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Kannon in the Virginia Museum of Fine Arts, June 2018
Kannon (Bodhisattva Avalokitesvara)
Unknown (Artist)
13th century
Culture: Japanese
Category: Sculpture
Medium: Wood with polychrome, traces of lacquer, gold dust, crystal
Collection: East Asian Art
Dimensions: Overall: 57 1/2 × 43 × 34 in. (146.05 × 109.22 × 86.36 cm)
Object Number: 67.18.1
Related Material: Part of a set "Kannon, Altar, Baldacchino and Altar Table" (67.18.1-4)
School: Shigon 真言宗
Period: Kamakura period (1185-1333)
Signature: Unsigned
Marks: None
Inscription: None
Credit Line: Adolph D. and Wilkins C. Williams Fund
Kannon, known as the bodhisattva of compassion, is a primary deity worshipped in Pure Land Buddhism. In deep meditation, this Kannon sits cross-legged and holds a lotus bud. Although hands and forearms have been restored, the statue’s balanced form, divine features, and flowing drapery resemble the classical form of sculpture of the Kamakura period. To form this monumental sculpture, multiple sections of wood were joined together and then wrapped with hemp. Like many wood sculptures since the Heian period, this statue was once coated with lacquer to protect it from cracking and water or worm damage.
Text from: vmfa.museum/piction/6027262-161819648
Unknown (Artist)
13th century
Culture: Japanese
Category: Sculpture
Medium: Wood with polychrome, traces of lacquer, gold dust, crystal
Collection: East Asian Art
Dimensions: Overall: 57 1/2 × 43 × 34 in. (146.05 × 109.22 × 86.36 cm)
Object Number: 67.18.1
Related Material: Part of a set "Kannon, Altar, Baldacchino and Altar Table" (67.18.1-4)
School: Shigon 真言宗
Period: Kamakura period (1185-1333)
Signature: Unsigned
Marks: None
Inscription: None
Credit Line: Adolph D. and Wilkins C. Williams Fund
Kannon, known as the bodhisattva of compassion, is a primary deity worshipped in Pure Land Buddhism. In deep meditation, this Kannon sits cross-legged and holds a lotus bud. Although hands and forearms have been restored, the statue’s balanced form, divine features, and flowing drapery resemble the classical form of sculpture of the Kamakura period. To form this monumental sculpture, multiple sections of wood were joined together and then wrapped with hemp. Like many wood sculptures since the Heian period, this statue was once coated with lacquer to protect it from cracking and water or worm damage.
Text from: vmfa.museum/piction/6027262-161819648
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