A Buildings Fan's photos with the keyword: Ford
Stained Glass, Ford Church, Northumberland
Stained Glass, Ford Church, Northumberland
Gateway, Ford Castle, Ford, Northumberland
Monument to the artist Louisa, Marchioness of Wate…
Monument to the artist Louisa, Marchioness of Wate…
Ford Village, Northumberland
Blacksmith's Workshop, Ford Castle Estate, Northum…
Lady Waterford Hall, Ford, Northumberland
18 Aug 2015 |
|
The biblical murals on the walls of the Hall were painted by Louisa Anne, Marchioness of Waterford, from 1862 to 1883 while the building was in use as a school. They were influenced by the Pre-Raphaelite movement, as was much of Louisa’s work.
The pictures were painted in life-sized watercolour on paper stretched on wooden frames or panels, which were then washed with distemper to tighten them, and mounted on the walls.
Lady Waterford Hall, Ford, Northumberland
18 Aug 2015 |
|
The biblical murals on the walls of the Hall were painted by Louisa Anne, Marchioness of Waterford, from 1862 to 1883 while the building was in use as a school. They were influenced by the Pre-Raphaelite movement, as was much of Louisa’s work.
The pictures were painted in life-sized watercolour on paper stretched on wooden frames or panels, which were then washed with distemper to tighten them, and mounted on the walls.
Lady Waterford Hall, Ford, Northumberland
18 Aug 2015 |
|
The biblical murals on the walls of the Hall were painted by Louisa Anne, Marchioness of Waterford, from 1862 to 1883 while the building was in use as a school. They were influenced by the Pre-Raphaelite movement, as was much of Louisa’s work.
The pictures were painted in life-sized watercolour on paper stretched on wooden frames or panels, which were then washed with distemper to tighten them, and mounted on the walls.
Lady Waterford Hall, Ford, Northumberland
18 Aug 2015 |
|
The biblical murals on the walls of the Hall were painted by Louisa Anne, Marchioness of Waterford, from 1862 to 1883 while the building was in use as a school. They were influenced by the Pre-Raphaelite movement, as was much of Louisa’s work.
The pictures were painted in life-sized watercolour on paper stretched on wooden frames or panels, which were then washed with distemper to tighten them, and mounted on the walls.
Lady Waterford Hall, Ford, Northumberland
18 Aug 2015 |
|
The biblical murals on the walls of the Hall were painted by Louisa Anne, Marchioness of Waterford, from 1862 to 1883 while the building was in use as a school. They were influenced by the Pre-Raphaelite movement, as was much of Louisa’s work.
The pictures were painted in life-sized watercolour on paper stretched on wooden frames or panels, which were then washed with distemper to tighten them, and mounted on the walls.
Lady Waterford Hall, Ford, Northumberland
18 Aug 2015 |
|
The biblical murals on the walls of the Hall were painted by Louisa Anne, Marchioness of Waterford, from 1862 to 1883 while the building was in use as a school. They were influenced by the Pre-Raphaelite movement, as was much of Louisa’s work.
The pictures were painted in life-sized watercolour on paper stretched on wooden frames or panels, which were then washed with distemper to tighten them, and mounted on the walls.
Lady Waterford Hall, Ford, Northumberland
18 Aug 2015 |
|
The biblical murals on the walls of the Hall were painted by Louisa Anne, Marchioness of Waterford, from 1862 to 1883 while the building was in use as a school. They were influenced by the Pre-Raphaelite movement, as was much of Louisa’s work.
The pictures were painted in life-sized watercolour on paper stretched on wooden frames or panels, which were then washed with distemper to tighten them, and mounted on the walls.
detail-of-war-memorial-ford-church-north umberland…
Gateway, Ford Castle, Ford, Northumberland
Lady Waterford Hall, Ford, Northumberland
Lady Waterford Hall, Ford, Northumberland
18 Aug 2015 |
|
The biblical murals on the walls of the Hall were painted by Louisa Anne, Marchioness of Waterford, from 1862 to 1883 while the building was in use as a school. They were influenced by the Pre-Raphaelite movement, as was much of Louisa’s work.
The pictures were painted in life-sized watercolour on paper stretched on wooden frames or panels, which were then washed with distemper to tighten them, and mounted on the walls.
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