Detail of the Dead Toreador by Manet in the Metrop…
Detail of the Dead Toreador by Manet in the Metrop…
Detail of the Dead Toreador by Manet in the Metrop…
Detail of the Dead Toreador by Manet in the Metrop…
Copy after Delacroix's Barque of Dante by Manet in…
Copy after Delacroix's Barque of Dante by Manet in…
Copy after Delacroix's Barque of Dante by Manet in…
Madame Lisle and Madame Loubens by Degas in the Me…
Madame Lisle and Madame Loubens by Degas in the Me…
In a Cafe: The Absinthe Drinker by Degas in the Me…
In a Cafe: The Absinthe Drinker by Degas in the Me…
In a Cafe: The Absinthe Drinker by Degas in the Me…
Detail of In a Cafe: The Absinthe Drinker by Degas…
Detail of In a Cafe: The Absinthe Drinker by Degas…
Detail of In a Cafe: The Absinthe Drinker by Degas…
Detail of In a Cafe: The Absinthe Drinker by Degas…
Detail of In a Cafe: The Absinthe Drinker by Degas…
The Execution of Maximilian Lithograph by Manet in…
The Execution of Maximilian Lithograph by Manet in…
At the Milliner's by Manet in the Metropolitan Mus…
At the Milliner's by Manet in the Metropolitan Mus…
At the Milliner's by Manet in the Metropolitan Mus…
Madonna of the Rabbit after Titian by Manet in the…
Dead Toreador by Manet in the Metropolitan Museum…
Dead Toreador by Manet in the Metropolitan Museum…
Dead Toreador by Manet in the Metropolitan Museum…
Detail of Woman with Field Glasses by Degas in the…
Detail of Woman with Field Glasses by Degas in the…
Woman with Field Glasses by Degas in the Metropoli…
Woman with Field Glasses by Degas in the Metropoli…
Detail of Racecourse: Amateur Jockeys by Degas in…
Detail of Racecourse: Amateur Jockeys by Degas in…
Detail of Racecourse: Amateur Jockeys by Degas in…
Racecourse: Amateur Jockeys by Degas in the Metrop…
Detail of Dead Christ with Angels by Manet in the…
Detail of Dead Christ with Angels by Manet in the…
Dead Christ with Angels by Manet in the Metropolit…
Dead Christ with Angels by Manet in the Metropolit…
Dead Christ with Angels by Manet in the Metropolit…
The Kearsarge at Boulogne by Manet in the Metropol…
The Kearsarge at Boulogne by Manet in the Metropol…
The Kearsarge at Boulogne by Manet in the Metropol…
Detail of The Old Italian Woman by Degas in the Me…
Detail of The Old Italian Woman by Degas in the Me…
The Old Italian Woman by Degas in the Metropolitan…
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
78 visits
Detail of the Dead Toreador by Manet in the Metropolitan Museum of Art, December 2023
Title: The Dead Toreador
Artist: Edouard Manet (French, Paris 1832–1883 Paris)
Date: probably 1864
Geography: Country of Origin France
Culture: French
Medium: Oil on canvas
Dimensions: 29 7/8 × 60 3/8 in. (75.9 × 153.3 cm)
Framed: 41 1/8 × 71 5/8 × 4 in. (104.4 × 181.9 × 10.2 cm)
Classification: Paintings
Credit Line: National Gallery of Art, Washington, D.C., Widener Collection (1942.9.40)
Accession Number: MD.049
This work originally formed the lower half of a larger composition titled Episode from a Bullfight, which Manet exhibited at the Salon of 1864. Its subject reflects the current enthusiasm for Spanish culture, though it is not a scene Manet had witnessed firsthand; his first visit to Spain would occur the following year. Critics faulted the spatial relationship and relative scale between the bull and figures in the background and the fallen toreador in the foreground. Heeding this criticism, Manet cut the canvas in two and displayed this portion with a new title at his solo exhibition in 1867.
Text from: www.metmuseum.org/art/collection/search/844788
Artist: Edouard Manet (French, Paris 1832–1883 Paris)
Date: probably 1864
Geography: Country of Origin France
Culture: French
Medium: Oil on canvas
Dimensions: 29 7/8 × 60 3/8 in. (75.9 × 153.3 cm)
Framed: 41 1/8 × 71 5/8 × 4 in. (104.4 × 181.9 × 10.2 cm)
Classification: Paintings
Credit Line: National Gallery of Art, Washington, D.C., Widener Collection (1942.9.40)
Accession Number: MD.049
This work originally formed the lower half of a larger composition titled Episode from a Bullfight, which Manet exhibited at the Salon of 1864. Its subject reflects the current enthusiasm for Spanish culture, though it is not a scene Manet had witnessed firsthand; his first visit to Spain would occur the following year. Critics faulted the spatial relationship and relative scale between the bull and figures in the background and the fallen toreador in the foreground. Heeding this criticism, Manet cut the canvas in two and displayed this portion with a new title at his solo exhibition in 1867.
Text from: www.metmuseum.org/art/collection/search/844788
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.