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Detail of a Portrait of Camillo Astalli by Velazquez in the Metropolitan Museum of Art, July 2023
Title: Camillo Astalli
Artist: Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599–1660 Madrid)
Date: 1650
Medium: Oil on canvas
Dimensions: 24 × 19 1/8 in. (61 × 48.5 cm)
Classification: Paintings
Credit Line: The Hispanic Society of America, New York
A distant relative by marriage to Pope Innocent X, Camillo Astalli was made a prince of the church on September 19, 1650, and assumed the name Cardinal Pamphili. Here, Velázquez conveys a sense of the momentary and unfixed. The listing biretta atop the cardinal's head adds to the instability of the fleeting pose, as would have the original off-center placement of the sitter. This baroque exuberance was tempered when, in a later period, the canvas was cut down on the left and bottom to align the cardinal with the central axis of the painting.
Text from: www.metmuseum.org/art/collection/search/726747
Artist: Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599–1660 Madrid)
Date: 1650
Medium: Oil on canvas
Dimensions: 24 × 19 1/8 in. (61 × 48.5 cm)
Classification: Paintings
Credit Line: The Hispanic Society of America, New York
A distant relative by marriage to Pope Innocent X, Camillo Astalli was made a prince of the church on September 19, 1650, and assumed the name Cardinal Pamphili. Here, Velázquez conveys a sense of the momentary and unfixed. The listing biretta atop the cardinal's head adds to the instability of the fleeting pose, as would have the original off-center placement of the sitter. This baroque exuberance was tempered when, in a later period, the canvas was cut down on the left and bottom to align the cardinal with the central axis of the painting.
Text from: www.metmuseum.org/art/collection/search/726747
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