vieja"), one of the two cathedrals of Salamanca. It is the seat of the Diocese of Salamanca. Following the Reconquista, the Salamanca grew in population and prosperity. The old Romanesque cathedral no longer met the size and representational demands of the bishop, university, and city. In 1513, construction began on the ew bishop's church, which was designed to have enormous dimensions. The northern transept arm of the old church was demolished for this purpose. The ceremonial consecration of the new cathedral did not take place until 1733 after a long, eventful construction history. During the Lisbon earthquake of 1755, the central dome and the bell tower collapsed. The reconstruction was completed by 1762. The center of the portal (prev. upload) shows the Adoration of the Shepherds (left) and the Adoration of the Magi (right). At the top right, in the innermost archivolt, a unicorn gallops.

Cologne is the fourth-largest city in Germany - and one of the oldest. A Germanic tribe, the Ubii, had a settlement here, this was named by the Romans "Oppidum Ubiorum". In 50 AD, the Romans founded "Colonia Claudia Ara Agrippinensium", the city then became the provincial capital of "Germania Inferior". A city with such a history has -of course- many museums. One is the "Museum Schnütgen", devoted to medieval art. In 1906, the collection of Alexander Schnütgen, a theologian and passionate art collector, was donated to the city. Since 1956, the museum has occupied the Romanesque church of St. Cäcilien (1130-1160), that was once part of a monastery founded in 881. An annex was added in the 1950s, but even now only about 10% of all artefacts can be displayed as of course the collection has expanded since Schnütgen´s donation. www.museum-schnuetgen.de/Info The Nativity of Christ. Carved from walfus ivory 1150/1160 in Cologne.

Manegold of Lautenbach, a celebrity of his time, lived here in the 11th. century. During the Investiture Controversy, Manegold sided strongly with Pope Gregory VII. Emperor Henry IV was so annoyed about this, that he sent an army, to destroy the monastery and churches. About 50 years later Augustinian Canons settled here - and rebuilt the church, reusing a lot of old material, so some of the carvings seen here, may orginate from the older church. Many changes took place in and around the building (now the parish church) over the time, but some parts seem seem still unchanged. On the other corner of the transept, next to the gutter, is a shepherd and his ram. The shepherd is obviously watching a oncoming weather-change. Behind them the fastening of a modern antenna - and on the head of the ram -sits a little bird. I am sure, that Sonja as an ornithologist, can identify the species.

Bergamo was the settlement of a Celtic tribe but got conquered by the Romans in 196 BC. Looted by Attila´s troops in the 5th century, it became the capital of a Lombardian duchy a century later. After the conquest of the Lombard Kingdom by Charlemagne, the Franks ruled here. End of the 11th century Bergamo had become an independent commune, with a lot of feuding between the local the Guelph and Ghibelline factions. In 1428 Bergamo was ceded in 1428 by the Duchy of Milan to the Republic of Venice and was transformed into a fortified city, protecting the trade routes leading into the Rhine Valley. The French Revolutionary Army ended more than three centuries of Venetian rule in 1797. Bergamo was part of the "Cisalpine Republic". At Congress of Vienna, Bergamo was assigned to the (Austrian) Kingdom of Lombardy–Venetia. Giuseppe Garibaldi conquered Bergamo in 1859. The city was incorporated into the newly founded Kingdom of Italy. Bergamo´s two centres are the Città alta ("upper city"), a hilltop medieval town, and the Città bassa ("lower city"). Next to the Duomo di Bergamo, opening to the Piazza Duomo, is the "Basilica di Santa Maria Maggiore". The church was founded in 1137 on the site of aan older church and the altar was consecrated in 1185, but during the 13th and 15th century the works slowed down and the Romanesque church never got completed. Santa Maria Maggiore´s porch was created by Giovanni da Campione in 1353. He was a member of the "Maestri Campionesi" (aka "Scuola Campionese") all originating from Campione, a small Italian exclave surrounded by the Swiss canton of Ticino. Seen here is another small detail of the porch. A shepherd - and a hunter.

There are two products, this small town, near Riom is pretty famous for. There are the black stones from Volvic, used all over the Auvergne. The gothic cathedral in Clermont-Ferrand is built from the black stones, coming from Volvic. The younger product is the "Volvic" mineral water. Zillions of plastic bottles, filled with Volvic-water leave this place every week or month. Long time before Danone (Evian, Badoit, La Salvetat....) entered the stage in Volvic, this place was owned by St. Priest (aka Priest de Clermont, aka Saint Praejectus), bishop of Clermont. St. Priest was stabbed to death here in 676 and immediately was venerated as a martyr. His sucessor Avitor founded an abbey here, that later was depending from Mozac (1169). The capitals in St. Priest do not have the wonderful, sleek elegance of the carvings seen in the former abbey church in Mozac (5kms east) or Notre-Dame-Du-Port in Clermont-Ferrand (15kms south), but they use the same "icons", that are so typical all over the Auvergne: sirens, griffons, eagles.. Another of these familar sights: The shepherds. Probably referring to the "Parable of the Lost Sheep" (Matthew, 18:12-14 / Luke 18:12-14). This shepherd-theme ("Pastor Bonus") can be found all over the Auvergne (Issoire, Biozat, Thuret..). Here are two shepherds, on their knees. The sheep they have on their shoulders are pretty large - and have strange faces. On the very left the head of the demon/wolf can be seen, showing a row of scaring shark-like teeth.

