Martin M. Miles' photos with the keyword: air raid

Not much is known about the foundation of Braunschweig. Tradition tells, Brunswick (= Braunschweig) was created through the merger of two settlements on either side of the River Oker around 860. The city was first mentioned in documents from the St. Magni Church in 1031. Up to the 12th century, Brunswick was ruled by the Saxon noble family, then, through marriage, it fell to the House of Welf. In 1142, Henry the Lion of the House of Welf became Duke of Saxony and made Braunschweig the capital of his state. He turned Dankwarderode Castle into his own Pfalz and developed the city further to represent his authority. Under Henry's rule, the Cathedral of St. Blasius was built and he also had the statue of a lion, his heraldic animal, erected in front of the castle. Henry the Lion became so powerful that he dared to refuse military aid to Emperor Frederick I Barbarossa, which led to his banishment in 1182. Henry went into exile in England. He had previously established ties to the English crown in 1168, through his marriage to King Henry II of England's daughter Matilda, sister of Richard the Lionheart. However, his son Otto, who could regain influence and was eventually crowned Holy Roman Emperor, continued to foster the city's development. Brunswick was an important center of trade, an economic and a political centers and a member of the Hanseatic League from the 13th century on. By the year 1600. Brunswick was the seventh largest city in Germany. It was de facto ruled independently by a powerful class of patricians and the guilds throughout much of the Late Middle Ages and the early modern period. Because of the growing power of Brunswick's burghers, the Princes of Brunswick-Wolfenbüttel finally moved their Residenz out of the city and to the nearby town of Wolfenbüttel in 1432. The Princes of Brunswick-Wolfenbüttel did not regain control over the city until the late 17th century, when Rudolph Augustus, Duke of Brunswick-Lüneburg, took the city by siege. During WWII, Braunschweig was in 42 bombing raids. In October 1944, the attack caused a massive conflagration and resulted in Braunschweig burning continuously for two and a half days. More than 90 percent of the medieval city center was destroyed. So today the city center is a mix of rebuilt old buildings and new ones, erected after WWII.

Not much is known about the foundation of Braunschweig. Tradition tells, Brunswick (= Braunschweig) was created through the merger of two settlements on either side of the River Oker around 860. The city was first mentioned in documents from the St. Magni Church in 1031. Up to the 12th century, Brunswick was ruled by the Saxon noble family, then, through marriage, it fell to the House of Welf. In 1142, Henry the Lion of the House of Welf became Duke of Saxony and made Braunschweig the capital of his state. He turned Dankwarderode Castle into his own Pfalz and developed the city further to represent his authority. Under Henry's rule, the Cathedral of St. Blasius was built and he also had the statue of a lion, his heraldic animal, erected in front of the castle. Henry the Lion became so powerful that he dared to refuse military aid to Emperor Frederick I Barbarossa, which led to his banishment in 1182. Henry went into exile in England. He had previously established ties to the English crown in 1168, through his marriage to King Henry II of England's daughter Matilda, sister of Richard the Lionheart. However, his son Otto, who could regain influence and was eventually crowned Holy Roman Emperor, continued to foster the city's development. Brunswick was an important center of trade, an economic and a political centers and a member of the Hanseatic League from the 13th century on. By the year 1600. Brunswick was the seventh largest city in Germany. It was de facto ruled independently by a powerful class of patricians and the guilds throughout much of the Late Middle Ages and the early modern period. Because of the growing power of Brunswick's burghers, the Princes of Brunswick-Wolfenbüttel finally moved their Residenz out of the city and to the nearby town of Wolfenbüttel in 1432. The Princes of Brunswick-Wolfenbüttel did not regain control over the city until the late 17th century, when Rudolph Augustus, Duke of Brunswick-Lüneburg, took the city by siege. During WWII, Braunschweig was in 42 bombing raids. In October 1944, the attack caused a massive conflagration and resulted in Braunschweig burning continuously for two and a half days. More than 90 percent of the medieval city center was destroyed. So today the city center is a mix of rebuilt old buildings and new ones, erected after WWII.

