Martin M. Miles' photos with the keyword: Centulle V

In 1080, when Morlaàs was in its heydays, the building of this church started by Centulle V, Viscount of Béarn, who had to make an atonement. Morlaàs developed to an important "étape" on the Via Tolosana at that time. As the church was dedicated to St. Foy there was a kind of "link" to Conques. Later the pilgrimage business declined, the viscounts had moved away, wars arose.... The church burnt down in 1520, got severely damaged in 1569. During the French Revolution the church turned to a "Temple of Reason". The restorations of the 19th century saved the structure. Viollet-le-Duc, the influential "Inspecteur général des Edifices Diocésains" led the restoration of the portal. At all places, where he worked (eg "Carcassonne", "Vézelay"), he "recreated" and creatively "completed", what is a method, that is disputed meanwhile. After having seen the mint condition of the portal, carved by great masters, I returned to the apses. The construction of the building had started here in 1080, so the carvings seen here are way older than that ones of the portal and they are much rougher. Here is a nude monkey on a capital flanking a small window.

In 1080, when Morlaàs was in its heydays, the building of this church started by Centulle V, Viscount of Béarn, who had to make an atonement. Morlaàs developed to an important "étape" on the Via Tolosana at that time. As the church was dedicated to St. Foy there was a kind of "link" to Conques. Later the pilgrimage business declined, the viscounts had moved away, wars arose.... The church burnt down in 1520, got severely damaged in 1569. During the French Revolution the church turned to a "Temple of Reason". The restorations of the 19th century saved the structure. Viollet-le-Duc, the influential "Inspecteur général des Edifices Diocésains" led the restoration of the portal. At all places, where he worked (eg "Carcasonne", "Vézelay"), he "recreated" and creatively "completed", what is a method, that is disputed meanwhile. The condition of the portal is a result of this restoration. After the cleaning done in the last years and the installation of pigeon-defence-wires, the carvings are "mint". Here are parts of both large archivolts. The Elders of the Apocalypse with crowns, vielles and parfum bottles - and above them people rising from the tombs and stretching their stiff bodies. All archivolts are semicircular. I rotated this photo as imho now the details are better visible. So the elders now seem to sit in a frieze.

In 1080, when Morlaàs was in its heydays, the building of this church started by Centulle V, Viscount of Béarn, who had to make an atonement. Morlaàs developed to an important "étape" on the Via Tolosana at that time. As the church was dedicated to St. Foy there was a kind of "link" to Conques. Later the pilgrimage business declined, the viscounts had moved away, wars arose.... The church burnt down in 1520, got severely damaged in 1569. During the French Revolution the church turned to a "Temple of Reason". The restorations of the 19th century saved the structure. Viollet-le-Duc, the influential "Inspecteur général des Edifices Diocésains" led the restoration of the portal. At all places, where he worked (eg "Carcasonne", "Vézelay"), he "recreated" and creatively "completed", what is a method, that is disputed meanwhile. The condition of the portal is a result of this restoration. After the cleaning done in the last years and the installation of pigeon-defence-wires, the carvings are "mint". All archivolts are semicircular. The outer archivolt depicting deads rising from their graves, like the 24 elders, just seen, a common icon on Romanesque portals, is as well semicircular. The eyes of the people, rising from their tombs, are still closed. They all look very sleepy. They seem to stretch. Two of them hold objects that may be small palms, symbolizing martyrs. I rotated this photo as imho now the details are better visible. So the elders now seem to sit in a frieze.

In 1080, when Morlaàs was in its heydays, the building of this church started by Centulle V, Viscount of Béarn, who had to make an atonement. Morlaàs developed to an important "étape" on the Via Tolosana at that time. As the church was dedicated to St. Foy there was a kind of "link" to Conques. Later the pilgrimage business declined, the viscounts had moved away, wars arose.... The church burnt down in 1520, got severely damaged in 1569. During the French Revolution the church turned to a "Temple of Reason". The restorations of the 19th century saved the structure. Viollet-le-Duc, the influential "Inspecteur général des Edifices Diocésains" led the restoration of the portal. At all places, where he worked (eg "Carcasonne", "Vézelay"), he "recreated" and creatively "completed", what is a method, that is disputed meanwhile. The condition of the portal is a result of this restoration. After the cleaning done in the last years and the installation of pigeon-defence-wires, the carvings are "mint". All archivolts are semicircular. The outer archivolt depicting deads rising from their graves, like the 24 elders, just seen, a common icon on Romanesque portals, is as well semicircular. The eyes of the people, rising from their tombs, are still closed. They all look very sleepy.

