LaurieAnnie's photos with the keyword: forest

Title: The Bodmer Oak, Fontainebleau Forest Artist: Claude Monet (French, Paris 1840–1926 Giverny) Date: 1865 Medium: Oil on canvas Dimensions: 37 7/8 x 50 7/8 in. (96.2 x 129.2 cm) Classification: Paintings Credit Line: Gift of Sam Salz and Bequest of Julia W. Emmons, by exchange, 1964 Accession Number: 64.210 The Forest of Fontainebleau, south of Paris, became an artistic hot spot in the 1830s. One popular motif was the Bodmer Oak, named after Swiss artist Karl Bodmer (1809–1893), who exhibited a painting of the tree at the Salon of 1850. Monet used bright yellows, greens, and oranges to depict sunlight filtering through the canopy of branches. The carpet of russet leaves signals that he painted this view just before he concluded a months-long visit to Fontainebleau in October 1865. It is probably the last of several landscapes related to his monumental Luncheon on the Grass (1865–66; Musée d’Orsay, Paris), which is set in a sunny woodland glade. Text from: www.metmuseum.org/art/collection/search/437131

Title: The Bodmer Oak, Fontainebleau Forest Artist: Claude Monet (French, Paris 1840–1926 Giverny) Date: 1865 Medium: Oil on canvas Dimensions: 37 7/8 x 50 7/8 in. (96.2 x 129.2 cm) Classification: Paintings Credit Line: Gift of Sam Salz and Bequest of Julia W. Emmons, by exchange, 1964 Accession Number: 64.210 The Forest of Fontainebleau, south of Paris, became an artistic hot spot in the 1830s. One popular motif was the Bodmer Oak, named after Swiss artist Karl Bodmer (1809–1893), who exhibited a painting of the tree at the Salon of 1850. Monet used bright yellows, greens, and oranges to depict sunlight filtering through the canopy of branches. The carpet of russet leaves signals that he painted this view just before he concluded a months-long visit to Fontainebleau in October 1865. It is probably the last of several landscapes related to his monumental Luncheon on the Grass (1865–66; Musée d’Orsay, Paris), which is set in a sunny woodland glade. Text from: www.metmuseum.org/art/collection/search/437131

Title: The Bodmer Oak, Fontainebleau Forest Artist: Claude Monet (French, Paris 1840–1926 Giverny) Date: 1865 Medium: Oil on canvas Dimensions: 37 7/8 x 50 7/8 in. (96.2 x 129.2 cm) Classification: Paintings Credit Line: Gift of Sam Salz and Bequest of Julia W. Emmons, by exchange, 1964 Accession Number: 64.210 The Forest of Fontainebleau, south of Paris, became an artistic hot spot in the 1830s. One popular motif was the Bodmer Oak, named after Swiss artist Karl Bodmer (1809–1893), who exhibited a painting of the tree at the Salon of 1850. Monet used bright yellows, greens, and oranges to depict sunlight filtering through the canopy of branches. The carpet of russet leaves signals that he painted this view just before he concluded a months-long visit to Fontainebleau in October 1865. It is probably the last of several landscapes related to his monumental Luncheon on the Grass (1865–66; Musée d’Orsay, Paris), which is set in a sunny woodland glade. Text from: www.metmuseum.org/art/collection/search/437131

Title: The Bodmer Oak, Fontainebleau Forest Artist: Claude Monet (French, Paris 1840–1926 Giverny) Date: 1865 Medium: Oil on canvas Dimensions: 37 7/8 x 50 7/8 in. (96.2 x 129.2 cm) Classification: Paintings Credit Line: Gift of Sam Salz and Bequest of Julia W. Emmons, by exchange, 1964 Accession Number: 64.210 The Forest of Fontainebleau, south of Paris, became an artistic hot spot in the 1830s. One popular motif was the Bodmer Oak, named after Swiss artist Karl Bodmer (1809–1893), who exhibited a painting of the tree at the Salon of 1850. Monet used bright yellows, greens, and oranges to depict sunlight filtering through the canopy of branches. The carpet of russet leaves signals that he painted this view just before he concluded a months-long visit to Fontainebleau in October 1865. It is probably the last of several landscapes related to his monumental Luncheon on the Grass (1865–66; Musée d’Orsay, Paris), which is set in a sunny woodland glade. Text from: www.metmuseum.org/art/collection/search/437131

Artist: Paul Cézanne (French, 1839–1906) Title: Rocks in the Forest Date: 1890s Medium: Oil on canvas Dimensions: 28 7/8 x 36 3/8 in. (73.3 x 92.4 cm) Classification: Paintings Credit Line: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 Accession Number: 29.100.194 On View Gallery Label: The thin, watercolor-like application of paint is typical of Cézanne's oils in the mid-1890s. The scene is traditionally identified as the Forest of Fontainebleau, where Cézanne worked around 1894, but it has also been suggested that the picture was painted near Aix-en-Provence. Text from: www.metmuseum.org/Works_of_Art/collection_database/europe...

The Bodmer Oak, Fontainebleau Forest, 1865 Claude Monet (French, 1840–1926) Oil on canvas 37 7/8 x 50 7/8 in. (96.2 x 129.2 cm) Signed (lower right): Claude Monet. Gift of Sam Salz and Bequest of Julia W. Emmons, by exchange, 1964 (64.210) The Bodmer Oak—named after the Swiss artist Karl Bodmer (1809–1893), who exhibited his painting of the tree at the 1850 Salon—was one of several imposing trees in the Fontainebleau Forest that had acquired a special appellation. The carpet of russet leaves signals that Monet painted this canvas just before he left Chailly-en-Bière, near Fontainebleau, in October 1865. It is probably the last of several landscapes executed in connection with his monumental Déjeuner sur l'herbe (fragments of which are now at the Musée d'Orsay, Paris). The slash in the upper right-hand corner of the painting may have been made by Monet, who reputedly mutilated some canvases in order to discourage a landlord from seizing them in 1866. Text from: www.metmuseum.org/toah/works-of-art/64.210

The Bodmer Oak, Fontainebleau Forest, 1865 Claude Monet (French, 1840–1926) Oil on canvas 37 7/8 x 50 7/8 in. (96.2 x 129.2 cm) Signed (lower right): Claude Monet. Gift of Sam Salz and Bequest of Julia W. Emmons, by exchange, 1964 (64.210) The Bodmer Oak—named after the Swiss artist Karl Bodmer (1809–1893), who exhibited his painting of the tree at the 1850 Salon—was one of several imposing trees in the Fontainebleau Forest that had acquired a special appellation. The carpet of russet leaves signals that Monet painted this canvas just before he left Chailly-en-Bière, near Fontainebleau, in October 1865. It is probably the last of several landscapes executed in connection with his monumental Déjeuner sur l'herbe (fragments of which are now at the Musée d'Orsay, Paris). The slash in the upper right-hand corner of the painting may have been made by Monet, who reputedly mutilated some canvases in order to discourage a landlord from seizing them in 1866. Text from: www.metmuseum.org/toah/works-of-art/64.210

Hartley, Marsden, Wood Lot, Maine Woods, 1939, Oil on canvas; 28 1/8 x 22 in.; 71.4375 x 55.88 cm.. Acquired 1942. Paintings, 0894, American. On display in House, Gal D. Text from the Phillips Collection website.