Martin M. Miles' photos with the keyword: Isaac

Modena, an Etruscan foundation, was an important city in the Roman Empire and a stronghold against the barbarian attacks at its end. It is said that it was never sacked by Attila, for a dense fog hid it (a miracle said to be provided by Saint Geminianus, patron of Modena), but it was eventually buried by a great flood in the 7th century and abandoned. Towards the end of the 9th century, Modena was rebuilt and fortified by its bishop Ludovicus. When the construction of the cathedral began in 1099, the city was part of the possessions of Margravine Matilda of Tuscia. But when the building was consecrated by Lucius III in 1184, it was a free commune. In the wars between Frederick II and Gregory IX, it sided with the emperor. Two churches built since the 5th century on the site of the present cathedral were both destroyed when Modena got resettled. A church was erected that soon was too small and a large cathedral was planned. Work on the present cathedral began in 1099 under the direction of the master builder Lanfranco. The first stone was laid in 1099 with the support of Matilda of Tuscia. A plaque outside the main apse gives 23 May 1099 as the date of the foundation of the new Modena Cathedral and also the name of the architect Lanfranco. The cathedral was consecrated by Pope Lucius III in 1184. However, the cathedral was not completed until 1322. The marble parape is supported by columns.

Otranto occupies the site of an ancient Greek city. It gained importance in Roman times, as it was the nearest port to the eastern coast of the Adriatic Sea. After the end of the Roman Empire, it was in the hands of the Byzantine emperors until it surrendered to the Norman troops of Robert Guiscard in 1068. The Normans fortified the city and built the cathedral, that got consecrated in 1088. When Henry VI., son of Emperor Frederick Barbarossa, married Constanze of Sicily in 1186 Otranto came under the rule of the Hohenstaufen and later in the hands of Ferdinand I of Aragón, King of Naples. Between 1480 and 1481 the "Ottoman invasion" took place here. Troops of the Ottoman Empire invaded and laid siege to the city and its citadel. Legends tell that more than 800 inhabitants were beheaded after the city was captured. The "Martyrs of Otranto" are still celebrated in Italy, their skulls are on display in the cathedral. A year later the Ottoman garrison surrendered the city following a siege by Christian forces and the intervention of Papal forces. - Otranto had been one of the last Byzantine strongholds in Apulia, but finally Robert Guiscard could take it. It had probably been such a stronghold, as Otranto had hosted an autocephalous bishopric, only dependent of the patriarchal see of Byzantium since 968. So (Roman) Catholicism had to perform something "convincing" for the so long (Byzantine) Orthodox christians. One was to erect a huge church. The Otranto Cathedral was erected, over ruins of a Paleo-christian church from 1080 on and was consecrated in 1088. It is 54 metres long by 25 metres wide and is built on 42 monolithic granite and marble columns. I had come to Otranto, to see the mosaic. I had planned to stay one night in Otranto, I spent three nights - and still had not seen all the details. I was so overwhelmed, that I took hundreds of photos, but the mosaic is "endless". I will upload only a couple. It was created by a monk named Pantaleon and his workshop between 1163 and 1165. Pantaleon lived at the monastery San Nicola di Casole, located a few kilometres south of Otranto. The mosaic covers the nave, both aisles, the apse and the presbytery. This sums up to a total of 1596 m². About 10 000000 (10 million!) "tesserae" were used. There are scholars, who have counted up to 700 different "stories", that are told here. Though, these "stories" are often disputed, as today's interpretations are mostly very "vague". German historian Carl Arnold Willemsen published the most important book about the mosaic in Italian " L'enigma di Otranto", that since the 1970s is translated in many languages. I followed his theories. As the church is a parish church, there are benches placed on the mosaic floor. Only for the Sunday service, the ropes are open so that the parishioners can reach the benches. I stayed up to Sunday to mix with the locals. The left aisle has like the nave and the right aisle a tree in the middle. Here it separates hell (right) from heaven (left). Here the damage of the mosaic is obvious. The souls are welcomed to heaven by Abraham, Isaac and Jacob, but not much more than the elbow and the name of Jacob survived the times. The icon refers to Lk 16,22–23 "And it came to pass, that the beggar died, and was carried by the angels into Abraham's bosom: the rich man also died and was buried; And in hell he lift up his eyes, being in torments, and seeth Abraham afar off, and Lazarus in his bosom."