In 1080, when Morlaàs was in its heydays, the building of this church started by Centulle V, Viscount of Béarn, who had to make an atonement. Morlaàs developed to an important "étape" on the Via Tolosana at that time. As the church was dedicated to St. Foy there was a kind of "link" to Conques. Later the pilgrimage business declined, the viscounts had moved away, wars arose.... The church burnt down in 1520, got severely damaged in 1569. During the French Revolution the church turned to a "Temple of Reason". The restorations of the 19th century saved the structure. Viollet-le-Duc, the influential "Inspecteur général des Edifices Diocésains" led the restoration of the portal. At all places, where he worked (eg "Carcasonne", "Vézelay"), he "recreated" and creatively "completed", what is a method, that is disputed meanwhile. The condition of the portal is a result of this restoration. After the cleaning done in the last years and the installation of pigeon-defence-wires, the carvings are "mint". All archivolts are semicircular. The large archivolt depicting the 24 Elders of the Apocalypse, a common icon on Romanesque portals (Moissac, Chartres, Santiago de Compostela ..) is as well semicircular. The lavishly clothed elders wearing crowns, hold their instruments and - have a chat. I rotated this photo as imho now the details are better visible. So the elders now seem to sit in a frieze. The left elder is carved from a different, reddish stone, that is not weathered. There are holes drilled into the stone - and one hole holds a glass bead.. This may go back to the recent restoration, but it may reflect the original appearance within the 11th century, when the portal was colorfully painted and probably beautified with gems.

In 1080, when Morlaàs was in its heydays, the building of this church started by Centulle V, Viscount of Béarn, who had to make an atonement. Morlaàs developed to an important "étape" on the Via Tolosana at that time. As the church was dedicated to St. Foy there was a kind of "link" to Conques. Later the pilgrimage business declined, the viscounts had moved away, wars arose.... The church burnt down in 1520, got severely damaged in 1569. During the French Revolution the church turned to a "Temple of Reason". The restorations of the 19th century saved the structure. Viollet-le-Duc, the influential "Inspecteur général des Edifices Diocésains" led the restoration of the portal. At all places, where he worked (eg "Carcasonne", "Vézelay"), he "recreated" and creatively "completed", what is a method, that is disputed meanwhile. The condition of the portal is a result of this restoration. After the cleaning done in the last years and the installation of pigeon-defence-wires, the carvings are "mint". All archivolts are semicircular. The large archivolt depicting the 24 Elders of the Apocalypse, a common icon on Romanesque portals (Moissac, Chartres, Santiago de Compostela ..) is as well semicircular. The lavishly clothed elders wearing crowns, hold their instruments and - have a chat. I rotated this photo as imho now the details are better visible. So the elders now seem to sit in a frieze.

In 1080, when Morlaàs was in its heydays, the building of this church started by Centulle V, Viscount of Béarn, who had to make an atonement. Morlaàs developed to an important "étape" on the Via Tolosana at that time. As the church was dedicated to St. Foy there was a kind of "link" to Conques. Later the pilgrimage business declined, the viscounts had moved away, wars arose.... The church burnt down in 1520, got severely damaged in 1569. During the French Revolution the church turned to a "Temple of Reason". The restorations of the 19th century saved the structure. Viollet-le-Duc, the influential "Inspecteur général des Edifices Diocésains" led the restoration of the portal. At all places, where he worked (eg "Carcasonne", "Vézelay"), he "recreated" and creatively "completed", what is a method, that is disputed meanwhile. The condition of the portal is a result of this restoration. After the cleaning done in the last years and the installation of pigeon-defence-wires, the carvings are "mint". The large archivolt depicting the 24 elders of the Apocalypse, a common icon on Romanesque portals (Moissac, Chartres, Santiago de Compostela ..) is supported by two strong men on either side. Both men suffer - endure pain. They are probably Moors just like the two chained collegues under the trumeau, 3 meters below. This one is on the right side.

