Martin M. Miles' photos with the keyword: harpy

Sicily, the largest Mediterranean island, has a long history, that starts around 8000 BC, but later there were Phoenician, Carthaginian, Greek and Roman periods. After the Roman Empire had fallen apart the Vandals tried to take over the island but failed. Finally, the Ostrogoths took possession. Mid of the 6th century Sicily was conquered by troops of the Byzantine Empire. After the advent of Islam, Sicily got attacked by the Arab forces. Raids seeking loot continued until the mid-8th century. A Muslim army was sent to the island in 827 but met with much resistance. So it took a century to conquer it and even later revolts constantly occurred In 1038 the Byzantines invaded the island supported by Norman mercenaries, led by Roger. In 1072, after the siege of Palermo, most of Sicily was under Norman control. Roger´s son Roger II raised the status +of the island to a kingdom in 1130. During this period, the Kingdom of Sicily was prosperous and powerful, The court of Roger II became melting out of culture from Europe and the Middle East. This attracted scholars, scientists, artists, and artisans. Muslims, Jews, Greeks, Lombards, and Normans cooperated and created some extraordinary buildings. In 1186 the last descendant of Roger, Constance of Sicily married Emperor Henry VI, the second son of Barbarossa. So the crown of Sicily was passed on to the Hohenstaufen Dynasty. Frederick II, the only son of Constance, was crowned King of Sicily at the age of four in 1198. He became "Stupor Mundi", one of the greatest and most cultured men of the Middle Ages. - William II of Sicily built from 1172 here a fort-like complex of buildings, which included a cathedral, an archepiscopal palace, a royal palace and a Benedictine monastery. In 1183 the monastery became the seat of the archdiocese of Monreale. The town then developed around this complex. According to a legend, William fell asleep while hunting. The Holy Virgin appeared to him in a dream, suggesting him to build a church here. After removing a tree, a treasure was found, whose coins were used to finance the construction. Well, it is much more likely that Monreale was founded in competition with the bishop of Palermo, who had commissioned the large Cathedral of Palermo. This would explain the vast dimensions and the splendour of the "Duomo di Monreale" and the adjoining cloister, the only structures of the large complex, that survived the times. The cloister (completed ~ 1200) measures 47x47 metres. Each side has 26 arches resting on columns. The carvings of the capitals (and the columns) are very detailed and complex, the themes vary and some capitals are "hard to read" and interpret. An owl, flanked by two families of harpies. The mythical animals wear helmets!

One of the first printed records about this gate stated in 1859 "Of all old monuments in the Rhine valley, none as mysterious as the portal (...) near the church in Remagen". The Pfarrhoftor (= Gateway to the parish close) still is enigmatic. It may have been erected for a nearby monastery, that centered around an St. Apollinaris shrine, it may have been in deed a gate to a parish close. Actually it known since the 17th century, when parts of it were found, walled in between the rectory and the encircling wall. The parts were recovered and like pieces of a puzzle joined together. Though the cope stone was lost, the large arch was easy to reconstruct. Wether the smaller side portal originally was left or right is unclear. The 22 carved reliefs here have triggered more than a dozend different theories. I will quote some. The carving style was not appreciated by the art-historians. Already Wilhelm Bode ("Geschichte der Deutschen Plastik") wrote in 1887 that the carver was "without any artistic ambition". For me this portal has parallels in Linden and Goegging. All three portals are roughly carved - and enigmatic, blending christian, pagan and ancient icons. The only point, that is undisputed is, that the portal was erected in the second half of the 12th century. It may be, that the reliefs, seen here, are just single icons, that are not interconnected to a certain "iconographic program". This is claimed by Paul Clement (1938), Georg Dehio (1933) and Josef Minn (1942). In 1947 Albert M. Koeniger published the results of his research, interpreting the reliefs as icons of eight (!) deadly sins as described by Bishop Burchard of Worms (965-1025), author of a canon law collection (aka "Decretum Burchardi"). A fish-tailed bird with bearded human face. Is this a male bird-siren? But then it should have a bird´s tail. Or a merman with wings? Some claim it is a harpy. For Koeninger this icon stands for vanity and/or foolishness. The artistic style of this carving is clearly different. It is way more ambitious. The beard of the chimaera is curly, the hair is nicely combed. Note the tip of the wing! The artist even used a stone driller here.

