Martin M. Miles' photos with the keyword: Maestri Campionesi

Bergamo was the settlement of a Celtic tribe but got conquered by the Romans in 196 BC. Looted by Attila´s troops in the 5th century, it became the capital of a Lombardian duchy a century later. After the conquest of the Lombard Kingdom by Charlemagne, the Franks ruled here. End of the 11th century Bergamo had become an independent commune, with a lot of feuding between the local the Guelph and Ghibelline factions. In 1428 Bergamo was ceded in 1428 by the Duchy of Milan to the Republic of Venice and was transformed into a fortified city, protecting the trade routes leading into the Rhine Valley. The French Revolutionary Army ended more than three centuries of Venetian rule in 1797. Bergamo was part of the "Cisalpine Republic". At Congress of Vienna, Bergamo was assigned to the (Austrian) Kingdom of Lombardy–Venetia. Giuseppe Garibaldi conquered Bergamo in 1859. The city was incorporated into the newly founded Kingdom of Italy. Bergamo´s two centres are the Città alta ("upper city"), a hilltop medieval town, and the Città bassa ("lower city"). Next to the Duomo di Bergamo, opening to the Piazza Duomo, is the "Basilica di Santa Maria Maggiore". The church was founded in 1137 on the site of aan older church and the altar was consecrated in 1185, but during the 13th and 15th century the works slowed down and the Romanesque church never got completed. Santa Maria Maggiore´s porch was created by Giovanni da Campione in 1353. He was a member of the "Maestri Campionesi" (aka "Scuola Campionese") all originating from Campione, a small Italian exclave surrounded by the Swiss canton of Ticino. Seen here is another small detail of the porch. A shepherd - and a hunter.

Bergamo was the settlement of a Celtic tribe but got conquered by the Romans in 196 BC. Looted by Attila´s troops in the 5th century, it became the capital of a Lombardian duchy a century later. After the conquest of the Lombard Kingdom by Charlemagne, the Franks ruled here. End of the 11th century Bergamo had become an independent commune, with a lot of feuding between the local the Guelph and Ghibelline factions. In 1428 Bergamo was ceded in 1428 by the Duchy of Milan to the Republic of Venice and was transformed into a fortified city, protecting the trade routes leading into the Rhine Valley. The French Revolutionary Army ended more than three centuries of Venetian rule in 1797. Bergamo was part of the "Cisalpine Republic". At Congress of Vienna, Bergamo was assigned to the (Austrian) Kingdom of Lombardy–Venetia. Giuseppe Garibaldi conquered Bergamo in 1859. The city was incorporated into the newly founded Kingdom of Italy. Bergamo´s two centres are the Città alta ("upper city"), a hilltop medieval town, and the Città bassa ("lower city"). Next to the Duomo di Bergamo, opening to the Piazza Duomo, is the "Basilica di Santa Maria Maggiore". The church was founded in 1137 on the site of aan older church and the altar was consecrated in 1185, but during the 13th and 15th century the works slowed down and the Romanesque church never got completed. Many chapels were added later. Santa Maria Maggiore´s porch was created by Giovanni da Campione in 1353. He was a member of the "Maestri Campionesi" (aka "Scuola Campionese") all originating from Campione, a small Italian exclave surrounded by the Swiss canton of Ticino. Seen here is a detail of the porch. Note the hunt all over the archivolt.

