Martin M. Miles' photos with the keyword: Parma Baptistery

Parma was most probably founded by the Etruscans. The Romans founded a colony here. During the Roman Empire, it gained the title of Julia for its loyalty to the imperial house. Attila sacked the city in 452 and during the Gothic War Totila Attila sacked the city in 452 and during the Gothic War Totila destroyed it again. It was then part of the Byzantine Exarchate of Ravenna and, from 569, of the Lombard Kingdom of Italy. During the Middle Ages, Parma became an important stage of the Via Francigena, the main road connecting Rome to Northern Europe. Under Frankish rule, Parma was nominally a part of the Holy Roman Empire created by Charlemagne but locally ruled by its bishops. After the Peace of Constance in 1183 confirmed the Italian communes' rights of self-governance, quarrels with the neighboring communes became harsh, with the aim of controlling the vital trading line over the Po River. The city was besieged in 1247–48 by Emperor Frederick II, who was however crushed in the Battle of Parma by the Lombard League. In 1331, the city submitted to King John of Bohemia. Parma fell under the control of Milan in 1341. After a short-lived period of independence, the Sforza imposed their rule creating a kind of feudalism. The Baptistery is located in the immediate vicinity of the Cathedral. It was commissioned by the City Council to architect and sculptor Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th-century frescoes. Most striking is the painted domed ceiling. The dome is like an umbrella - sixteen rays come out of the center of the ceiling.

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below. Inside the baptistery is this delicately carved baptismal font, too small for a total immersion.

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below. Below the large triangular frescoes are tiers with carvings, sculptures and even more frescoes. Inbetween are columns and capitals. The baptistery´s altar. John the Baptist (JOHANNIS BATTISTA) is flanked by a priest (SACERDOS) and a Levite (LEVITA)

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below. Below the large triangular frescoes are tiers with carvings, sculptures and even more frescoes. Inbetween are columns and capitals. Here is Habakkuk delivering food to hungry Daniel in the lions' den. Daniel 14:33-36 "Now the prophet Habakkuk was in Judea; he had made a stew and had broken bread into a bowl, and was going into the field to take it to the reapers. But the angel of the Lord said to Habakkuk, "Take the food that you have to Babylon, to Daniel, in the lions’ den." Habakkuk said, "Sir, I have never seen Babylon, and I know nothing about the den." Then the angel of the Lord took him by the crown of his head and carried him by his hair; with the speed of the wind, he set him down in Babylon, right over the den."

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below. Below the large triangular frescoes are tiers with carvings, sculptures and even more frescoes. The "Labours of the Months" - and the zodiac signs. March = Aries April = Taurus May = Gemini

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below. Below the large triangular frescoes are tiers with carvings, sculptures and even more frescoes. The "Labours of the Months" - and the zodiac signs. June = Cancer July = Lion

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below. Below the large triangular frescoes are tiers with carvings, sculptures and even more frescoes in the semicircular spaces. Seen here is the "Flight into Egypt". An angel points the party in the right direction.

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below. Below the large triangular frescoes are tiers with carvings, sculptures and even more frescoes in the semicircular spaces. Seen here is King David, who obviously knew about the importance of music in early childhood.

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below. Below the large triangular frescoes are tiers with carvings, sculptures and even more frescoes. With my equipment it is not possible to take a photo of the complete wall structure.

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below. Here are three (of the sixteen) arches. Seen from left to right: NATIVITAS STE JOHANNIS BATISTE The Birth of John the Baptist. His mother Elizabeth, reclined on the bed, watches the midwives performing "the first bath". HIC BATISTATUR CHRIST Christ´s baptism in the River Jordan. The painting is obviously influenced by older icons (Ravenna). Christ is nude - and the River Jordan is personalised. HIC AMPUTAVIT CAPUT JOHANNIS The death of John the Baptist. Seen below is (left) Abramham´s sacrifie - and (right) two battle scenes, probably connected to the cruisades (camels).

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. Most striking is the painted domed ceiling. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below.

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. A frieze, depicting animals and mythological creatures, runs around the eights sides of the Battistero di San Giovanni. A nice mermaid - in detail.

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. A frieze, depicting animals and mythological creatures, runs around the eights sides of the Battistero di San Giovanni. Two battling centaurs, a dog and a lion.

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. A frieze, depicting animals and mythological creatures, runs around the eights sides of the Battistero di San Giovanni. Here is a hunting scene - and two very strange sea-animals.

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. A frieze, depicting animals and mythological creatures, runs around the eights sides of the Battistero di San Giovanni. The elephant, seen here, is probably the "Cremona elephant", owned by Frederick II. This elephant marched through Cremona (1237/1241), only about 50kms northwest.

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. A frieze, depicting animals and mythological creatures, runs around the eights sides of the Battistero di San Giovanni. Here to the very left is an elephant!

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The Baptistery has three (!) portals. Here is the tympanum of one of them (see previous uploads for the other). The "Last Judgment". Around Christ are the twelve apostles. Below the graves open...

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The Baptistery has three (!) portals. Here is one of them.