San Andrés was erected on a little hill, that was settled already in pre-Roman times, as recent excavation proved. The tiny hamlet Soto de Bureba is part of the village Quintanaélez (pop. ~ 100). An inscription above the portal gives the construction date of 1175. During medieval times the area must have been much more densely populated, as later even a second nave was added to the structure. The parish church is known for its wonderful, sculpted portal, with an interesting, but somehow strange iconography (previous uploads). But all around the apse are valuable capitals and corbels as well. And there too are very strange creatures, like this winged chimera with a peacock tail (?). Not the "normal" harpy...

San Andrés was erected on a little hill, that was settled already in pre-Roman times, as recent excavation proved. The tiny hamlet Soto de Bureba is part of the village Quintanaélez (pop. ~ 100). An inscription above the portal gives the construction date of 1175. During medieval times the area must have been much more densely populated, as later even a second nave was added to the structure. The parish church is known for its wonderful, sculpted portal, with an interesting, but somehow strange iconography (previous uploads). But all around the apse are valuable capitals and corbels as well. A knight in full armour is fighting a winged dragon (very long tail), watched by a harpy.

San Andrés was erected on a little hill, that was settled already in pre-Roman times, as recent excavation proved. The tiny hamlet Soto de Bureba is part of the village Quintanaélez (pop. ~ 100). An inscription above the portal gives the construction date of 1175. During medieval times the area must have been much more densely populated, as later even a second nave was added to the structure. The parish church is known for its wonderful, sculpted portal, with an interesting, but somehow strange iconography (previous uploads). But all around the apse are valuable capitals and corbels as well. Here are a pair of harpies on the left. The large birds on the corner are already weathered - and the two knights (right) are fighting on the capital since centuries.

San Andrés was erected on a little hill, that was settled already in pre-Roman times, as recent excavation proved. The tiny hamlet Soto de Bureba is part of the village Quintanaélez (pop. ~ 100). An inscription above the portal gives the construction date of 1175. During medieval times the area must have been much more densely populated, as later even a second nave was added to the structure. The parish church is known for its wonderful, sculpted portal, seen here. The arches have an interesting, but somehow strange iconography. Some of the icons are pretty unique. There is a collection of really fantastic and mythical beasts. Here is a fish/bird chimera (wings, fishtail), a harpy (wearing a hood) and the large head of a fierce bird of prey , probably a griifin.

This church, dedicated to Saint Martin of Tours, was a real surprise to me. The single nave structure was probably erected within the 12th century. It was built in a "walking distance" off the pilgrim routes (like "San Pedro de Echano"), as the hamlet Artaiz is just about 10kms north of the "Camino Aragonés". San Martin will have been for sure a stopover for pilgrims, who had visited the tomb of Saint Martin of Tours, following the "Via Turonensis". The portal of Saint Martin is extraordinary in the specific iconography, that in parts may reflect the relations to the Islamic neighbours (Reconquista). Here is a script by German arthistorian Hedda Finke about this subject. art.unt.edu/medieval-symposium/presenter.php?year=2009&am... There are six capitals flanking the entrance. The quality of these carvings is just extraordenary. Though weathered many details are still visible. Hedda Finke compares them to ivory carvings! Here are the three capitals, that are on the right side of the door.