Bergamo was the settlement of a Celtic tribe but got conquered by the Romans in 196 BC. Looted by Attila´s troops in the 5th century, it became the capital of a Lombardian duchy a century later. After the conquest of the Lombard Kingdom by Charlemagne, the Franks ruled here. End of the 11th century Bergamo had become an independent commune, with a lot of feuding between the local the Guelph and Ghibelline factions. In 1428 Bergamo was ceded in 1428 by the Duchy of Milan to the Republic of Venice and was transformed into a fortified city, protecting the trade routes leading into the Rhine Valley. The French Revolutionary Army ended more than three centuries of Venetian rule in 1797. Bergamo was part of the "Cisalpine Republic". At Congress of Vienna, Bergamo was assigned to the (Austrian) Kingdom of Lombardy–Venetia. Giuseppe Garibaldi conquered Bergamo in 1859. The city was incorporated into the newly founded Kingdom of Italy. Bergamo´s two centres are the Città alta ("upper city"), a hilltop medieval town, and the Città bassa ("lower city"). Next to the Duomo di Bergamo, opening to the Piazza Duomo, is the "Basilica di Santa Maria Maggiore". The church was founded in 1137 on the site of aan older church and the altar was consecrated in 1185, but during the 13th and 15th century the works slowed down and the Romanesque church never got completed. Many chapels were added later. Here is Santa Maria Maggiore´s porch, created by Giovanni da Campione in 1353, who as well built the nearby baptistery. He was a member of the "Maestri Campionesi" (aka "Scuola Campionese") all originating from Campione, a small Italian exclave surrounded by the Swiss canton of Ticino.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The interior of the Duomo is divided into one nave and two aisles, the interior length is 63 metres. Below the risen presbyterium is the crypt, where since 1106 the remains of Saint Geminianus are kept. Many small graffiti cover the pillars in the crypt. It must have taken some effort to carve in such a large cross and the initials. Below the letters is another small cross.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The interior of the Duomo is divided into one nave and two aisles, the interior length is 63 metres. The presbyterium is risen. Below is a crypt, where since 1106 the remains of Saint Geminianus are kept. The capitals in the crypt were sculpted by different workshops. So they differ in style and iconography. Around the four sides of the capital are mermaid quadruplets.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The interior of the Duomo is divided into one nave and two aisles, the interior length is 63 metres. The presbyterium is risen. Below is a crypt, where since 1106 the remains of Saint Geminianus are kept. The capitals in the crypt were sculpted by different workshops. So they differ in style and iconography. Here is a pride of mythical manticores. The beasts wear crownlike caps - and have very aggressive tails.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The interior of the Duomo is divided into one nave and two aisles, the interior length is 63 metres. The presbyterium is risen. Below is this crypt, where since 1106 the remains of Saint Geminianus are kept.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The interior of the Duomo is divided into one nave and two aisles, the interior length is 63 metres. The presbyterium is risen, below is a crypt. Between the central nave and the presbyterium/crypt is a large structure with a marble parapet. It was created by Anselmo da Campione portraying the Passion of Christ. Part of this impressive parapet is a pulpit. Below this are the atlantes, supporting it since more than 700 years. Anselmo da Campione, who came (like Lanfranco) from the area near the Lake Como, worked here with his workshop. These experienced specialists, known as "Maestri Campionesi" worked here over many decades. One of them was Anselmo´s grandson Arrigo da Campione.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The interior of the Duomo is divided into one nave and two aisles, the interior length is 63 metres. The presbyterium is risen, below is a crypt. Between the central nave and the presbyterium/crypt is a large structure with a marble parapet. It was created by Anselmo da Campione portraying the Passion of Christ. Part of this impressive parapet is this pulpit with the symbols of the evangelists. The pillars below the pulpit are based on lions and atlantes. Anselmo da Campione, who came (like Lanfranco) from the area near the Lake Como, worked here with his workshop. These experienced specialists, known as "Maestri Campionesi" worked here over many decades. One of them was Anselmo´s grandson Arrigo da Campione.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The interior of the Duomo is divided into one nave and two aisles, the interior length is 63 metres. The presbyterium is risen, below is a crypt. Between the central nave and the presbyterium/crypt is a large structure with a marble parapet. It was created by Anselmo da Campione portraying the Passion of Christ. In the center the "Last Supper". Anselmo da Campione, who came (like Lanfranco) from the area near the Lake Como, worked here with his workshop. These experienced specialists, known as "Maestri Campionesi" worked here over many decades. One of them was Anselmo´s grandson Arrigo da Campione.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The interior of the Duomo is divided into one nave and two aisles, the interior length is 63 metres. The presbyterium is risen, below is a crypt. Between the central nave and the presbyterium/crypt is a large structure with a marble parapet. It was created by Anselmo da Campione portraying the Passion of Christ, starting (fltr) with the "Washing of the Feet", the "Last Supper", the "Arrest of Jesus"/the Betrayal, "Pilate's court", the Flagellation and Christ "Carrying the Cross". Anselmo da Campione, who came (like Lanfranco) from the area near the Lake Como, worked here with his workshop. These experienced specialists, known as "Maestri Campionesi" worked here over many decades. One of them was Anselmo´s grandson Arrigo da Campione.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The interior of the Duomo is divided into one nave and two aisles, the interior length is 63 metres. The presbyterium is risen, below is a crypt. Between the central nave and the presbyterium/crypt is a large structure with a marble parapet. It was created by Anselmo da Campione portraying the Passion of Christ, including the Last Supper in the center and a pulpit (seen here) on the left side. Here are the symbols of the evangelists. Seen to the right is the "Washing of the Feet" John 13:5 "After that, He poured water into a basin and began to wash the disciples’ feet, and to wipe them with the towel with which He was girded." Anselmo da Campione, who came (like Lanfranco) from the area near the Lake Como, worked here with his workshop. These experienced specialists, known as "Maestri Campionesi" worked here over many decades. One of them was Anselmo´s grandson Arrigo da Campione.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The interior of the Duomo is divided into one nave and two aisles, the interior length is 63 metres. The presbyterium is risen, below is a crypt. Between the central nave and the presbyterium/crypt is a large structure with a marble parapet, seen here. It was created by Anselmo da Campione portraying the Passion of Christ, including the Last Supper in the center. The pulpit (left) has the left are the symbols of the evangelists. Anselmo da Campione, who came (like Lanfranco) from the area near the Lake Como, worked here with his workshop. These experienced specialists, known as "Maestri Campionesi" worked here over many decades. One of them was Anselmo´s grandson Arrigo da Campione.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, described as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The large Gothic rose-window was added in the 13th century by Anselmo da Campione and his workshop called the "Maestri Campionesi". They all originated in from the Lake Como area, where so many gifted sculptors and architects, known as "Magistri Comacini" came from. The campanile ("Torre Ghirlandina") stands at 86 metres. The structure was set up in 1179 on five floors, but was raised in the following two centuries with the introduction of the octagonal tip.