The area around Lübeck, today a large city with a population of more than 200,000, had been settled by Slavs since the 7th century. Slavs had a settlement north of the present city called "Liubice", which was razed by the pagan Rani tribe in 1128. 15 years later Adolf II, Count of Schauenburg and Holstein, founded the modern town as a German settlement on the river island of Bucu. He built a new castle, first mentioned as existing in 1147. Adolf II had to cede the castle to the Duke of Saxony, Henry the Lion, in 1158. After Henry's fall from power in 1181, the town became an Imperial city. Emperor Barbarossa ordained that the city should have a ruling council of 20 members. With the council dominated by merchants, trade interests shaped Lübeck's politics for centuries. In the 14th century, Lübeck became the "Queen of the Hanseatic League", being by far the largest and most powerful member of that medieval trade organization. In 1375, Emperor Charles IV named Lübeck one of the five "Glories of the Empire", a title shared with Venice, Rome, Pisa, and Florence. Conflicts about trading privileges resulted in fighting between Lübeck (with the Hanseatic League) and Denmark and Norway – with varying outcome. While Lübeck and the Hanseatic League prevailed in conflicts in 1435 and 1512, Lübeck lost when it became involved in a civil war that raged in Denmark from 1534 to 1536. From then on Lübeck's power slowly declined. The city remained neutral in the Thirty Years' War, but the devastation from the decades-long war and the new transatlantic orientation of European trade caused the Hanseatic League – and thus Lübeck with it – to decline in importance. However, Lübeck still remained an important trading town on the Baltic Sea. In 1160 Henry the Lion moved the bishopric of Oldenburg to Lübeck and endowed a cathedral chapter. In 1163 a wooden church was built, however, at the beginning of the 13th century, it was no longer sufficient to meet the representative demands of the self-confident burghers. St. Marien was built 1250 - 1350. It has always been a symbol of the power and prosperity of the Hanseatic city. It situated at the highest point of the island that forms the old town. Gothic cathedrals in France and Flanders made of natural stone were the models for the new construction of Lübeck's three-nave basilica. St. Marien epitomizes North German "Brick Gothic" and set the standard for many churches in the Baltic region. The church embodied the towering style of Gothic architecture using brick. The incentive for the City Council to undertake such an enormous project was rooted in the bitter dispute with the Lübeck bishopric. As a symbol of the long-distance merchants' desire for freedom and the secular power of the city, which had been free of the Empire since 1226, the church building in the immediate vicinity of Lübeck's city hall and the market square was intended to clearly and uncatchably surpass in size the city's bishop's church, Lübeck Cathedral. These cracked bells are a reminder as on the night of Palm Sunday, March 28-29, 1942 St. Marien (as well as the Cathedral and St. Peter) was almost completely burned out during the air raid on Lübeck, which destroyed one-fifth of the city centre. The famous Totentanz organ, on which Dietrich Buxtehude and most likely Johann Sebastian Bach had played, was destroyed. 36 medieval wooden sculptures were lost as well as the paintings Bernt Notke, the monumental Lübeck "Dance of Death", the figures of the rood screen, the Trinity Altar by Jacob van Utrecht, the "Entry of Christ into Jerusalem" by Friedrich Overbeck. Of the sculptures by Benedikt Dreyer, the figures of saints on the west side of the rood screen and the organ sculpture on the Great Organ from 1516-18 burned...

The area around Lübeck, today a large city with a population of more than 200,000, had been settled by Slavs since the 7th century. Slavs had a settlement north of the present city called "Liubice", which was razed by the pagan Rani tribe in 1128. 15 years later Adolf II, Count of Schauenburg and Holstein, founded the modern town as a German settlement on the river island of Bucu. He built a new castle, first mentioned as existing in 1147. Adolf II had to cede the castle to the Duke of Saxony, Henry the Lion, in 1158. After Henry's fall from power in 1181, the town became an Imperial city. Emperor Barbarossa ordained that the city should have a ruling council of 20 members. With the council dominated by merchants, trade interests shaped Lübeck's politics for centuries. In the 14th century, Lübeck became the "Queen of the Hanseatic League", being by far the largest and most powerful member of that medieval trade organization. In 1375, Emperor Charles IV named Lübeck one of the five "Glories of the Empire", a title shared with Venice, Rome, Pisa, and Florence. Conflicts about trading privileges resulted in fighting between Lübeck (with the Hanseatic League) and Denmark and Norway – with varying outcome. While Lübeck and the Hanseatic League prevailed in conflicts in 1435 and 1512, Lübeck lost when it became involved in a civil war that raged in Denmark from 1534 to 1536. From then on Lübeck's power slowly declined. The city remained neutral in the Thirty Years' War, but the devastation from the decades-long war and the new transatlantic orientation of European trade caused the Hanseatic League – and thus Lübeck with it – to decline in importance. However, Lübeck still remained an important trading town on the Baltic Sea. In 1160 Henry the Lion moved the bishopric of Oldenburg to Lübeck and endowed a cathedral chapter. In 1163 a wooden church was built, however, at the beginning of the 13th century, it was no longer sufficient to meet the representative demands of the self-confident burghers. St. Marien was built 1250 - 1350. It has always been a symbol of the power and prosperity of the Hanseatic city. It situated at the