Detail of Lola de Valence by Manet in the Metropol…
Detail of Lola de Valence by Manet in the Metropol…
Detail of Lola de Valence by Manet in the Metropol…
Detail of Lola de Valence by Manet in the Metropol…
Detail of Lola de Valence by Manet in the Metropol…
Detail of Lola de Valence by Manet in the Metropol…
Detail of Lola de Valence by Manet in the Metropol…
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Lola de Valence by Manet in the Metropolitan Museum of Art, December 2023
![Lola de Valence by Manet in the Metropolitan Museum of Art, December 2023 Lola de Valence by Manet in the Metropolitan Museum of Art, December 2023](https://cdn.ipernity.com/200/50/14/52475014.adad7317.640.jpg?r2)
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Title: Lola de Valence
Artist: Edouard Manet (French, Paris 1832–1883 Paris)
Date: 1862
Culture: French
Medium: Oil on canvas
Dimensions: 48 7/16 × 36 1/4 in. (123 × 92 cm)
Framed: 56 7/8 × 44 5/16 in. (144.5 × 112.5 cm)
Classification: Paintings
Credit Line: Musée d'Orsay, Paris (RF 1991)
Long inspired by Spanish art and culture, Manet here depicted the star of a popular Spanish ballet that found great success in Paris. When the artist first exhibited the painting at the Galerie Martinet in 1863, Lola appeared against a neutral background. He later modified the setting by adding a stage backdrop seen from behind and a glimpse of the audience beyond. Portraying performers suspended between the spheres of public and private, real life and performance, later became a preoccupation of Degas’s, which he first explored in Mademoiselle Fiocre in the Ballet “La Source,” on view nearby.
Text from: www.metmuseum.org/art/collection/search/853592
Artist: Edouard Manet (French, Paris 1832–1883 Paris)
Date: 1862
Culture: French
Medium: Oil on canvas
Dimensions: 48 7/16 × 36 1/4 in. (123 × 92 cm)
Framed: 56 7/8 × 44 5/16 in. (144.5 × 112.5 cm)
Classification: Paintings
Credit Line: Musée d'Orsay, Paris (RF 1991)
Long inspired by Spanish art and culture, Manet here depicted the star of a popular Spanish ballet that found great success in Paris. When the artist first exhibited the painting at the Galerie Martinet in 1863, Lola appeared against a neutral background. He later modified the setting by adding a stage backdrop seen from behind and a glimpse of the audience beyond. Portraying performers suspended between the spheres of public and private, real life and performance, later became a preoccupation of Degas’s, which he first explored in Mademoiselle Fiocre in the Ballet “La Source,” on view nearby.
Text from: www.metmuseum.org/art/collection/search/853592
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