Martin M. Miles' photos with the keyword: orchestra

Alcobaça is home to the "Mosteiro de Alcobaça", one of the largest, most famous and oldest monasteries in Portugal. It was the seat of the Real Abadia de Alcobaça (Royal Abbey of Alcobaça), which from 1567 also presided over all Portuguese Cistercian monasteries. The complex dates back to 1153, when Portugal's first king, Afonso Henriques, gave the Cistercian order the 500 km² area that would later become the monastery, which had been reclaimed from the Moors. Bernard of Clairvaux (1090-1153) one of the most influential clerics of his time, had helped him in his disputes with Alfonso VII. of Leao and Castile over Portugal's unilaterally declared independence and the self-coronation of Alfonso Henriques as King of Portugal in 1139, especially as Eugene III was the first Cistercian to sit on the papal throne from 1145 to 1153. However, the papal bull recognizing Portugal, now issued by Alexander III, was delayed until 1179. Construction of the monastery began in 1178 and was completed in 1240 with the first section (church and first cloister). As a result of the initial large influx of friars, particularly from Burgundy, the complex was constantly expanded, including the addition of three further cloisters and a church. The economic success caused a considerable influx, which is why the monastery facilities were constantly expanded. By the beginning of the 15th century, the monks developed a great deal of activity, cultivating the land and developing and expanding agriculture, fishing, extracting salt and iron, promoting crafts and educating the settlers. In 1269 they founded one of the first public schools in the West, and its relocation to Coimbra in 1290 gave rise to the University of Coimbra. The communities belonging to the monastery prospered so well that even in the Alcobaça Abbey, some affluent living began to displace the strict Cistercian rules, a development to which many monasteries succumbed. That's why Pope Benedict XII ordered. In 1335 a reform of the Cistercian orders was announced. King Afonso IV (1291–1357) took advantage of this to curtail the abbey's power. and placed a large number of the towns belonging to Alcobaça under his rule on the grounds that the deed of foundation of King Afonso Henriques did not include the towns. In view of their wealth and power, the monks distanced themselves from the strict teachings of their founders. In 1475, Abbot Nicolau Vieira secretly ceded his rights to the Archbishop of Lisbon in exchange for an annual pension of 150,000 réis. The monks only found out about this when a delegation from the archbishop took possession of his new rights. The monastery, whose general assembly had always elected its own abbots, thus came under the influence of the commandant abbots (appointed by the king). In 1531, Afonso de Portugal (1509-1540), the fourth son of King Manuel I (1469-1521) and brother of the later King João III (1502-1557), became Abbot of Alcobaça, who was also Bishop of Lisbon and a cardinal. After his death, King João III appointed his other brother Henrique (1512-1580) as Abbot, who was also Archbishop of Lisbon and Inquisitor General of Portugal and was later appointed Cardinal. As a result of the Lisbon earthquake of 1755, the southern part of the monastery in particular was damaged and the sacristy destroyed. The monastery's own college was completely destroyed and relocated to the rebuilt parts of the southern monastery complex. In two large processions to the Santuário de Nossa Senhora de Nazaré, 10 km away, the monks gave thanks for being largely spared despite this damage. In 1774, Alcobaça was hit by a flood when the river Alcoa overflowed its banks. It once again damaged the southern monastery complex and also caused large areas of the monastery to sink into the muddy masses of the receding water. It took years for the masses of earth to be moved to the south side of the adjoining grounds, where they buried most of the monastery wall. Finally, as part of the Napoleonic Wars on the Iberian Peninsula in 1810, French troops invaded Alcobaça and pillaged the monastery. At the end of the 19th century the historian, archaeologist and agronomist Manuel Vieira de Natividade published his work on the monastery of Alcobaça. It was not until 1901 that the president of the district submitted a request to the government to repair and clean the monastery façade. In 1907, parts of the monastery were placed under protection for the first time by government decree. From 1929, the state began to repair the church and the medieval monastery and restore them to their original condition. Tomb of Dom Pedro I Pedro I, who died in 1367, had ordered two magnificent white sandstone tombs were created for Inês (see prev. uploads) and him. Originally, the two sarcophagi stood side by side. In the 1780s, however, the position of the tombs was changed and one was placed opposite the other. In 1956, they were moved to their current position, Dom Pedro in the southern transept and Inês de Castro in the northern transept, once again facing each other. The tombs were severely damaged in 1810 during the Napoleonic Wars on the Iberian Peninsula by French soldiers. Pedro´s tomb is decorated with a "Wheel of Life".