highest point of the island that forms the old town. Gothic cathedrals in France and Flanders made of natural stone were the models for the new construction of Lübeck's three-nave basilica. St. Marien epitomizes North German "Brick Gothic" and set the standard for many churches in the Baltic region. The church embodied the towering style of Gothic architecture using brick. The incentive for the City Council to undertake such an enormous project was rooted in the bitter dispute with the Lübeck bishopric. As a symbol of the long-distance merchants' desire for freedom and the secular power of the city, which had been free of the Empire since 1226, the church building in the immediate vicinity of Lübeck's city hall and the market square was intended to clearly and uncatchably surpass in size the city's bishop's church, Lübeck Cathedral. In March 1942, St. Marien (as well as the Cathedral and St. Peter) was almost completely burned out during the air raid on Lübeck, which destroyed one-fifth of the city centre. Reconstruction of the church began in 1947 and was essentially completed around 1960. The frescoes in St. Marien will always be connected to Lothar Malskat. After the WWII damages, the medieval frescoes on the walls had nearly disappeared. Malskat was one of the painters who was commissioned to restore the frescoes of the Marienkirche. The work was completed in September 1951. The frescoes were unveiled during the 700th-anniversary celebrations of the founding of the Marienkirche, dignitaries were present and 2 million postage stamps depicting the frescoes got printed. The next year Malskat announced that he had painted the frescoes himself. He told that when the work had begun, the walls had been nearly empty of frescoes. Instead of restoring the original frescoes, Malskat had whitewashed the walls and painted them over. New pictures included various anachronisms like an image of a turkey, which had not reached Europe at the time the original frescoes had been painted. Malskat was sentenced to 18 months and the frescoes were washed off the church walls.

The area around Lübeck, today a large city with a population of more than 200,000, had been settled by Slavs since the 7th century. Slavs had a settlement north of the present city called "Liubice", which was razed by the pagan Rani tribe in 1128. 15 years later Adolf II, Count of Schauenburg and Holstein, founded the modern town as a German settlement on the river island of Bucu. He built a new castle, first mentioned as existing in 1147. Adolf II had to cede the castle to the Duke of Saxony, Henry the Lion, in 1158. After Henry's fall from power in 1181, the town became an Imperial city. Emperor Barbarossa ordained that the city should have a ruling council of 20 members. With the council dominated by merchants, trade interests shaped Lübeck's politics for centuries. In the 14th century, Lübeck became the "Queen of the Hanseatic League", being by far the largest and most powerful member of that medieval trade organization. In 1375, Emperor Charles IV named Lübeck one of the five "Glories of the Empire", a title shared with Venice, Rome, Pisa, and Florence. Conflicts about trading privileges resulted in fighting between Lübeck (with the Hanseatic League) and Denmark and Norway – with varying outcome. While Lübeck and the Hanseatic League prevailed in conflicts in 1435 and 1512, Lübeck lost when it became involved in a civil war that raged in Denmark from 1534 to 1536. From then on Lübeck's power slowly declined. The city remained neutral in the Thirty Years' War, but the devastation from the decades-long war and the new transatlantic orientation of European trade caused the Hanseatic League – and thus Lübeck with it – to decline in importance. However, Lübeck still remained an important trading town on the Baltic Sea. In 1160 Henry the Lion moved the bishopric of Oldenburg to Lübeck and endowed a cathedral chapter. In 1163 a wooden church was built, however, at the beginning of the 13th century, it was no longer sufficient to meet the representative demands of the self-confident burghers. St. Marien was built between 1250 and 1350. It has always been a symbol of the power and prosperity of the old Hanseatic city. It situated at the highest point of the island that forms the old town. Gothic cathedrals in France and Flanders made of natural stone were the models for the new construction of Lübeck's three-nave basilica. St. Marien epitomizes North German "Brick Gothic" and set the standard for many churches in the Baltic region. The church embodied the towering style of Gothic architecture using brick. The incentive for the City Council to undertake such an enormous project was rooted in the bitter dispute with the Lübeck bishopric. As a symbol of the long-distance merchants' desire for freedom and the secular power of the city, which had been free of the Empire since 1226, the church building in the immediate vicinity of Lübeck's city hall and the market square was intended to clearly and uncatchably surpass in size the city's bishop's church, Lübeck Cathedral. In March 1942, St. Marien (as well as the Cathedral and St. Peter) was almost completely burned out during the air raid on Lübeck, which destroyed one-fifth of the city centre. Reconstruction of the church began in 1947 and was essentially completed. The impressive "Antwerpener Retabel" was created in 1518. It was donated in 1522 by Johann Bone, a merchant from Geldern. During WWII the altarpiece was in the "Briefkapelle" (Chapel of Indulgences) and thus escaped destruction. The double-winged altarpiece depicts the life of the Virgin Mary. "Antwerp retable" is the collective name for a type of winged altarpiece that was produced in and around Antwerp workshops for export, especially in the first third of the 16th century. Even today, over 200 examples are preserved in churches and museums in various European countries.