The former church of a priory, built 1150/1170, got remodelled quite often over the centuries. This was done not only by architects, but as well by clerics. The church was dedicated to St. Genesius first, then to St. Limin, followed by Saint-Martin. In the 19th century the dedication changed to Saint-Bonnet and some decades ago to Saint-Bénilde, a saint born in Thuret in 1805 under the name Pierre Romançon. There are interesting carvings here. Ever since the art history discovered them as specific works of art, they have been a subject in the literature. B. Craplet ("Auvergne roman", 1992) describes the carvings just as "unskilled". He in general disagrees with Z. Swiechowski ("Sculpture Romane D'auvergne", 1973), who sees this as the work of "naive folk art". A. Gybal ("L´Auvergne, berceau de l´artroman", 1958) describes a specific "Thuret-style" being a totally simplified work of art. Only to be found here. For him, the simplification is the result of the artists inspiration. He makes totally clear, that this is not "folk art" ("l`art populaire"), but the result of artistic work of very skilled monks ("moines tres cultives"). Just a small detail from on of the many capitals. A shepherd carrying a sheep on his shoulders. Probably referring to the "Parable of the Lost Sheep" (Matthew, 18:12-14 / Luke 18:12-14). This shepherd-theme ("Pastor Bonus") is very typical for the Auvergne (Issoire, Biozat,..), but the style here is pretty different. - Bernard Craplet wrote "Is there a hidden message within the unskilled sculptures? This is probably not the case. Neither here nor somewhere else."

This church once belonged to a convent dependent on the abbey in Charroux (350kms east), later on the nearby abbey in Saint Jean d'Angely. It was erected within the 12th century, but tower, southern walls and parts of the nave got destroyed during the medieval wars. It got rebuilt and reconstructed different times. The state the building is in now, dates to the mid of the 19th century. Not all lions here are such cute pets, as just seen. Here is a scary beast, who had just ripped a sheep. The shepherd and his dog are still fighting.

The Basilique Sainte-Marie-Madeleine is a jewel of Romanesque architecture. The nave was erected within 20 years, from 1120 on, after the preceding church burnt down, with a loss of more than 1000 lifes. The choir and the transept, seen here, were erected 1185 - 1215. They are completed already in gothic style. The relics of Sainte Marie Madeleine, that had been here since around 1050, made Vezelay to a center of pilgrimage (and the starting point of the Via Lemovizensis). But in 1279 dominican monks in Saint-Maximin-la-Sainte-Baume claimed to have found the "real" sarcophagus of Sainte Marie Madeleine. Unfortunately the Dominicans found the patronage by Pope Boniface VIII and Charles d'Anjou - and so Vezelay lost it´s importance. In 1559, during the Wars of Religion, Huguenots looted Vezelay und burnt the relics, that were still in Vezelay. Today there is a golden reliquary in the large, probably carolingian crypt, so obviously at least a part of the relics are still here. Prosper Mérimée and Viollet-le-Duc saved the basilica, that was a ruin in the early 19th century. When Prosper Mérimée started the renovation of the basilica in 1840, he was 26 years old. This was the first task for the young architect.. There are 99 carved capitals in the Basilique Sainte-Marie-Madeleine. Only a few were so damaged, that they had to be replaced during the renovation of the church. These damaged ones can be seen in the neighbouring museum now. All other capitals are still exactly in that places, they were carved for between 1125 and 1140. There is a specific smooth carving style in Vezelay. Here is a good shepherd.

San Bartolomé is the oldest church of Logroño. The construction dates back to the 12th century. Though it got altered largely in the 16th century, the Romanesque structure is still visible. During the time of "La Desamortización", when mid 19th century many monastic properties got sold, the church was used as a warehouse and workshop. It was even discussed to demolish the building. The porch was created in the 13th century. Below the large vignettes themed about Saint Bartholomew's life and death (see previous upload) are small, very nice scenes. Here is a shepherd dog herding sheep. Below the shepherd, who is listening to an angel. To the very right is the crib, with ass and ox.

"Santa María la Real" is one of the highlights for all people following the "Camino Aragonés" - since about 800 years. The facade is impressing it may take hours, to find out the many details. I stayed an extra day, when I had reached the town, just to see the shadows movig over the carvings. A church did exist here already in 1131 next to the bridge crossing the river Aragon. It was transferred by Alfonso I to the "Knights Hospitaller" (aka "Order of Saint John", later "Sovereign Military Hospitaller Order of Saint John of Jerusalem of Rhodes and of Malta"). The apse is the oldest part of the structure and probably dates back to that time. The nave and the breathtaking Southern Portal of Santa María la Real were created late 12th/13th century. I have uploaded a "total overview" earlier and will now focus on some details. The archivolts around the large tympanum, depicting the "Last Judgement" are densely populated with dancers, workers, priests and mythical creatures. The shepherd on the right was introduced already on one of the previous uploads. Above him a strange animal with the head of a cow and a long tongue. To the left a lady, wearing a nice cape, with long, flowing hair. Below her is a small as well very well dressed gentleman, holding a small ball. He stands on top of another shepherd, who holds a sheep - and a knife!