Alcobaça is home to the "Mosteiro de Alcobaça", one of the largest, most famous and oldest monasteries in Portugal. It was the seat of the Real Abadia de Alcobaça (Royal Abbey of Alcobaça), which from 1567 also presided over all Portuguese Cistercian monasteries. The complex dates back to 1153, when Portugal's first king, Afonso Henriques, gave the Cistercian order the 500 km² area that would later become the monastery, which had been reclaimed from the Moors. Bernard of Clairvaux (1090-1153) one of the most influential clerics of his time, had helped him in his disputes with Alfonso VII. of Leao and Castile over Portugal's unilaterally declared independence and the self-coronation of Alfonso Henriques as King of Portugal in 1139, especially as Eugene III was the first Cistercian to sit on the papal throne from 1145 to 1153. However, the papal bull recognizing Portugal, now issued by Alexander III, was delayed until 1179. Construction of the monastery began in 1178 and was completed in 1240 with the first section (church and first cloister). As a result of the initial large influx of friars, particularly from Burgundy, the complex was constantly expanded, including the addition of three further cloisters and a church. The economic success caused a considerable influx, which is why the monastery facilities were constantly expanded. By the beginning of the 15th century, the monks developed a great deal of activity, cultivating the land and developing and expanding agriculture, fishing, extracting salt and iron, promoting crafts and educating the settlers. In 1269 they founded one of the first public schools in the West, and its relocation to Coimbra in 1290 gave rise to the University of Coimbra. The communities belonging to the monastery prospered so well that even in the Alcobaça Abbey, some affluent living began to displace the strict Cistercian rules, a development to which many monasteries succumbed. That's why Pope Benedict XII ordered. In 1335 a reform of the Cistercian orders was announced. King Afonso IV (1291–1357) took advantage of this to curtail the abbey's power. and placed a large number of the towns belonging to Alcobaça under his rule on the grounds that the deed of foundation of King Afonso Henriques did not include the towns. In view of their wealth and power, the monks distanced themselves from the strict teachings of their founders. In 1475, Abbot Nicolau Vieira secretly ceded his rights to the Archbishop of Lisbon in exchange for an annual pension of 150,000 réis. The monks only found out about this when a delegation from the archbishop took possession of his new rights. The monastery, whose general assembly had always elected its own abbots, thus came under the influence of the commandant abbots (appointed by the king). In 1531, Afonso de Portugal (1509-1540), the fourth son of King Manuel I (1469-1521) and brother of the later King João III (1502-1557), became Abbot of Alcobaça, who was also Bishop of Lisbon and a cardinal. After his death, King João III appointed his other brother Henrique (1512-1580) as Abbot, who was also Archbishop of Lisbon and Inquisitor General of Portugal and was later appointed Cardinal. As a result of the Lisbon earthquake of 1755, the southern part of the monastery in particular was damaged and the sacristy destroyed. The monastery's own college was completely destroyed and relocated to the rebuilt parts of the southern monastery complex. In two large processions to the Santuário de Nossa Senhora de Nazaré, 10 km away, the monks gave thanks for being largely spared despite this damage. In 1774, Alcobaça was hit by a flood when the river Alcoa overflowed its banks. It once again damaged the southern monastery complex and also caused large areas of the monastery to sink into the muddy masses of the receding water. It took years for the masses of earth to be moved to the south side of the adjoining grounds, where they buried most of the monastery wall. Finally, as part of the Napoleonic Wars on the Iberian Peninsula in 1810, French troops invaded Alcobaça and pillaged the monastery. At the end of the 19th century the historian, archaeologist and agronomist Manuel Vieira de Natividade published his work on the monastery of Alcobaça. It was not until 1901 that the president of the district submitted a request to the government to repair and clean the monastery façade. In 1907, parts of the monastery were placed under protection for the first time by government decree. From 1929, the state began to repair the church and the medieval monastery and restore them to their original condition. Tomb of Dom Pedro I Pedro I, who died in 1367, had ordered two magnificent white sandstone tombs were created for Inês (see prev. uploads) and him. Originally, the two sarcophagi stood side by side. In the 1780s, however, the position of the tombs was changed and one was placed opposite the other. In 1956, they were moved to their current position, Dom Pedro in the southern transept and Inês de Castro in the northern transept, once again facing each other. The tombs were severely damaged in 1810 during the Napoleonic Wars on the Iberian Peninsula by French soldiers.