In 1080, when Morlaàs was in its heydays, the building of this church started by Centulle V, Viscount of Béarn, who had to make an atonement. Morlaàs developed to an important "étape" on the Via Tolosana at that time. As the church was dedicated to St. Foy there was a kind of "link" to Conques. Later the pilgrimage business declined, the viscounts had moved away, wars arose.... The church burnt down in 1520, got severely damaged in 1569. During the French Revolution the church turned to a "Temple of Reason". The restorations of the 19th century saved the structure. Viollet-le-Duc, the influential "Inspecteur général des Edifices Diocésains" led the restoration of the portal. At all places, where he worked (eg "Carcasonne", "Vézelay"), he "recreated" and creatively "completed", what is a method, that is disputed meanwhile. The condition of the portal is a result of this restoration. After the cleaning done in the last years and the installation of pigeon-defence-wires, the carvings are "mint". The large archivolt depicting the 24 elders of the Apocalypse, a common icon on Romanesque portals (Moissac, Chartres, Santiago de Compostela ..) is supported by two strong men on either side. They seem to suffer strongly (tongue protruding). These two are probably Moors just like the couple having the holding the center pillar, 3 meters below.. This one is on the left side.

In 1080, when Morlaàs was in its heydays, the building of this church started by Centulle V, Viscount of Béarn, who had to make an atonement. Morlaàs developed to an important "étape" on the Via Tolosana at that time. As the church was dedicated to St. Foy there was a kind of "link" to Conques. Later the pilgrimage business declined, the viscounts had moved away, wars arose.... The church burnt down in 1520, got severely damaged in 1569. During the French Revolution the church turned to a "Temple of Reason". The restorations of the 19th century saved the structure. Viollet-le-Duc, the influential "Inspecteur général des Edifices Diocésains" led the restoration of the portal. At all places, where he worked (eg "Carcasonne", "Vézelay"), he "recreated" and creatively "completed", what is a method, that is disputed meanwhile. The condition of the portal is a result of this restoration. After the cleaning done in the last years and the installation of pigeon-defence-wires, the carvings are "mint". The entrance doors are flanked by pillars and large sculptures of the apostles on either side. Another capital, next to an apostle´s head has another jungle. Other than the previous seen capital, where creeping creatures seem to play in the vines, here are humans caught by the entwined vines.

In 1080, when Morlaàs was in its heydays, the building of this church started by Centulle V, Viscount of Béarn, who had to make an atonement. Morlaàs developed to an important "étape" on the Via Tolosana at that time. As the church was dedicated to St. Foy there was a kind of "link" to Conques. Later the pilgrimage business declined, the viscounts had moved away, wars arose.... The church burnt down in 1520, got severely damaged in 1569. During the French Revolution the church turned to a "Temple of Reason". The restorations of the 19th century saved the structure. Viollet-le-Duc, the influential "Inspecteur général des Edifices Diocésains" led the restoration of the portal. At all places, where he worked (eg "Carcasonne", "Vézelay"), he "recreated" and creatively "completed", what is a method, that is disputed meanwhile. The condition of the portal is a result of this restoration. After the cleaning done in the last years and the installation of pigeon-defence-wires, the carvings are "mint". The entrance doors are flanked by pillars and large sculptures of the apostles on either side. Between the heads of the apostles is this densely populated jungle. Between the maze of entwined vines are many creeping creatures. Toads, pecking birds, a dog - and in the center a little monkey.

