Weeds turned Horses
John Martin - The Bard
William III, Religion and Liberty, Care and Hope
Millais, Anonymous, Galle
The Broker's and the Monk's Nose
The Bandersnatch fled as the others appeared
With yellow kid gloves and a ruff
The Hunting Of The Snark
Anne Hale Mrs. Hoskins
From Doré's Root to Holiday's Rat
Holiday - Millais - Anonymous - Galle
42 Boxes, Sheep, Iconoclasm
Holiday - Millais - Anonymous - Galle
Kerchiefs and other shapes
Darwin's Study and the Baker's Uncle
Handle Carefully
Tnetopinmo
Star and Tail
Irreversibility
The Bellman and Sir Henry Lee
Inspiration by Reinterpretation
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Weeds turned Horses (detail)
Monster Feet
Henry Holiday's and M.C. Escher's allusions to Joh…
The Bard (detail)
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Crows are Artists too!
Rabenschwarz
Ipernity's Dragon
The Hunting of the Snark
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Weeds turned Horses (BW)


Dithered B&W graphics, optimized fpr printing:
105 x 82 mm at 1200 dpi or 210 x 164 mm at 600 dpi
(1) Henry Holiday: "The Vanishing"
Illustration to Lewis Carroll's "The Hunting of the Snark" (1876), lower half
(2) John Martin: "The Bard" (detail)
commons.wikimedia.org/wiki/File:John_Martin_-_The_Bard_-_Google_Art_Project.jpg
ca. 1817
Yale Center for British Art
Based on a Thomas Gray poem, inspired by a Welsh tradition that said that Edward I had put to death any bards he found, to extinguish Welsh culture; the poem depicts the escape of a single bard.
105 x 82 mm at 1200 dpi or 210 x 164 mm at 600 dpi
(1) Henry Holiday: "The Vanishing"
Illustration to Lewis Carroll's "The Hunting of the Snark" (1876), lower half
(2) John Martin: "The Bard" (detail)
commons.wikimedia.org/wiki/File:John_Martin_-_The_Bard_-_Google_Art_Project.jpg
ca. 1817
Yale Center for British Art
Based on a Thomas Gray poem, inspired by a Welsh tradition that said that Edward I had put to death any bards he found, to extinguish Welsh culture; the poem depicts the escape of a single bard.
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