Guimarães, Museum Alberto Sampaio, sacred art, clo…
Beaches of Baleal and Peniche
Serra da Estrela, Várzea de Meruge, uncommon kitch…
Vila de Alcobertas, Moorish corner
Mouth of River Arelho (1)
Paço de Sousa, romanic church (10th-11th centuries…
Dante Alighiere, PURGATORIO, Canto XIII
Nazaré (1)
Sebastião Salgado, Dinkas from SUDAN, everyday lif…
River Douro
Rafaela, 3rd anniversary at the kindergarten
Rafaela, 3rd anniversary at home
São Martinho do Porto and Salgado
Dante Alighiere, PURGATORIO, Canto XIV
Sebastião Salgado, Dinkas from SUDAN, everyday lif…
My Parents
Oeiras, Beach of Carcavelos (1)
Crucifixion (sculpture)
Oeiras, Fort of Giribita (1)
Dante Alighiere, PURGATORIO, Canto XV
The Earth is Round
My Sister and I
São Martinho do Porto (1)
Serra da Estrela, Seia (1)
Guimarães, Museum Alberto Sampaio, sacred art (1)
Sebastião Salgado, Great Reportings, Genesis Proje…
Loving Smile - 13
Vila de Alcobertas, medieval communal oven (recons…
Hotel Convent of Alpendurada, a balcony over River…
Rio Maior, salt without sea (7)
Dante Alighiere, PURGATORIO, Canto XI
Sebastião Salgado, Indians from XINGU
Sea of Sesimbra, juvenile Minke Whale trapped by a…
Sintra, Sea of Guincho (6)
Dante Alighiere, PURGATORIO, Canto X
Sea of Sesimbra, juvenile Minke Whale trapped by a…
Lisboa, Cine-Theatre Eden, old building front
Sea of Sesimbra, juvenile Minke Whale trapped by a…
Sebastião Salgado, Indians from XINGU
Tu es allée au marché aux fleurs
Dante Alighiere, PURGATORIO, Canto IX
Oeiras, Fort of São Julião da Barra (2)
Sintra, Sea of Guincho (5)
Paris, Sainte-Chapelle (5)
Dante Alighiere, PURGATORIO, Canto VIII
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Dante Alighiere, PURGATORIO, Canto XII
Illustration by Salvador Dali
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Dante, being desired by Virgil to look down on the ground which they are treading, observes that it is wrought over with imagery exhibiting various instances of pride recorded in history and fable. They leave the first cornice, and are ushered to the next by an angel who points out the way.
.................................................
Dante, being desired by Virgil to look down on the ground which they are treading, observes that it is wrought over with imagery exhibiting various instances of pride recorded in history and fable. They leave the first cornice, and are ushered to the next by an angel who points out the way.
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