Alcobaça is home to the "Mosteiro de Alcobaça", one of the largest, most famous and oldest monasteries in Portugal. It was the seat of the Real Abadia de Alcobaça (Royal Abbey of Alcobaça), which from 1567 also presided over all Portuguese Cistercian monasteries. The complex dates back to 1153, when Portugal's first king, Afonso Henriques, gave the Cistercian order the 500 km² area that would later become the monastery, which had been reclaimed from the Moors. Bernard of Clairvaux (1090-1153) one of the most influential clerics of his time, had helped him in his disputes with Alfonso VII. of Leao and Castile over Portugal's unilaterally declared independence and the self-coronation of Alfonso Henriques as King of Portugal in 1139, especially as Eugene III was the first Cistercian to sit on the papal throne from 1145 to 1153. However, the papal bull recognizing Portugal, now issued by Alexander III, was delayed until 1179. Construction of the monastery began in 1178 and was completed in 1240 with the first section (church and first cloister). As a result of the initial large influx of friars, particularly from Burgundy, the complex was constantly expanded, including the addition of three further cloisters and a church. The economic success caused a considerable influx, which is why the monastery facilities were constantly expanded. By the beginning of the 15th century, the monks developed a great deal of activity, cultivating the land and developing and expanding agriculture, fishing, extracting salt and iron, promoting crafts and educating the settlers. In 1269 they founded one of the first public schools in the West, and its relocation to Coimbra in 1290 gave rise to the University of Coimbra. The communities belonging to the monastery prospered so well that even in the Alcobaça Abbey, some affluent living began to displace the strict Cistercian rules, a development to which many monasteries succumbed. That's why Pope Benedict XII ordered. In 1335 a reform of the Cistercian orders was announced. King Afonso IV (1291–1357) took advantage of this to curtail the abbey's power. and placed a large number of the towns belonging to Alcobaça under his rule on the grounds that the deed of foundation of King Afonso Henriques did not include the towns. In view of their wealth and power, the monks distanced themselves from the strict teachings of their founders. In 1475, Abbot Nicolau Vieira secretly ceded his rights to the Archbishop of Lisbon in exchange for an annual pension of 150,000 réis. The monks only found out about this when a delegation from the archbishop took possession of his new rights. The monastery, whose general assembly had always elected its own abbots, thus came under the influence of the commandant abbots (appointed by the king). In 1531, Afonso de Portugal (1509-1540), the fourth son of King Manuel I (1469-1521) and brother of the later King João III (1502-1557), became Abbot of Alcobaça, who was also Bishop of Lisbon and a cardinal. After his death, King João III appointed his other brother Henrique (1512-1580) as Abbot, who was also Archbishop of Lisbon and Inquisitor General of Portugal and was later appointed Cardinal. As a result of the Lisbon earthquake of 1755, the southern part of the monastery in particular was damaged and the sacristy destroyed. The monastery's own college was completely destroyed and relocated to the rebuilt parts of the southern monastery complex. In two large processions to the Santuário de Nossa Senhora de Nazaré, 10 km away, the monks gave thanks for being largely spared despite this damage. In 1774, Alcobaça was hit by a flood when the river Alcoa overflowed its banks. It once again damaged the southern monastery complex and also caused large areas of the monastery to sink into the muddy masses of the receding water. It took years for the masses of earth to be moved to the south side of the adjoining grounds, where they buried most of the monastery wall. Finally, as part of the Napoleonic Wars on the Iberian Peninsula in 1810, French troops invaded Alcobaça and pillaged the monastery. At the end of the 19th century the historian, archaeologist and agronomist Manuel Vieira de Natividade published his work on the monastery of Alcobaça. It was not until 1901 that the president of the district submitted a request to the government to repair and clean the monastery façade. In 1907, parts of the monastery were placed under protection for the first time by government decree. From 1929, the state began to repair the church and the medieval monastery and restore them to their original condition. Tomb of Dona Inês de Castro Inês was the natural daughter of Pedro Fernández de Castro and his noble Portuguese mistress Aldonça Lourenço de Valadares. Her family descended both from the Galician and Portuguese nobilities. Her stepmother was Infanta Beatriz of Portugal, the youngest daughter of Afonso of Portugal. Inês came to Portugal in 1340 as a lady-in-waiting of Constance of Castile, recently married to Pedro, the heir apparent to the Portuguese throne. The prince fell in love with her and started to neglect his lawful wife. Moreover, Pedro's love for Inês brought the exiled Castilian nobility close to power, with Inês' brothers becoming the prince's friends. King Afonso IV of Portugal, Pedro's father, disliked Inês' influence on his son and waited for their mutual infatuation to wear off, but it did not. Constance of Castile died in 1349. Afonso IV tried to arrange for his son to be remarried, but Pedro refused to take a wife other than Inês, who was not deemed eligible to be queen. Pedro's legitimate son, future King Ferdinand I of Portugal, was a frail child, whereas Pedro and Inês' illegitimate children were thriving; this created discomfort among the Portuguese nobles, who feared the increasing Castilian influence over Pedro. Afonso IV had banished Inês from the court in 1344, but Pedro remained with her, declaring her as his true love. After several attempts to keep the lovers apart, Afonso IV ordered Inês' death. Pêro Coelho, Álvaro Gonçalves, and Diogo Lopes Pacheco went to the Monastery of Santa Clara-a-Velha in Coimbra, where Inês was detained, and killed her, decapitating her in front of her small child. When Pedro heard of this he sought out the killers and managed to capture two of them in 1361.He executed them publicly by ripping their hearts out, claiming they didn't have one after having pulverized his own heart. A small orchestra is hidden in the ornaments of the tomb.