The area around Lübeck, today a large city with a population of more than 200,000, had been settled by Slavs since the 7th century. Slavs had a settlement north of the present city called "Liubice", which was razed by the pagan Rani tribe in 1128. 15 years later Adolf II, Count of Schauenburg and Holstein, founded the modern town as a German settlement on the river island of Bucu. He built a new castle, first mentioned as existing in 1147. Adolf II had to cede the castle to the Duke of Saxony, Henry the Lion, in 1158. After Henry's fall from power in 1181, the town became an Imperial city. Emperor Barbarossa ordained that the city should have a ruling council of 20 members. With the council dominated by merchants, trade interests shaped Lübeck's politics for centuries. In the 14th century, Lübeck became the "Queen of the Hanseatic League", being by far the largest and most powerful member of that medieval trade organization. In 1375, Emperor Charles IV named Lübeck one of the five "Glories of the Empire", a title shared with Venice, Rome, Pisa, and Florence. Conflicts about trading privileges resulted in fighting between Lübeck (with the Hanseatic League) and Denmark and Norway – with varying outcome. While Lübeck and the Hanseatic League prevailed in conflicts in 1435 and 1512, Lübeck lost when it became involved in a civil war that raged in Denmark from 1534 to 1536. From then on Lübeck's power slowly declined. The city remained neutral in the Thirty Years' War, but the devastation from the decades-long war and the new transatlantic orientation of European trade caused the Hanseatic League – and thus Lübeck with it – to decline in importance. However, Lübeck still remained an important trading town on the Baltic Sea. In 1160 Henry the Lion moved the bishopric of Oldenburg to Lübeck and endowed a cathedral chapter. In 1163 a wooden church was built, however, at the beginning of the 13th century, it was no longer sufficient to meet the representative demands of the self-confident burghers. St. Marien was built between 1250 and 1350. It has always been a symbol of the power and prosperity of the old Hanseatic city. It situated at the highest point of the island that forms the old town. Gothic cathedrals in France and Flanders made of natural stone were the models for the new construction of Lübeck's three-nave basilica. St. Marien epitomizes North German "Brick Gothic" and set the standard for many churches in the Baltic region. The church embodied the towering style of Gothic architecture using brick. The incentive for the City Council to undertake such an enormous project was rooted in the bitter dispute with the Lübeck bishopric. As a symbol of the long-distance merchants' desire for freedom and the secular power of the city, which had been free of the Empire since 1226, the church building in the immediate vicinity of Lübeck's city hall and the market square was intended to clearly and uncatchably surpass in size the city's bishop's church, Lübeck Cathedral. In March 1942, St. Marien (as well as the Cathedral and St. Peter) was almost completely burned out during the air raid on Lübeck, which destroyed one-fifth of the city centre. Reconstruction of the church began in 1947 and was essentially completed.