In 1080, when Morlaàs was in its heydays, the building of this church started by Centulle V, Viscount of Béarn, who had to make an atonement. Morlaàs developed to an important "étape" on the Via Tolosana at that time. As the church was dedicated to St. Foy there was a kind of "link" to Conques. Later the pilgrimage business declined, the viscounts had moved away, wars arose.... The church burnt down in 1520, got severely damaged in 1569. During the French Revolution the church turned to a "Temple of Reason". The restorations of the 19th century saved the structure. Viollet-le-Duc, the influential "Inspecteur général des Edifices Diocésains" led the restoration of the portal. At all places, where he worked (eg "Carcasonne", "Vézelay"), he "recreated" and creatively "completed", what is a method, that is disputed meanwhile. The condition of the portal is a result of this restoration. After the cleaning done in the last years and the installation of pigeon-defence-wires, the carvings are "mint". The entrance doors are flanked by pillars and large sculptures of the apostles on either side. The large sculptures, seen here, are on the left side. The faces of the apostles are very expressive. An eagle blows a horn on the capital. Above the capital is the frightening head of a smiling demon, ready to devour.. The capital to the left will be seen on the next upload.

In 1080, when Morlaàs was in its heydays, the building of this church started by Centulle V, Viscount of Béarn, who had to make an atonement. Morlaàs developed to an important "étape" on the Via Tolosana at that time. As the church was dedicated to St. Foy there was a kind of "link" to Conques. Later the pilgrimage business declined, the viscounts had moved away, wars arose.... The church burnt down in 1520, got severely damaged in 1569. During the French Revolution the church turned to a "Temple of Reason". The restorations of the 19th century saved the structure. Viollet-le-Duc, the influential "Inspecteur général des Edifices Diocésains" led the restoration of the portal. At all places, where he worked (eg "Carcasonne", "Vézelay"), he "recreated" and creatively "completed", what is a method, that is disputed meanwhile. The condition of the portal is a result of this restoration. After the cleaning done in the last years and the installation of pigeon-defence-wires, the carvings are "mint". The entrance doors are flanked by four pillars and large sculptures of the apostles on either side. While St. Peter on the left side seemed to dance (previous upload), St. Paulus on the right side is contemplating. Scratching his beard.

In 1080, when Morlaàs was in its heydays, the building of this church started by Centulle V, Viscount of Béarn, who had to make an atonement. Morlaàs developed to an important "étape" on the Via Tolosana at that time. As the church was dedicated to St. Foy there was a kind of "link" to Conques. Later the pilgrimage business declined, the viscounts had moved away, wars arose.... The church burnt down in 1520, got severely damaged in 1569. During the French Revolution the church turned to a "Temple of Reason". The restorations of the 19th century saved the structure. Viollet-le-Duc, the influential "Inspecteur général des Edifices Diocésains" led the restoration of the portal. At all places, where he worked (eg "Carcasonne", "Vézelay"), he "recreated" and creatively "completed", what is a method, that is disputed meanwhile. The condition of the portal is a result of this restoration. After the cleaning done in the last years and the installation of pigeon-defence-wires, the carvings are "mint". The entrance doors are flanked by four pillars and large sculptures of the apostles on either side. The left group is led by St. Peter (keys). The carving style is are very "dynamic and reminds me on Moissac and Souillac.

In 1080, when Morlaàs was in its heydays, the building of this church started by Centulle V, Viscount of Béarn, who had to make an atonement. Morlaàs developed to an important "étape" on the Via Tolosana at that time. As the church was dedicated to St. Foy there was a kind of "link" to Conques. Later the pilgrimage business declined, the viscounts had moved away, wars arose.... The church burnt down in 1520, got severely damaged in 1569. During the French Revolution the church turned to a "Temple of Reason". The restorations of the 19th century saved the structure. Viollet-le-Duc, the influential "Inspecteur général des Edifices Diocésains" led the restoration of the portal. At all places, where he worked (eg "Carcasonne", "Vézelay"), he "recreated" and creatively "completed", what is a method, that is disputed meanwhile. The perfect condition of the portal is a result of this restoration. In the center of the tympanum Christ in Majesty flanked by the symbols of two of the four evangelists: Matthew (left) and John (right). Below are two biblical scene: The "Massacre of the Innocents" and the "Flight to Egypt". Matthew 2:13-16 "And when they were departed, behold, the angel of the Lord appeareth to Joseph in a dream, saying, Arise, and take the young child and his mother, and flee into Egypt, and be thou there until I bring thee word: for Herod will seek the young child to destroy him. When he arose, he took the young child and his mother by night, and departed into Egypt: And was there until the death of Herod: that it might be fulfilled which was spoken of the Lord by the prophet, saying, Out of Egypt have I called my son. Then Herod, when he saw that he was mocked of the wise men, was exceeding wroth, and sent forth, and slew all the children that were in Bethlehem, and in all the coasts thereof, from two years old and under, according to the time which he had diligently inquired of the wise men. Then was fulfilled that which was spoken by Jeremiah the prophet, saying" I have no idea, what the large group of ducks on the outer archivolt stands for.