Freiberg came into being around 1162/1170. Between 1156 and 1162, Margrave Otto von Meissen had the forest cleared and several villages laid out, including Christiansdorf. In 1168 silver ore was discovered near Christiansdorf. The promise of special freedoms for the miners attracted numerous miners, traders and craftsmen, along with their families, to the Ore Mountains. Due to the wave of immigration, the city of Freiberg developed within two decades. This name is derived from the important feature, the freedom of mining introduced by Margrave Otto, i.e. the mining rights of every immigrant. Anyone could dig for the silver ore for a fee. The silver could only be sold to the margravial mint. The wealth of silver and the mint made the Electorate of Saxony a prosperous state. Further development in the 13th century is characterized by constant growth after the municipality was almost completely destroyed by a city fire around 1225. A town school was established in 1260, which had been converted into a Latin school in 1515. In the 14th century, crises gradually emerged, which were mainly caused by the decline in silver production from the middle of the 14th century and by large-scale city fires. In the 15th century, Freiberg lost its leading economic position within Saxony to Leipzig due to the exodus of capital. The Bergakademie was founded in 1765, one of the world's oldest mining engineering universities. - Around 1180, the Romanesque basilica "Unserer Lieben Frauen" was built in Freiberg, which was developing rapidly due to the silver that had been found. In 1480, the church was turned into a Collegiate church. However, the college was dissolved after only 57 years due to the reformation of the Electorate of Saxony. In the great fire of 1484, the church was almost completely destroyed. The "Cathedral of St. Mary" was built at the same location as a triple-naved Gothic hall church. The cathedral was reconsecrated in 1512. An orchstra of baroque angels

Milan is the city capital of the Lombardy and the second most populous city in Italy after Rome. Known during Roman times as "Mediolanum" it was the place, where in 313 Constantine I and Licinius met and "signed" the "Edict of Milan", giving Christianity a legal status within the Roman empire. At the end of the Roman empire Milan was besieged by the Visigoths in 402, looted by the Huns in 452, and taken by the Ostrogoths in 539. Only 30 years later is belonged to the Kingdom of the Lombards, until in 774 Charlemagne defeated the Langobards and added Milan to the Carolingian empire. During Barbarossa´s (Frederik I) "Italian Campaigns" Milan was taken and destroyed to a great extent. Only a few large structures survived the fury. One of them was the Basilica di San Lorenzo (see previous uploads). The Basilica di Sant'Eustorgio, located only about 500 ms south of the Basilica di San Lorenzo, existed already since centuries at that time, as it was founded in the 4th century. The name refers to Eustorgius I, the bishop of Milan (~350). It is attributed to Eustorgius to have translated the relics of the Magi to the city from Constantinople in 344, a present of Roman Emperor Constantius II (337-361). This legend came up in the 12th century, when the "new" Basilica di Sant'Eustorgio was erected in Romanesque style. When Milano was sacked by Frederick Barbarossa, Rainald von Dassel, who had just become Archbishop of Cologne and Archchancellor of Italy, entered the Basilica. In 1164 he brought the bones of the Magi with him to Cologne as loot from Milan and as a gift of Emperor Frederick Barbarossa. Since then the relics are in the Cologne Cathedral, where they are kept in the "Shrine of the Three Kings". Of course the Magi were never forgotten in Milan and in 1903 some fragments of the holy bones were sent back from Cologne. Here the Magi are seen in front of Herod´s throne (right), then the icon of the "Sleeping Magi" can be seen on the left. The Magi are not sleeping in a bed, but sitting on chairs. The Adoration is in the center - under ox, ass and an orchestra of angels. The altar is from 1347, attributed Jacopino da Tradate.

