Scott Holcomb's photos with the keyword: Dixie National Forest

The ascent begins on a clear path that soon enters a fractured slope. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera with a Super-Multi-Coated Takumar/6X7 1:4.5/75mm lens and Hoya SMC O[G] 82mm filter using Rollei RPX 25 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

The crumbling geology of Cedar Breaks National Monument within the Dixie National Forest of Utah is a spectacular example of, “What goes up must eventually come down”. This photo was taken with a Asahi Pentax 6 X 7 medium format film camera with a Super-Multi-Coated Macro-Takumar/6X7 1:4/135mm lens and Zenza Bronica 67mm SO56•2C(YA3) filter using Rollei RPX 25 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

An ancient fortress dominates the heights, it’s battlements now broken and in ruins. This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Multi-Coated Takumar/6X7 1:4.5/75 lens with a HOYA HMC 82mm O[G]) filter using Adox CHS 100 II film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

What a curious British exclamation, “Bloody Hell”. It expresses the kind of shock felt when peering down into the endless abyss below as I pushed the shutter button of my camera. Yes, now I know the origin of the utterance. Bloody Hell !!! This photo was taken by a Kowa/SIX medium format film camera and a KOWA LENS-S 1:3.5/150mm lens with a Kowa L39•3C(UV) ø67 filter using Fuji 160NS (220) film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Our economy was recently a towering mountain which rapidly disintegrated, assaulted by a tiny microbe This photo was taken with a Asahi Pentax 6 X 7 medium format film camera with a Super-Multi-Coated Macro-Takumar/6X7 1:4/135mm lens and Zenza Bronica 67mm SO56•2C(YA3) filter using Rollei RPX 25 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Geologists claim that the canyons in Utah are a result of wind and rain that erode the layers of rock. What they are hiding from the public is that a hideous ancient species of marauding stone slug periodically emerges from the rock and 'grazes' through the landscape, creating the complex system of canyonlands that this area is famous for. These horrific geologic rock mollusks are surprisingly fast and will devastate anything in their path. I risked it all when I stumbled upon one of the monstrous creatures, squeezing off a single shot from a Pentax 6 X 7 film camera before fleeing to save my life. I plan to submit this photographic proof to the news outlets, exposing the government coverup and to finally reveal the truth to the public! This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and Super-Multi-Coated Takumar/6X7 1:4.5/75 lens with a HOYA HMC 82mm O[G]) filter using Adox CHS 100 II film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Breaking News Nasa's InSight Lander has just sent it's first image from Mars as planned. Please Standby . . . We are having technical difficulties and apologize to our viewers. The image that you see appears to be from Utah and not from Mars. The moment that we reconnect with the NASA signal we will bring the public any news updates. This photo was taken by a Kowa/SIX medium format film camera and a KOWA LENS-S 1:3.5/150mm lens with a Kowa L39•3C(UV) ø67 filter using Fuji 160NS (220) film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Even a person accustomed to the mild weather of coastal California can appreciate this highland winter wonderland. This photo was taken with a Asahi Pentax 6 X 7 medium format film camera with a Super-Multi-Coated Takumar/6X7 1:4.5/75mm lens and Hoya SMC O[G] 82mm filter using Rollei RPX 25 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Stripped of it's foliage and bark, yet standing tall over it's domain. This photo was taken with a Asahi Pentax 6 X 7 medium format film camera with a Super-Multi-Coated Takumar/6X7 1:4.5/75mm lens and Hoya SMC O[G] 82mm filter using Rollei RPX 25 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

A presumably very windy southern feature of Cedar Breaks National Monument in the Dixie National Forest, Utah. This photo was taken with a Asahi Pentax 6 X 7 medium format film camera with a Super-Multi-Coated Takumar/6X7 1:4.5/75mm lens and Hoya SMC Y[K2] 82mm filter using Rollei RPX 25 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.