Mary's and the Baker's Kerchiefs
The Expression of Emotions
Thomas Cranmer's Burning
Pig Band
Schnarkverschlimmbesserung
h60 - Snark Court
h10 - The Landing
h20 - BellmansMap
h12 - Butcher and Beaver
Surrounded by Monsters
Anthropomorphic Landscapes
Thomas Cranmer's Boojum
Nose is a Nose is a Nose
The Art of Deniability
Henry Holiday's Snark Hunt on Bēhance
Alice & Cheshire Cat by Tenniel, Forests by Hill a…
Alice and the Cheshire Cat
Grünewald and Holiday
The Banker and The Bonnetmaker
About my Snark hunt
Darwins snarked Study
Ceci n'est pas une cloche
The Hunting Of The Snark
The Uncle over Darwin's Fireplace
Herbs & Horses
Dream Snarks
The Billiard marker
White Spot
Two Bone Players
So great was his fright that his waistcoat turned…
Two Noses
The Monster in the Branches
Monster Nose
The Broker's and the Monk's Nose (with a little he…
Bellman & Bard
See also...
See more...Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
- Photo replaced on 14 Dec 2014
-
7 041 visits
Heads by Henry Holiday and Marcus Gheeraerts the Elder
513 · · He was black in the face, and they scarcely could trace
514 · · · · The least likeness to what he had been:
515 · · While so great was his fright that his waistcoat turned white-
516 · · · · A wonderful thing to be seen!
This is probably one of the strongest examples for resemblances between graphical elements in Henry Holiday's illustrations (1876, cut by Joseph Swain) and graphical elements in another image. Sometimes Holiday mirrored his pictorial quotes: Here Holiday vertically flipped the "nose" of Gheeraert's "head". I flipped it back.
2011-12-12
2014-02-22
As for the image on the top of this page:
[left]: The Banker after his encounter with the Bandersnatch, depicted in Henry Holiday's illustration (woodcut by Joseph Swain for block printing) to the chapter "The Banker's Fate" in Lewis Carroll's "The Hunting of the Snark" (scanned from an 1876 edition of the book)
[right]: a redrawn and horizontally compressed and reproduction of "The Image Breakers" (1566-1568) aka "Allegory of Iconoclasm", an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). Also I flipped the "nose" vertically.
CC BY-NC-ND 3.0 Version, 2000x2000: www.ipernity.com/doc/goetzkluge/36260048
514 · · · · The least likeness to what he had been:
515 · · While so great was his fright that his waistcoat turned white-
516 · · · · A wonderful thing to be seen!
This is probably one of the strongest examples for resemblances between graphical elements in Henry Holiday's illustrations (1876, cut by Joseph Swain) and graphical elements in another image. Sometimes Holiday mirrored his pictorial quotes: Here Holiday vertically flipped the "nose" of Gheeraert's "head". I flipped it back.
2011-12-12
2014-02-22
As for the image on the top of this page:
[left]: The Banker after his encounter with the Bandersnatch, depicted in Henry Holiday's illustration (woodcut by Joseph Swain for block printing) to the chapter "The Banker's Fate" in Lewis Carroll's "The Hunting of the Snark" (scanned from an 1876 edition of the book)
[right]: a redrawn and horizontally compressed and reproduction of "The Image Breakers" (1566-1568) aka "Allegory of Iconoclasm", an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). Also I flipped the "nose" vertically.
CC BY-NC-ND 3.0 Version, 2000x2000: www.ipernity.com/doc/goetzkluge/36260048
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
1st comparison: 2009-01-07
The Paul Juraszek Monolith (by Marcus Wills, 2006)
Sign-in to write a comment.