Bourbon-l'Archambault is the place of origin of the House of Bourbon, a branch of the Capetian dynasty. In Roman times a settlement, named "Bituriges" existed here, and where Saint-Georges is now, once was temple, dedicated to Apollo. The church was erected in the second half of the 12th century and belonged to a monastery of Benedictine nuns in Saint-Menoux (10kms east). The church, that has parallels in Burgundy and in the Auvergne, got altered and enlarged over the centuries. During the enlargments many of the medieval capitals got destroyed, but along the nave and around the crossing are still some interesting (multicoloured) ones, strongly influenced by the carvings style common in Auvergne. A medieval orchestra! The musician to the very left blows the horn - and hold a kind of harp. The tall guy next to him plays the vielle, followed by two flute players. The large one has a double flute. In the right corner either a dancer, clapping her hands. I remember having seen similar double flutes traveling in, what was Yugoslavia at that time. Youtube has many videos of "double flautists" www.youtube.com/watch?v=7xFqZxJNPIo There is a little spiked head between the large fiddler and the small flautist.

The chapter house of the former "Abbaye Saint-Georges de Boscherville", founded by a chamberlain of William the Conqueror, and in existence upto the French Revolution. The abbey church serves the parish since then. Most buildings of the abbey got demolished after the Revolution, but the chapter house survived. I had been here about 10 years ago, when this part of the abbey was closed. This time I had more luck - and was surprised by originality and quality of the carvings. Some of the carvings here are copies, as the delicate and already weathered originals are kept in a museum in Rouen. This capital, once part of the cloister, is now exhibited in the chapter-house. It is one of the few Romanesque capitals, where a whole orchestra is depicted (another one is in Jaca). Note the large organistrum / hurdy gurdy.

The Jaca Cathedral is one of the oldest of the Iberian peninsula, dating back to the 1070s. The building, that was altered many times later, was commissioned by King Sancho Ramírez, who established an episcopal seat in Jaca, then the capital of the Kingdom of Aragon. The Romanesque cathedral was completed around 1130. In 1395 a blaze destroyed large parts of the cathedral. The ceiling had to be reconstructed in the following decades and got renovated in the 16th century, when the aisles were added and the nave got enlarged. The cloister, adjoining the cathedral hosts the "Museo Diocesano de Jaca". Here is the museum´s website: www.diocesisdejaca.org/index.php/museo-diocesano-de-jaca I had once admired the capital depicting "King David and his musicians" on the southern porch of the cathedral. This porch was added to the structure later, "reusing" capitals that probably had been before part of a Romanesque cloister. I did not know at that time, that I saw a copy. After uploading half a dozen of photos taken from the original capital in the museum - this is the copy at the south porch of the cathedral, taken in the afternoon sun. Just to give an impression.

The Jaca Cathedral is one of the oldest of the Iberian peninsula, dating back to the 1070s. The building, that was altered many times later, was commissioned by King Sancho Ramírez, who established an episcopal seat in Jaca, then the capital of the Kingdom of Aragon. The Romanesque cathedral was completed around 1130. In 1395 a blaze destroyed large parts of the cathedral. The ceiling had to be reconstructed in the following decades and got renovated in the 16th century, when the aisles were added and the nave got enlarged. The cloister, adjoining the cathedral hosts the "Museo Diocesano de Jaca". Here is the museum´s website: www.diocesisdejaca.org/index.php/museo-diocesano-de-jaca I had once admired the capital depicting "King David and his musicians" on the southern porch of the cathedral. This porch was added to the structure later, "reusing" capitals that probably had been before part of a Romanesque cloister. I did not know at that time, that I saw a copy. This is the original, a masterpiece of the Master of Jaca. King David, is accompanied by an orchestra of 11 musicians, playing different instruments. This is a second close up the left side, where 5 of the 11 musicians are gathered. The instrument played by the musician in the center can only be a small, portable pipe organ.

