"But if ever I meet with a Boojum, that day, I sha…
Hidden Carrol
Snark Hunt: Square One
Billiard-Marker & Henry George Liddell
Bonnet Head
Thumb & Lappet
42 Boxes meet the Iconoclasts
From Doré's Root to Holiday's Rat
The Carpenter and Ahasuerus
Holiday and Gheeraerts I
Holiday - Millais- Anonymous - Galle, detail
Snarked: Henry George Liddell
Henry George Liddell in "The Hunting of the Snark"
Darwin's Fireplace and the Baker's Dear Uncle
Wood Shavings turned Pope (1st version)
The Bellman and Sir Henry Lee (no marks)
Lacing Pillow
Thomas Cranmer's Burning
Nosemorph
The Vanishing and the Gneiss Rock
Tnetopinmo
Holiday - Millais - Anonymous - Galle; detail
The Uncle over Darwin's Fireplace
Carpenters Shop and Millais' Allusions
Wood Shavings turned Pope
So great was his fright that his waistcoat turned…
The Bankers Fate
Two Bone Players
White Spot
The Billiard Marker & Henry George Liddell
Dream Snarks
Paradise Lost and the Beaver's Lesson
Darwins snarked Study
Heads by Henry Holiday and Marcus Gheeraerts the E…
The removed "error" had a purpose
The Flaw was no Flaw
Mary's and the Baker's Kerchiefs
Schnarkverschlimmbesserung
Nose is a Nose is a Nose
The Butcher and Benjamin Jowett
Ditchley Snark
Ditchley Snark
While he rattled a couple of bones
While he rattled a couple of bones
Anne I?
Tree of Life
The Bellman and Father Time
Snark Hunting with the HMS Beagle
Inspiration by Reinterpretation
The Bellman and Sir Henry Lee
Star and Tail
Darwin's Study and the Baker's Uncle
Kerchiefs and other shapes
Holiday - Millais - Anonymous - Galle
From Doré's Root to Holiday's Rat
Anne Hale Mrs. Hoskins
Anne Hale Mrs. Hoskins
42 Boxes, Sheep, Iconoclasm
Thomas Cranmer's 42 Boxes
With yellow kid gloves and a ruff
The Bandersnatch fled as the others appeared
Millais, Anonymous, Galle
An Expedition Team
Holiday - Millais - Anonymous - Galle
Holiday - Millais- Anonymous - Galle, detail
Holiday and Gheeraerts I
Doré (1863), Holiday (1876), Doré (1866)
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The Snark in your Dreams
The lower image is the only Snark illustration by Henry Holiday which shows the Snark. However, in this case the beast appeared in The Barrister's dream. Therefore it is just a Dream Snark.
[top]: Detail from the etching (1566-1568) The Image Breakers by Marcus Gheeraerts the Elder.
[bottom]: Detail from the illustration (1876) by Henry Holiday to The Hunting of the Snark. Lewis Carroll (C. L. Dodgson) did not want Henry Holiday to depict the Snark in the illustrations to The Hunting of the Snark. But Holiday was allowed to let it appear veiled by its "gown, bands, and wig" in The Barrister's Dream.
Also in this case, Holiday pictorially alluded to the etching by Marcus Gheeraerts the Elder. In this comparison several shapes - see notes (1) to (5) - provide the beholder of the illustration with pictorial quotes which point to that etching.
This is just the place to repeat a textual quote which I like a lot:
"We have neglected the gift of comprehending things through our senses. Concept is divorced from percept, and thought moves among abstractions. Our eyes have been reduced to instruments with which to identify and to measure; hence we suffer a paucity of ideas that can be expressed in images and in an incapacity to discover meaning in what we see. Naturally we feel lost in the presence of objects that make sense only to undeluted vision, and we seek refuge in the more familiar medium of words. ... The inborn capacity to understand through the eyes has been put to sleep and must be reawakened."
(Rudolf Arnheim: Art and Visual Perception, 1974, p. 1)
Images like this could be used in class by arts teachers to reawaken that inborn capacity. This also is a training to make and discuss decisions based on incomplete information.
Am I wrong? Am I right?
"Only those questions that are in principle undecidable, we can decide."
(Heinz von Foerster: Ethics and Second-Order Cybernetics, 1990-10-04, Système et thérapie familiale, Paris)
·
2014-05-19
[top]: Detail from the etching (1566-1568) The Image Breakers by Marcus Gheeraerts the Elder.
[bottom]: Detail from the illustration (1876) by Henry Holiday to The Hunting of the Snark. Lewis Carroll (C. L. Dodgson) did not want Henry Holiday to depict the Snark in the illustrations to The Hunting of the Snark. But Holiday was allowed to let it appear veiled by its "gown, bands, and wig" in The Barrister's Dream.
Also in this case, Holiday pictorially alluded to the etching by Marcus Gheeraerts the Elder. In this comparison several shapes - see notes (1) to (5) - provide the beholder of the illustration with pictorial quotes which point to that etching.
This is just the place to repeat a textual quote which I like a lot:
"We have neglected the gift of comprehending things through our senses. Concept is divorced from percept, and thought moves among abstractions. Our eyes have been reduced to instruments with which to identify and to measure; hence we suffer a paucity of ideas that can be expressed in images and in an incapacity to discover meaning in what we see. Naturally we feel lost in the presence of objects that make sense only to undeluted vision, and we seek refuge in the more familiar medium of words. ... The inborn capacity to understand through the eyes has been put to sleep and must be reawakened."
(Rudolf Arnheim: Art and Visual Perception, 1974, p. 1)
Images like this could be used in class by arts teachers to reawaken that inborn capacity. This also is a training to make and discuss decisions based on incomplete information.
Am I wrong? Am I right?
"Only those questions that are in principle undecidable, we can decide."
(Heinz von Foerster: Ethics and Second-Order Cybernetics, 1990-10-04, Système et thérapie familiale, Paris)
·
2014-05-19
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