A Benedictian piory existed here since the 11th century. A large church for the convent was erected from the 12th century on. Of this church only the western facade survived. Though weathered and vandalized the facade still has many elements of the Romanesque church. When the church got rebuilt, after the naves had collapsed, in the 15th century large buttresses were needed, to stabilize the structure. During the French Revolution served as a Temple of Reason and was later used as a saltpeter factory, what means explosive gunpowder (sulfur + charcoal + saltpeter was produced here. Benet is a small town, west of Niort, in the Vendée, the deprtament where in 1793 the "War in the Vendée", an uprise against the young republic, was fought. The counterrevolutionary rebellion ended, when tens of thousands of civilians were massacred by the Republican army. A closer look onto Sainte-Eulalie´s facade. The elaborate archivolt around the central window makes clear, why this is known as a "bible de pierre", a bible from stone. Many biblical scenes can be found here. The carving style is delicate and reminds on works in the Charente (eg Fenioux). Here is the "Sacrifice of Isaac". Genesis 22:9-13 "When they reached the place God had told him about, Abraham built an altar there and arranged the wood on it. He bound his son Isaac and laid him on the altar, on top of the wood. Then he reached out his hand and took the knife to slay his son. But the angel of the Lord called out to him from heaven, “Abraham! Abraham!” "Here I am," he replied. "Do not lay a hand on the boy," he said. "Do not do anything to him. Now I know that you fear God, because you have not withheld from me your son, your only son." Abraham looked up and there in a thicket he saw a ram caught by its horns. He went over and took the ram and sacrificed it as a burnt offering instead of his son."

A Benedictian piory existed here since the 11th century. A large church for the convent was erected from the 12th century on. Of this church only the western facade survived. Though weathered and vandalized the facade still has many elements of the Romanesque church. When the church got rebuilt, after the naves had collapsed, in the 15th century large buttresses were needed, to stabilize the structure. During the French Revolution served as a Temple of Reason and was later used as a saltpeter factory, what means explosive gunpowder (sulfur + charcoal + saltpeter was produced here. Benet is a small town, west of Niort, in the Vendée, the deprtament where in 1793 the "War in the Vendée", an uprise against the young republic, was fought. The counterrevolutionary rebellion ended, when tens of thousands of civilians were massacred by the Republican army. A closer look onto Sainte-Eulalie´s facade. The elaborate archivolt around the central window makes clear, why this is known as a "bible de pierre", a bible from stone. Many biblical scenes can be found here. The carving style is delicate and reminds on works in the Charente (eg Fenioux). Here is scene from the life of Isaac. Esau is returning too late from hunting, Isaac has already blessed Jacob. Genesis 27:30

Saint-Seurin was originally built outside the city walls close to an ancient necropolis. The Abbey of St. Seurin bears the name of the venerated fourth bishop of Bordeaux. A first building, confirmed towards mid 5th century, got destroyed by the Normans in the 8th century. It was reconstructed above the crypt of St. Seurin from the 11th to 13th centuries. The church underwent many modifications and got a new facade during the 19th century. Behind this facade parts of the Romanesque portal got saved. This capital (seen from two sides) depicts Abraham´s sacrifice of Isaac (Genesis 22). Bordeaux was one of the major halts on the Via Turonensis. The grave of Saint-Seurin was an important place for the many pilgrims. Another precious relic, shown here, was the ivory horn of Roland, who died at Roncevaux and whose (legendary) burial place most pilgrims will have seen in Blaye. Tradition claims that the horn "olifant", still reported in the 17th century and lost before the French Revolution, had been left by the Charlemagne on the altar of St. Seurin.