The area around Lübeck, today a large city with a population of more than 200,000, had been settled by Slavs since the 7th century. Slavs had a settlement north of the present city called "Liubice", which was razed by the pagan Rani tribe in 1128. 15 years later Adolf II, Count of Schauenburg and Holstein, founded the modern town as a German settlement on the river island of Bucu. He built a new castle, first mentioned as existing in 1147. Adolf II had to cede the castle to the Duke of Saxony, Henry the Lion, in 1158. After Henry's fall from power in 1181, the town became an Imperial city. Emperor Barbarossa ordained that the city should have a ruling council of 20 members. With the council dominated by merchants, trade interests shaped Lübeck's politics for centuries. In the 14th century, Lübeck became the "Queen of the Hanseatic League", being by far the largest and most powerful member of that medieval trade organization. In 1375, Emperor Charles IV named Lübeck one of the five "Glories of the Empire", a title shared with Venice, Rome, Pisa, and Florence. Conflicts about trading privileges resulted in fighting between Lübeck (with the Hanseatic League) and Denmark and Norway – with varying outcome. While Lübeck and the Hanseatic League prevailed in conflicts in 1435 and 1512, Lübeck lost when it became involved in a civil war that raged in Denmark from 1534 to 1536. From then on Lübeck's power slowly declined. The city remained neutral in the Thirty Years' War, but the devastation from the decades-long war and the new transatlantic orientation of European trade caused the Hanseatic League – and thus Lübeck with it – to decline in importance. However, Lübeck still remained an important trading town on the Baltic Sea. In 1160 Henry the Lion moved the bishopric of Oldenburg to Lübeck and endowed a cathedral chapter. In 1163 a wooden church was built, however, at the beginning of the 13th century, it was no longer sufficient to meet the representative demands of the self-confident burghers. St. Marien was built between 1250 and 1350. It has always been a symbol of the power and prosperity of the old Hanseatic city. It situated at the highest point of the island that forms the old town. Gothic cathedrals in France and Flanders made of natural stone were the models for the new construction of Lübeck's three-nave basilica. St. Marien epitomizes North German "Brick Gothic" and set the standard for many churches in the Baltic region. The church embodied the towering style of Gothic architecture using brick. The incentive for the City Council to undertake such an enormous project was rooted in the bitter dispute with the Lübeck bishopric. As a symbol of the long-distance merchants' desire for freedom and the secular power of the city, which had been free of the Empire since 1226, the church building in the immediate vicinity of Lübeck's city hall and the market square was intended to clearly and uncatchably surpass in size the city's bishop's church, Lübeck Cathedral. In March 1942, St. Marien (as well as the Cathedral and St. Peter) was almost completely burned out during the air raid on Lübeck, which destroyed one-fifth of the city centre. Reconstruction of the church began in 1947 and was essentially completed. Some centuries ago an astronomical clock was a very expensive piece of high tec only a few parishes could afford. This astronomical clock was built in 1561–1566, but this is a copy, as the original was completely destroyed in 1942. The "new" astronomical clock is the work of Paul Behrens, a Lübeck clockmaker, who planned it as his lifetime achievement from 1960 to 1967. The clock front is a simplified copy of the original. Calendar and planetary discs controlled by a complicated mechanical movement show the day and the month, the position of the sun and the moon, the signs of the zodiac.

The area around Lübeck, today a large city with a population of more than 200,000, had been settled by Slavs since the 7th century. Slavs had a settlement north of the present city called "Liubice", which was razed by the pagan Rani tribe in 1128. 15 years later Adolf II, Count of Schauenburg and Holstein, founded the modern town as a German settlement on the river island of Bucu. He built a new castle, first mentioned as existing in 1147. Adolf II had to cede the castle to the Duke of Saxony, Henry the Lion, in 1158. After Henry's fall from power in 1181, the town became an Imperial city. Emperor Barbarossa ordained that the city should have a ruling council of 20 members. With the council dominated by merchants, trade interests shaped Lübeck's politics for centuries. In the 14th century, Lübeck became the "Queen of the Hanseatic League", being by far the largest and most powerful member of that medieval trade organization. In 1375, Emperor Charles IV named Lübeck one of the five "Glories of the Empire", a title shared with Venice, Rome, Pisa, and Florence. Conflicts about trading privileges resulted in fighting between Lübeck (with the Hanseatic League) and Denmark and Norway – with varying outcome. While Lübeck and the Hanseatic League prevailed in conflicts in 1435 and 1512, Lübeck lost when it became involved in a civil war that raged in Denmark from 1534 to 