There had been a small community of monks here, that end of the 11th century joined the important Benedictian Abbaye royale of Saint-Jean-d'Angély (20kms northwest), that was part of the cluniac network. The Abbaye royale got wealthy through the thousands of pilgrims on the Via Turonensis. They all stopped to see the relic of John the Baptist, before they continued, and obviously left some coins. The abbey could afford to build a prestigious abbey church for the monastic comunity in Marestay (now Matha) at the same time, when Saint-Hérie (see previous uploads), just 2kms apart from here, was erected. Probably the same monks, lay brothers and workers toiled on two construction sides in long double shifts. During the Wars of Religion many curches within the whole area got ruined and mutilated. In Saint-Herie, 2kms south, only two walls of the Romanesque church are still in place. Here the complete nave is missing. After the "Edict of Nantes" got revoked in 1685, all Huguenots living in Matha were evicted and exiled. Following that all protestant churches existing in the town got leveled to the ground. The only parts of Saint-Pierre that survived the incredible fury are the apse, the transepts and the crossing. Many capitals and corbels are still in place and can be found outside. A bearded person with very long hair kids a kind of harpy (head of a bull). He has grabbed a horn of the bull´s head and holds a pan-flute in front of the the bull´s open mouth. Or is he pulling a beard? Seems, that man has fun in, he is grinning broadly, the bull looks a bit depressed.

There had been a small community of monks here, that end of the 11th century joined the important Benedictian Abbaye royale of Saint-Jean-d'Angély (20kms northwest), that was part of the cluniac network. The Abbaye royale got wealthy through the thousands of pilgrims on the Via Turonensis. They all stopped to see the relic of John the Baptist, before they continued, and obviously left some coins. The abbey could afford to build a prestigious abbey church for the monastic comunity in Marestay (now Matha) at the same time, when Saint-Hérie (see previous uploads), just 2kms apart from here, was erected. Probably the same monks, lay brothers and workers toiled on two construction sides in long double shifts. During the Wars of Religion many curches within the whole area got ruined and mutilated. In Saint-Herie, 2kms south, only two walls of the Romanesque church are still in place. Here the complete nave is missing. After the "Edict of Nantes" got revoked in 1685, all Huguenots living in Matha were evicted and exiled. Following that all protestant churches existing in the town got leveled to the ground. The only parts of Saint-Pierre that survived the incredible fury are the transepts, the crossing and the apse (seen here). Despite this structure is really "short", there is a lot to find, as most elaborate carvings around the apse are untouched. Here is a detail from another apse-window. The "foliage" of the outer archivolt is masterly carved, but not "unique". The inner archivolt is a surprise. Not eighteen lion-faces (see previous upload), but eighteen totally different icons: dragons, harpies and othe hybrids, crowned and/or bearded human heads, snakes, birds and (right) a hare.

There had been a small community of monks here, that end of the 11th century joined the important Benedictian Abbaye royale of Saint-Jean-d'Angély (20kms northwest), that was part of the cluniac network. The Abbaye royale got wealthy through the thousands of pilgrims on the Via Turonensis. They all stopped to see the relic of John the Baptist, before they continued, and obviously left some coins. The abbey could afford to build a prestigious abbey church for the monastic comunity in Marestay (now Matha) at the same time, when Saint-Hérie (see previous uploads), just 2kms apart from here, was erected. Probably the same monks, lay brothers and workers toiled on two construction sides in long double shifts. During the Wars of Religion many curches within the whole area got ruined and mutilated. In Saint-Herie, 2kms south, only two walls of the Romanesque church are still in place. Here the complete nave is missing. After the "Edict of Nantes" got revoked in 1685, all Huguenots living in Matha were evicted and exiled. Following that all protestant churches existing in the town got leveled to the ground. The only parts of Saint-Pierre that survived the incredible fury are the transepts, the crossing and the apse (seen here). Despite this structure is really "short", there is a lot to find, as most elaborate carvings around the apse are untouched. Here is one of the apse-windows. The masterly carved archivolts have geometric foliage and grapes. The four capitals are populated by (left to right) - two roosters, - two harpies with snake-tails and only one bearded head, - a man, entangled in the forest by vines, - two ducks, see the feet and the beak. It may depicts the known world (surface) on the outer capitals and the dangerous, unknown world (underground) on the inner capitals.