Head of Julia Titi in the Getty Villa, June 2016
Head of Julia Titi in the Getty Villa, June 2016
Head of Julia Titi in the Getty Villa, June 2016
Head of Julia Titi in the Getty Villa, June 2016
Head of Julia Titi in the Getty Villa, June 2016
Head of Julia Titi in the Getty Villa, June 2016
Hydria Attributed to the Painter of London E543 in…
Head of an Old Man in the Getty Villa, June 2016
Head of an Old Man in the Getty Villa, June 2016
Head of an Old Man in the Getty Villa, June 2016
Head of an Old Man in the Getty Villa, June 2016
Head of an Old Man in the Getty Villa, June 2016
Roman Wall Painting with Nike in the Getty Villa,…
Detail of a Roman Wall Painting with Nike in the G…
Detail of a Roman Wall Painting with Nike in the G…
Roman Wall Painting with Nike in the Getty Villa,…
Red-Figure Lekythos Attributed to the Eucharydies…
Red-Figure Lekythos Attributed to the Eucharydies…
Incense Burner Supported by Nike in the Getty Vill…
Incense Burner Supported by Nike in the Getty Vill…
Combat between Dares and Entellus Mosaic in the Ge…
Combat between Dares and Entellus Mosaic in the Ge…
Detail of the Combat between Dares and Entellus Mo…
Detail of the Combat between Dares and Entellus Mo…
Detail of the Combat between Dares and Entellus Mo…
Detail of the Combat between Dares and Entellus Mo…
Detail of the Combat between Dares and Entellus Mo…
Detail of the Combat between Dares and Entellus Mo…
Detail of the Combat between Dares and Entellus Mo…
Detail of the Combat between Dares and Entellus Mo…
Detail of the Combat between Dares and Entellus Mo…
Detail of the Combat between Dares and Entellus Mo…
Detail of the Combat between Dares and Entellus Mo…
Detail of the Combat between Dares and Entellus Mo…
Gravestone of Demainete in the Getty Villa, June 2…
Gravestone of Demainete in the Getty Villa, June 2…
Detail of a Sarcophagus Panel with a Wool Merchant…
Detail of a Sarcophagus Panel with a Wool Merchant…
Sarcophagus Panel with a Wool Merchant in the Gett…
Sarcophagus Panel with a Wool Merchant in the Gett…
Detail of a Sarcophagus Panel with a Wool Merchant…
Detail of a Sarcophagus Panel with a Wool Merchant…
Detail of a Sarcophagus Panel with a Wool Merchant…
Detail of a Sarcophagus Panel with a Wool Merchant…
Glass Ribbed Bowl with Blue and White Markings in…
Glass Ribbed Bowl with Blue and White Markings in…
Bronze Head of a Man in the Getty Villa, June 2016
Bronze Head of a Man in the Getty Villa, June 2016
Bronze Head of a Man in the Getty Villa, June 2016
Bronze Head of a Man in the Getty Villa, June 2016
Bronze Head of a Man in the Getty Villa, June 2016
Bronze Head of a Man in the Getty Villa, June 2016
Bust of a Woman from the Hadrianic Period in the G…
Bust of a Woman from the Hadrianic Period in the G…
Bust of a Woman from the Hadrianic Period in the G…
Bust of a Woman from the Hadrianic Period in the G…
Bust of a Woman from the Hadrianic Period in the G…
Bust of a Woman from the Hadrianic Period in the G…
Roman Applique with Two Men in the Getty Villa, Ju…
Roman Applique with Two Men in the Getty Villa, Ju…
Roman Applique with Two Men in the Getty Villa, Ju…
Detail of the Bronze Roundel with Athena and 4 Ani…
Detail of the Bronze Roundel with Athena and 4 Ani…
Bronze Roundel with Athena and 4 Animal Heads in t…
Key with a Handle in the Form of a Dog in the Gett…
Key with a Handle in the Form of a Dog in the Gett…
Detail of the Marsyas Table Leg in the Getty Villa…
Marsyas Table Leg in the Getty Villa, June 2016
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Hydria Attributed to the Painter of London E543 in the Getty Villa, June 2016
Title: Attic Red-Figure Hydria
Artist/Maker: Attributed to Painter of London E543 (Greek (Attic), active 420 B.C. - 400 B.C.)
Date: 410–400 B.C.
Medium: Terracotta
Dimensions: Object: 19.9 × 16 × 12.5 cm (7 13/16 × 6 5/16 × 4 15/16 in.)Object (Mouth): 8.8 cm (3 7/16 in.)
Place: Athens, Greece (Place Created)
Culture: Greek (Attic)
Object Number: 70.AE.105
Credit Line: Gift of J. Paul Getty
Mark(s): Under the foot of the vase, old J. Paul Getty collection label, black ink: “I-58”
Alternate Titles: Water Jar with Women (Alternate Title)
Previous Attribution: Painter of London E543 (Greek (Attic), active 420 B.C. - 400 B.C.)
Department: Antiquities
Classification: Vessel
Object Type: Hydria
Three-handled hydria with three women on the body. At the center, a seated woman to left, holding a necklace. She sits on a rock and wears a chiton. Added white is used for the binding in her hair. The woman on the left, wearing a band around her head (with added white dots) and a chiton holds out a casket (decorated with stripes and circles, topped by two white balls, perhaps fruit) with her right hand and a necklace with her left. Her counterpart on the right is similarly attired, and holds a mirror and a necklace. Ovolo pattern on mouth, neck and body. The private activities of women became an increasingly popular subject for vase painters in the second half of the fifth century bc. Here the rocky outcrop situates the figures outdoors, and rather than representing daily life, the scene may convey an imagined past.
Text from: www.getty.edu/art/collection/object/103SQ8
Artist/Maker: Attributed to Painter of London E543 (Greek (Attic), active 420 B.C. - 400 B.C.)
Date: 410–400 B.C.
Medium: Terracotta
Dimensions: Object: 19.9 × 16 × 12.5 cm (7 13/16 × 6 5/16 × 4 15/16 in.)Object (Mouth): 8.8 cm (3 7/16 in.)
Place: Athens, Greece (Place Created)
Culture: Greek (Attic)
Object Number: 70.AE.105
Credit Line: Gift of J. Paul Getty
Mark(s): Under the foot of the vase, old J. Paul Getty collection label, black ink: “I-58”
Alternate Titles: Water Jar with Women (Alternate Title)
Previous Attribution: Painter of London E543 (Greek (Attic), active 420 B.C. - 400 B.C.)
Department: Antiquities
Classification: Vessel
Object Type: Hydria
Three-handled hydria with three women on the body. At the center, a seated woman to left, holding a necklace. She sits on a rock and wears a chiton. Added white is used for the binding in her hair. The woman on the left, wearing a band around her head (with added white dots) and a chiton holds out a casket (decorated with stripes and circles, topped by two white balls, perhaps fruit) with her right hand and a necklace with her left. Her counterpart on the right is similarly attired, and holds a mirror and a necklace. Ovolo pattern on mouth, neck and body. The private activities of women became an increasingly popular subject for vase painters in the second half of the fifth century bc. Here the rocky outcrop situates the figures outdoors, and rather than representing daily life, the scene may convey an imagined past.
Text from: www.getty.edu/art/collection/object/103SQ8
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