The Jaca Cathedral is one of the oldest of the Iberian peninsula, dating back to the 1070s. The building, that was altered many times later, was commissioned by King Sancho Ramírez, who established an episcopal seat in Jaca, then the capital of the Kingdom of Aragon. The Romanesque cathedral was completed around 1130. In 1395 a blaze destroyed large parts of the cathedral. The ceiling had to be reconstructed in the following decades and got renovated in the 16th century, when the aisles were added and the nave got enlarged. The cloister, adjoining the cathedral hosts the "Museo Diocesano de Jaca". Here is the museum´s website: www.diocesisdejaca.org/index.php/museo-diocesano-de-jaca I had once admired the capital depicting "King David and his musicians" on the southern porch of the cathedral. This porch was added to the structure later, "reusing" capitals that probably had been before part of a Romanesque cloister. I did not know at that time, that I saw a copy. This is the original, a masterpiece of the Master of Jaca. King David, is accompanied by an orchestra of 11 musicians, playing different instruments. This is a close up the left side, where 5 of the 11 musicians are gathered. On the right is a flautist (pan flute) and a below him is a hornist. The musician to the left holds a string instrument, probably a small lute. The instrument below him will be better seen on the following upload.

The Jaca Cathedral is one of the oldest of the Iberian peninsula, dating back to the 1070s. The building, that was altered many times later, was commissioned by King Sancho Ramírez, who established an episcopal seat in Jaca, then the capital of the Kingdom of Aragon. The Romanesque cathedral was completed around 1130. In 1395 a blaze destroyed large parts of the cathedral. The ceiling had to be reconstructed in the following decades and got renovated in the 16th century, when the aisles were added and the nave got enlarged. The cloister, adjoining the cathedral hosts the "Museo Diocesano de Jaca". Here is the museum´s website: www.diocesisdejaca.org/index.php/museo-diocesano-de-jaca I had once admired the capital depicting "King David and his musicians" on the southern porch of the cathedral. This porch was added to the structure later, "reusing" capitals that probably had been before part of a Romanesque cloister. I did not know at that time, that I saw a copy. This is the original, a masterpiece of the Master of Jaca. King David, is accompanied by an orchestra of 11 musicians, playing different instruments. This is the left side, where 5 of the 11 musicians are gathered.

The Jaca Cathedral is one of the oldest of the Iberian peninsula, dating back to the 1070s. The building, that was altered many times later, was commissioned by King Sancho Ramírez, who established an episcopal seat in Jaca, then the capital of the Kingdom of Aragon. The Romanesque cathedral was completed around 1130. In 1395 a blaze destroyed large parts of the cathedral. The ceiling had to be reconstructed in the following decades and got renovated in the 16th century, when the aisles were added and the nave got enlarged. The cloister, adjoining the cathedral hosts the "Museo Diocesano de Jaca". Here is the museum´s website: www.diocesisdejaca.org/index.php/museo-diocesano-de-jaca I had once admired the capital depicting "King David and his musicians" on the southern porch of the cathedral. This porch was added to the structure later, "reusing" capitals that probably had been before part of a Romanesque cloister. I did not know at that time, that I saw a copy. This is the original, a masterpiece of the Master of Jaca. King David is accompanied by an orchestra of 11 musicians, playing different instruments. Again the right side (just like the previous upload) but from a different pov, as now all musicians can be seen. One of them play a tubelike curved object.

The Jaca Cathedral is one of the oldest of the Iberian peninsula, dating back to the 1070s. The building, that was altered many times later, was commissioned by King Sancho Ramírez, who established an episcopal seat in Jaca, then the capital of the Kingdom of Aragon. The Romanesque cathedral was completed around 1130. In 1395 a blaze destroyed large parts of the cathedral. The ceiling had to be reconstructed in the following decades and got renovated in the 16th century, when the aisles were added and the nave got enlarged. The cloister, adjoining the cathedral hosts the "Museo Diocesano de Jaca". Here is the museum´s website: www.diocesisdejaca.org/index.php/museo-diocesano-de-jaca I had once admired the capital depicting "King David and his musicians" on the southern porch of the cathedral. This porch was added to the structure later, "reusing" capitals that probably had been before part of a Romanesque cloister. I did not know at that time, that I saw a copy. This is the original, a masterpiece of the Master of Jaca. King David, seated on a throne, playing the vielle (seen to the very left), is accompanied by an orchestra of 11 musicians, playing different instruments. Here is the right side of the capital.