A church is known in Mélas (now part of Le Teil), located at the Roman road connecting Lyon and Nîmes, since merovingien times. A noble lady named Fredegonde founded a nunnery in Mélas end of the 6th century, dedicated to Saint-Étienne and Saint Saturnin. Today´s church is younger. It consists out of three parts built in different times. The oldest part is an octogonal chapel, dated the the 9th/10th century (see previous uploads). Two of the three aisles were erected in the 12th/13th century. Here are some Romanesque capitals. This capital depicts the "Sacrifice of Isaac". Genesis 22:9-13 "When they reached the place God had told him about, Abraham built an altar there and arranged the wood on it. He bound his son Isaac and laid him on the altar, on top of the wood. Then he reached out his hand and took the knife to slay his son. But the angel of the Lord called out to him from heaven, “Abraham! Abraham!” "Here I am," he replied. "Do not lay a hand on the boy," he said. "Do not do anything to him. Now I know that you fear God, because you have not withheld from me your son, your only son." Abraham looked up and there in a thicket he saw a ram caught by its horns. He went over and took the ram and sacrificed it as a burnt offering instead of his son."

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. A paleochristian basilica had existed here in the 6th century. This church burnt down and got replaced in the 9th century by Bishop Wibod. This cathedral was destroyed by fire in 1055. Bishop Càdalo (= antipope Honorius II) begun the construction of the Duomo di Parma in 1059. The Cattedrale di Santa Maria Assunta got consecrated in 1106, but the new church was heavily damaged by the earthquake in 1117 and had to be restored. Originally the Duomo was erected on a Latin cross plan, with a nave and two transept arms. Later chapels and structures were added, so by now, the plan is pretty complex. It is actually not allowed, to take photos inside the Duomo di Parma, but nevertheless I took a few. Very few. The golden capital depicts Abraham, stopped by an angel, to sacrifice his son Isaac.

The "Iglesia de Santa Maria" was built in the second half of the 12th century. From the little hill, the shoreline can be seen. The "Camino del Norte" (aka "Camino de la Costa"), the oldest known "camino" to Santiago de Compostela run along the northern coast, as moorish troops roamed the inland. Even in the 12th century, when this church was erected, this way was popular as the pilgrims could visit the Monastery of Santo Toribio de Liébana. As the largest part of the "True Cross" (aka "Lignum Crucis") was venerated in that monastery, it had the privilege of perpetual indulgences. The "Iglesia de Santa Maria" is known for some extraordinary Romanesque carvings. Here are Abraham and his son Isaac. They are probably waiting for an angel to come.

This church, dedicated to Saint Martin of Tours, was a real surprise to me. The single nave structure was probably erected within the 12th century. It was built in a "walking distance" off the pilgrim routes (like "San Pedro de Echano"), as the hamlet Artaiz is just about 10kms north of the "Camino Aragonés". San Martin will have been for sure a stopover for pilgrims, who had visited the tomb of Saint Martin of Tours, following the "Via Turonensis". The masterly composed and carved portal of Saint Martin is extraordinary in the specific iconography, that in parts may reflect the relations to the Islamic neighbours (Reconquista). Here is a script by German arthistorian Hedda Finke about this subject. art.unt.edu/medieval-symposium/presenter.php?year=2009&am... Between the seven corbels under the portal´s roof are six reliefs. This one depicts the "Sacrifice of Isaac". Genesis 22:10 - 13 ".. Abraham stretched forth his hand, and took the knife to slay his son. And the angel of the Lord called unto him out of heaven, and said, Abraham, Abraham: and he said, Here am I. And he said, Lay not thine hand upon the lad, neither do thou any thing unto him: for now I know that thou fearest God, seeing thou hast not withheld thy son, thine only son from me. And Abraham lifted up his eyes, and looked, and behold behind him a ram caught in a thicket by his horns.." The left corbel depicts the musician with a vielle, seen already before. The right one is interesting. Either the elegant lady, holding a vessel, gives birth - or hides a small child between her feet. The first corbel without "music and dance".