In 1080, when Morlaàs was in its heydays, the building of this church started by Centulle V, Viscount of Béarn, who had to make an atonement. Morlaàs developed to an important "étape" on the Via Tolosana at that time. As the church was dedicated to St. Foy there was a kind of "link" to Conques. Later the pilgrimage business declined, the viscounts moved away, wars arose.... The church burnt down in 1520, got severely damaged in 1569. During the French Revolution the church turned to a "Temple of Reason". The restorations of the 19th century saved the structure. Viollet-le-Duc, the influential "Inspecteur général des Edifices Diocésains" led the restoration of the portal, seen here. At all places, where he worked (eg "Carcasonne", "Vézelay"), he "recreated" and creatively "completed", what today is sometimes disputed. The perfect condition of the portal is a result of this restoration. The base of the trumeau has these two chained persons, who have the weight of the portal on their shoulders. The early pilgrims saw these sculpted figures as "moors" - in the context of the ongoing Reconquista. The pilgrimage to Santiago itself was seen in that context by many of them. Following the Via Tolosana, the pilgrims reached Oloron-Sainte-Marie just two days later. There is a very similar trumeau, "crowned" by St. Jaques in a "matamoro" pose.

In 1080, when Morlaàs was in its heydays, the building of this church started by Centulle V, Viscount of Béarn, who had to make an atonement. Morlaàs developed to an important "étape" on the Via Tolosana at that time. As the church was dedicated to St. Foy there was a kind of "link" to Conques. But later the pilgrimage declined, the viscounts moved away, wars arose.... The church burnt down in 1520, got severely damaged in 1569. During the French Revolution the church turned to a "Temple of Reason". The restaurations of the 19th century saved the structure. Viollet-le-Duc, the influential "Inspecteur général des Edifices Diocésains" led the restoration of the portal, seen here. At all places, where he worked (eg "Carcasonne", "Vézelay"), he "recreated" and creatively "completed", what today is sometimes disputed. The perfect condition of the portal is a result of this restoration. Standing in font of the trumeau and lookig up..

In 1080, when Morlaàs was in its heydays, the building of this church started by Centulle V, Viscount of Béarn, who had to make an atonement. Morlaàs developed to an important "étape" on the Via Tolosana at that time. As the church was dedicated to St. Foy there was a kind of "link" to Conques. The church burnt down in 1520, got severely damaged in 1569. During the French Revolution the church turned to a "Temple of Reason". The restaurations of the 19th century saved the structure. Viollet-le-Duc lead the restoration of the portal, seen here. As everywhere, where he worked (eg "Carcasonne", "Vézelay"), he "recreated" and "completed", what today is sometimes disputed. The perfect condition of the portal is a result of this restoration. I had been here twice before and now finally the portal was cleaned. For decades this had been a gathering place for the pigeons of the town.

In 1080, when Morlaàs was in its heydays, the building of this church started by Centulle V, Viscount of Béarn, who had to make an atonement. Morlaàs developed to an important "étape" on the Via Tolosana at that time. As the church was dedicated to St. Foy there was a kind of "link" to Conques. The church burnt down in 1520, got severely damaged in 1569. During the French Revolution the church turned to a "Temple of Reason". The restaurations of the 19th century saved the structure. Viollet-le-Duc lead the restoration of the portal, seen here. As everywhere, where he worked (eg "Carcasonne", "Vézelay"), he "recreated" and "completed", what today is sometimes disputed. The perfect condition of the portal is a result of this restoration. I had been here twice before and now finally the portal was cleaned. For decades this had been a gathering place for the pigeons of the town.