Rachel J Bowler's photos with the keyword: England

Have I met you In days long gone, Passing through? Dimly remembered Before time frowned Into evening? A memory In symmetry On the shoreline Or on a distant hill Looking west? The breeze Wanders through The years. Lifting the decades On the air, To youth. Meeting but not meeting Until the end.

'There's the ladder without-a-top,' said Silky, pointing. 'No one has ever climbed beyond the three thousandth rung, because they get so tired. And there's the tree-that-sings. It's singing now.' So it was - a whispery, beautiful song, all about the sun and the wind and rain. The children could understand it perfectly, although the tree did not use any words they knew. It just stood there and poured out its song in tree language. Enid Blyton - The Folk of the Faraway Tree

Through the house No longer there, She walks. At a distance, Across the open grass. Sitting on a bench In the height of summer. At dusk, she lingers On the outskirts Of the fair. A thousand years Away, Alluded to By lovers On a r Rainy day. The real story Never told. The winter warning.

There is no symbol here. No infinite reaching To the other side. No secrecy Or sacred rites. Patterns of thought And feeling Comfortably cease. There is no need To seek the sky, Or what's beyond. There is already Light enough To see.

Shape shifting their way like fog Through the days, An invisible war has been fought For forty years By ghosts in disguise Who show you who they are Every day If you dare look Into the blue chill Of nothingness.

Rachel is a hobbyist photographer who also makes a few poetic attempts, of mainly comic value. Her work explores the relationship between midlife sub-cultures and very long walks. With influences as diverse as Danny Dyer and Camus, new variations are generated from both explicit, implicit and extra layers. Ever since she was a child, after holidaying at Butlin's Skegness, she has been fascinated by the essential unreality of the universe. What starts out as hope soon becomes corrupted into a carnival of chaos and trips to Sainsbury's, leaving only a lingering sense of what the hell has happened type nausea. Her work is aloof and systematic, and cool, neutral imagery is used. By means of thought processes, she explores the possibility of escape from the corporate world. As subtle phenomena become frozen through boundaried and repetitive practice, the viewer is left without a clue as to the potential or the limits of our future.