Races at Longchamp by Manet in the Metropolitan Mu…
Detail of Races at Longchamp by Manet in the Metro…
Detail of Races at Longchamp by Manet in the Metro…
Detail of Races at Longchamp by Manet in the Metro…
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Races at Longchamp by Manet in the Metropolitan Museum of Art, December 2023
Title: The Races at Longchamp
Artist: Edouard Manet (French, Paris 1832–1883 Paris)
Date: 1866
Geography: Country of Origin France
Culture: French
Medium: Oil on canvas
Dimensions: 17 5/16 × 33 1/8 in. (44 × 84.2 cm)
Framed: 27 3/8 in. × 43 1/4 in. × 4 in. (69.5 × 109.9 × 10.2 cm)
Classification: Paintings
Credit Line: The Art Institute of Chicago, Potter Palmer Collection (1922.424)
This painting captures the excitement of the popular Longchamp racetrack in the Bois de Boulogne, on the outskirts of Paris, which opened in 1857. Whereas Degas’s racetrack paintings often focused on the moments at the start of a race, Manet here recorded the last stretch, as the horses rush past the finish line, indicated by the raised flag and the pole with a circular top. Manet shunned traditional representations of the sport, which showed races from the side, and instead composed the scene so that the throng of horses and jockeys thunders straight toward the viewer.
Text from: www.metmuseum.org/art/collection/search/844682
Artist: Edouard Manet (French, Paris 1832–1883 Paris)
Date: 1866
Geography: Country of Origin France
Culture: French
Medium: Oil on canvas
Dimensions: 17 5/16 × 33 1/8 in. (44 × 84.2 cm)
Framed: 27 3/8 in. × 43 1/4 in. × 4 in. (69.5 × 109.9 × 10.2 cm)
Classification: Paintings
Credit Line: The Art Institute of Chicago, Potter Palmer Collection (1922.424)
This painting captures the excitement of the popular Longchamp racetrack in the Bois de Boulogne, on the outskirts of Paris, which opened in 1857. Whereas Degas’s racetrack paintings often focused on the moments at the start of a race, Manet here recorded the last stretch, as the horses rush past the finish line, indicated by the raised flag and the pole with a circular top. Manet shunned traditional representations of the sport, which showed races from the side, and instead composed the scene so that the throng of horses and jockeys thunders straight toward the viewer.
Text from: www.metmuseum.org/art/collection/search/844682
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