Martin M. Miles' photos with the keyword: homme sauvage

Trogir was founded by Greek colonists in the 3rd century BC. In Roman times this was an important harbour town. From the 9th century on Trogir was under Croatian rule and later part of the Byzantine empire. A diocese was established in the 11th century, in 1107 the Hungarian-Croatian King Coloman ("The Bookish", "Kálmán Könyves") granted the autonomy. Saracen troops conquered Trogir in 1123 and demolished most of it. From 1420 upto 1797 Trogir belonged to the Republic of Venice. For a short while it belonged to the Napoleonic kingdom of Italy, but upto 1918 Trogir was part of the Habsburg Empire. Trogir is more than 2000 years old. It grew under the influence of the ancient Greeks, the Romans, and the Venetians... Trogir's medieval core, surrounded by walls, comprises (about 10) churches, houses and palaces from the Romanesque, Gothic, Renaissance and Baroque periods. Since 1997 the centre of Trogir is a "UNESCO World Heritage Site". The Cathedral of St. Lawrence was erected from 1213 on the foundations of cathedral destroyed by the Saracens in 1123. Most of the work was done in the 13th century. This cathedral is world wide known for Master Radovan´s portal. The portal was carved by the local architect and sculptor Master Radovan (and his workshop). It was completed and signed by Radovan in 1240. Here are the two sides of the portal. The door posts are decorated with reliefs and two carved columns with scenes of hunting and beasts. The sides of the columns, that flank the doors, are decorated with scenes of people and animals entangled by tendrils. Here is a hairy, horned wild man - and a small monkey in the right corner.

The construction of the cathedral was ordered by King Ferdinand III of Castile and Mauricio, the Bishop of Burgos. Ferdinand had just married Barbarossa´s granddaughter Beatrice of Swabia (aka "Elisabeth of Swabia") and wanted a cathedral, reflecting his new role in the European power game. The former Romanesque cathedral got demolished and on July 20, 1221, the construction of the new Gothic started under the guidance of an unknown French architect. After nine years, the chevet was completed and the high altar was consecrated. Then the construction stopped for about 200 years. Attending the Council of Basel (aka "Council of Florence") in 1435 bishop (and diplomat) Alfonso de Cartagena saw the just completed, elegant towers of the Basel Minster. When he returned to Burgos he was accompanied by German architect Johannes von Köln (aka "Juan de Colonia"), who probably knew the blueprints of the towers, planned for the Cathedral of Cologne. Under his guidance the towers of the Cathedral were completed in open tracery. He was followed on the construction site by his son Simon de Colonia. Francisco de Colonia, Simon´s son, continued the work and created the Pellejería-Portal. This was a family business. Danger lurks everywhere! Another hairy wild man climbing in the vines, growing between the pillars.

The construction of the cathedral was ordered by King Ferdinand III of Castile and Mauricio, the Bishop of Burgos. Ferdinand had just married Barbarossa´s granddaughter Beatrice of Swabia (aka "Elisabeth of Swabia") and wanted a cathedral, reflecting his new role in the European power game. The former Romanesque cathedral got demolished and on July 20, 1221, the construction of the new Gothic started under the guidance of an unknown French architect. After nine years, the chevet was completed and the high altar was consecrated. Then the construction stopped for about 200 years. Attending the Council of Basel (aka "Council of Florence") in 1435 bishop (and diplomat) Alfonso de Cartagena saw the just completed, elegant towers of the Basel Minster. When he returned to Burgos he was accompanied by German architect Johannes von Köln (aka "Juan de Colonia"), who probably knew the blueprints of the towers, planned for the Cathedral of Cologne. Under his guidance the towers of the Cathedral were completed in open tracery. He was followed on the construction site by his son Simon de Colonia. Francisco de Colonia, Simon´s son, continued the work and created the Pellejería-Portal. This was a family business. Just below the "Presentation of Jesus at the Temple" (previous upload) is this freeze populated with a gang of wild men, all completely covered with hair. Note the green men in the background (between the pillars).