A Buildings Fan's photos with the keyword: Ford

Stained Glass, Ford Church, Northumberland

Stained Glass, Ford Church, Northumberland

Gateway, Ford Castle, Ford, Northumberland

Monument to the artist Louisa, Marchioness of Wate…

Monument to the artist Louisa, Marchioness of Wate…

Ford Village, Northumberland

Blacksmith's Workshop, Ford Castle Estate, Northum…

Lady Waterford Hall, Ford, Northumberland

18 Aug 2015 212
The biblical murals on the walls of the Hall were painted by Louisa Anne, Marchioness of Waterford, from 1862 to 1883 while the building was in use as a school. They were influenced by the Pre-Raphaelite movement, as was much of Louisa’s work. The pictures were painted in life-sized watercolour on paper stretched on wooden frames or panels, which were then washed with distemper to tighten them, and mounted on the walls.

Lady Waterford Hall, Ford, Northumberland

18 Aug 2015 208
The biblical murals on the walls of the Hall were painted by Louisa Anne, Marchioness of Waterford, from 1862 to 1883 while the building was in use as a school. They were influenced by the Pre-Raphaelite movement, as was much of Louisa’s work. The pictures were painted in life-sized watercolour on paper stretched on wooden frames or panels, which were then washed with distemper to tighten them, and mounted on the walls.

Lady Waterford Hall, Ford, Northumberland

18 Aug 2015 217
The biblical murals on the walls of the Hall were painted by Louisa Anne, Marchioness of Waterford, from 1862 to 1883 while the building was in use as a school. They were influenced by the Pre-Raphaelite movement, as was much of Louisa’s work. The pictures were painted in life-sized watercolour on paper stretched on wooden frames or panels, which were then washed with distemper to tighten them, and mounted on the walls.

Lady Waterford Hall, Ford, Northumberland

18 Aug 2015 221
The biblical murals on the walls of the Hall were painted by Louisa Anne, Marchioness of Waterford, from 1862 to 1883 while the building was in use as a school. They were influenced by the Pre-Raphaelite movement, as was much of Louisa’s work. The pictures were painted in life-sized watercolour on paper stretched on wooden frames or panels, which were then washed with distemper to tighten them, and mounted on the walls.

Lady Waterford Hall, Ford, Northumberland

18 Aug 2015 191
The biblical murals on the walls of the Hall were painted by Louisa Anne, Marchioness of Waterford, from 1862 to 1883 while the building was in use as a school. They were influenced by the Pre-Raphaelite movement, as was much of Louisa’s work. The pictures were painted in life-sized watercolour on paper stretched on wooden frames or panels, which were then washed with distemper to tighten them, and mounted on the walls.

Lady Waterford Hall, Ford, Northumberland

18 Aug 2015 298
The biblical murals on the walls of the Hall were painted by Louisa Anne, Marchioness of Waterford, from 1862 to 1883 while the building was in use as a school. They were influenced by the Pre-Raphaelite movement, as was much of Louisa’s work. The pictures were painted in life-sized watercolour on paper stretched on wooden frames or panels, which were then washed with distemper to tighten them, and mounted on the walls.

Lady Waterford Hall, Ford, Northumberland

18 Aug 2015 225
The biblical murals on the walls of the Hall were painted by Louisa Anne, Marchioness of Waterford, from 1862 to 1883 while the building was in use as a school. They were influenced by the Pre-Raphaelite movement, as was much of Louisa’s work. The pictures were painted in life-sized watercolour on paper stretched on wooden frames or panels, which were then washed with distemper to tighten them, and mounted on the walls.

detail-of-war-memorial-ford-church-north umberland…

Gateway, Ford Castle, Ford, Northumberland

Lady Waterford Hall, Ford, Northumberland

Lady Waterford Hall, Ford, Northumberland

18 Aug 2015 195
The biblical murals on the walls of the Hall were painted by Louisa Anne, Marchioness of Waterford, from 1862 to 1883 while the building was in use as a school. They were influenced by the Pre-Raphaelite movement, as was much of Louisa’s work. The pictures were painted in life-sized watercolour on paper stretched on wooden frames or panels, which were then washed with distemper to tighten them, and mounted on the walls.

29 items in total