"Santa María la Real" is one of the highlights for all people following the "Camino Aragonés" - since about 800 years. The facade is impressing it may take hours, to find out the many details. I stayed an extra day, when I had reached the town, just to see the shadows movig over the carvings. A church did exist here already in 1131 next to the bridge crossing the river Aragon. It was transferred by Alfonso I to the "Knights Hospitaller" (aka "Order of Saint John", later "Sovereign Military Hospitaller Order of Saint John of Jerusalem of Rhodes and of Malta"). The apse is the oldest part of the structure and probably dates back to that time. The nave and the breathtaking Southern Portal of Santa María la Real were created late 12th/13th century. I have uploaded a "total overview" earlier and will now focus on some details. The archivolts around the large tympanum, depicting the "Last Judgement" are densely populated with dancers, workers, priests and mythical creatures. Here is a shepherd, having a lost sheep in is arms. As soon as the flock is complete again, he will play the flute he holds in his hand already.

A small community of Canons in Chauvigny was founded by the Seigneurs de Chauvigny around 1025. Bishop Isembert I of Poitiers (+ 1047) was a Seigneur de Chauvigny, as well as his sucessor. The erection of the Collegiate church started end of the 11th century. It took about a century to complete the structure. The church was in the center of the heavily fortified stronghold, that has a long history of sieges, lootings, captures and recaptures. The "Cité Médiéval" was in ruins end of the 18th century. Mid 19th century the restauration process started. Since then the interior of Saint-Pierre has this distinctive colour-scheme of white and red. The church is known for the capitals, that are in deed extraordinary. The great whore of Babylon - "BABILONIA MAGNA MERETRIX" Revelation 17:4 "The woman was dressed in purple and scarlet, and was glittering with gold, precious stones and pearls. She held a golden cup in her hand, filled with abominable things and the filth of her adulteries." To the left another shepherd "PASTOR BONUS".

A small community of Canons in Chauvigny was founded by the Seigneurs de Chauvigny around 1025. Bishop Isembert I of Poitiers (+ 1047) was a Seigneur de Chauvigny, as well as his sucessor. The erection of the Collegiate church started end of the 11th century. It took about a century to complete the structure. The church was in the center of the heavily fortified stronghold, that has a long history of sieges, lootings, captures and recaptures. The "Cité Médiéval" was in ruins end of the 18th century. Mid 19th century the restauration process started. Since then the interior of Saint-Pierre has this distinctive colour-scheme of white and red. The church is known for the capitals, that are in deed extraordinary. A psychostasia, the "weighing of souls", to the left. Archangel Gabriel holds the scales. To the right a devil tries to cheat, holding down the balance beam. HIS E DIABOLUS is written above the devil. Next to this is a thoughtful prophet labeled BABILONIA DESERT. This probably refers to Revelation 18 : "Fallen! Fallen is Babylon the Great!" Actually the prophet looks a bit like the tired, contemplating Joseph, who can often be found near the Nativity scene. And this is near, as to the right is one of the shepherds ("PASTORES"), to whom Gabriel announces Christ's birth (around the corner).

A small community of Canons in Chauvigny was founded by the Seigneurs de Chauvigny around 1025. Bishop Isembert I of Poitiers (+ 1047) was a Seigneur de Chauvigny, as well as his sucessor. The erection of the Collegiate church started end of the 11th century. It took about a century to complete the structure. The church was in the center of the heavily fortified stronghold, that has a long history of sieges, lootings, captures and recaptures. The "Cité Médiéval" was in ruins end of the 18th century. Mid 19th century the restauration process started. Since then the interior of Saint-Pierre has this distinctive colour-scheme of white and red. The church is known for the capitals, that are in deed extraordinary. Archangel Gabriel announces Christ's birth to the shepherds. Written above is DIXIT GLORIA INEXELSIS DEO. Even the shepherd are "labeled", what can´t be seen from this pov. PASTORES near the left ones, over the head of the right shepherd PASTOR BONUS. Luke 2:8-14 "And there were shepherds living out in the fields nearby, keeping watch over their flocks at night. An angel of the Lord appeared to them, and the glory of the Lord shone around them, and they were terrified. But the angel said to them, “Do not be afraid. I bring you good news that will cause great joy for all the people. Today in the town of David a Savior has been born to you; he is the Messiah, the Lord. This will be a sign to you: "You will find a baby wrapped in cloths and lying in a manger." Suddenly a great company of the heavenly host appeared with the angel, praising God and saying, "Glory to God in the highest heaven, and on earth peace to those on whom his favor rests."