1536. From then on Lübeck's power slowly declined. The city remained neutral in the Thirty Years' War, but the devastation from the decades-long war and the new transatlantic orientation of European trade caused the Hanseatic League – and thus Lübeck with it – to decline in importance. However Lübeck still remained an important trading town on the Baltic Sea. In 1160 Henry the Lion moved the bishopric of Oldenburg to Lübeck and endowed a cathedral chapter. In 1163 a wooden church was built, however, at the beginning of the 13th century, it was no longer sufficient to meet the representative demands of the self-confident burghers. St. Marien was built between 1250 and 1350. It has always been a symbol of the power and prosperity of the old Hanseatic city. It situated at the highest point of the island that forms the old town. Gothic cathedrals in France and Flanders made of natural stone were the models for the new construction of Lübeck's three-nave basilica. St. Marien epitomizes North German "Brick Gothic" and set the standard for many churches in the Baltic region. The church embodied the towering style of Gothic architecture using brick. The incentive for the City Council to undertake such an enormous project was rooted in the bitter dispute with the Lübeck bishopric. As a symbol of the long-distance merchants' desire for freedom and the secular power of the city, which had been free of the Empire since 1226, the church building in the immediate vicinity of Lübeck's city hall and the market square was intended to clearly and uncatchably surpass in size the city's bishop's church, Lübeck Cathedral. The nave is about 40m high. In March 1942, St. Marien (as well as the Cathedral and St. Peter) was almost completely burned out during the air raid on Lübeck, which destroyed one-fifth of the city center. Reconstruction og the church began in 1947 and was essentially a completed.The nave is about 40m high.

The area around Lübeck, today a large city with a population of more than 200,000, had been settled by Slavs since the 7th century. Slavs had a settlement north of the present city called "Liubice", which was razed by the pagan Rani tribe in 1128. 15 years later Adolf II, Count of Schauenburg and Holstein, founded the modern town as a German settlement on the river island of Bucu. He built a new castle, first mentioned as existing in 1147. Adolf II had to cede the castle to the Duke of Saxony, Henry the Lion, in 1158. After Henry's fall from power in 1181, the town became an Imperial city. Emperor Barbarossa ordained that the city should have a ruling council of 20 members. With the council dominated by merchants, trade interests shaped Lübeck's politics for centuries. In the 14th century, Lübeck became the "Queen of the Hanseatic League", being by far the largest and most powerful member of that medieval trade organization. In 1375, Emperor Charles IV named Lübeck one of the five "Glories of the Empire", a title shared with Venice, Rome, Pisa, and Florence. Conflicts about trading privileges resulted in fighting between Lübeck (with the Hanseatic League) and Denmark and Norway – with varying outcome. While Lübeck and the Hanseatic League prevailed in conflicts in 1435 and 1512, Lübeck lost when it became involved in a civil war that raged in Denmark from 1534 to 1536. From then on Lübeck's power slowly declined. The city remained neutral in the Thirty Years' War, but the devastation from the decades-long war and the new transatlantic orientation of European trade caused the Hanseatic League – and thus Lübeck with it – to decline in importance. However Lübeck still remained an important trading town on the Baltic Sea. In 1160 Henry the Lion moved the bishopric of Oldenburg to Lübeck and endowed a cathedral chapter. In 1163 a wooden church was built, however, at the beginning of the 13th century, it was no longer sufficient to meet the representative demands of the self-confident burghers. St. Marien was built between 1250 and 1350. It has always been a symbol of the power and prosperity of the old Hanseatic city. It situated at the highest point of the island that forms the old town. Gothic cathedrals in France and Flanders made of natural stone were the models for the new construction of Lübeck's three-nave basilica. St. Marien epitomizes North German "Brick Gothic" and set the standard for many churches in the Baltic region. The church embodied the towering style of Gothic architecture using brick. The incentive for the City Council to undertake such an enormous project was rooted in the bitter dispute with the Lübeck bishopric. As a symbol of the long-distance merchants' desire for freedom and the secular power of the city, which had been free of the Empire since 1226, the church building in the immediate vicinity of Lübeck's city hall and the market square was intended to clearly and uncatchably surpass in size the city's bishop's church, Lübeck Cathedral. The nave is about 40m high and about 76m long. In March 1942, St. Marien (as well as the Cathedral and St. Peter) was almost completely burned out during the air raid on Lübeck, which destroyed one-fifth of the city centre. Reconstruction of the church began in 1947 and was essentially completed in 1960.