Galatea by Max Klinger in the Metropolitan Museum…
Galatea by Max Klinger in the Metropolitan Museum…
Magnolia by James Jebusa Shannon in the Metropolit…
Magnolia by James Jebusa Shannon in the Metropolit…
Detail of Magnolia by James Jebusa Shannon in the…
Detail of Magnolia by James Jebusa Shannon in the…
Detail of Magnolia by James Jebusa Shannon in the…
Detail of Magnolia by James Jebusa Shannon in the…
Joanna de Silva by William Wood in the Metropolita…
Joanna de Silva by William Wood in the Metropolita…
Detail of Joanna de Silva by William Wood in the M…
Detail of Joanna de Silva by William Wood in the M…
Detail of Joanna de Silva by William Wood in the M…
Saltash with Water Ferry by Turner in the Metropol…
Saltash with Water Ferry by Turner in the Metropol…
Detail of Saltash with Water Ferry by Turner in th…
Detail of Saltash with Water Ferry by Turner in th…
St. Catherine Disputing and Two Donors in the Metr…
St. Catherine Disputing and Two Donors in the Metr…
The Garden of the Tuileries on a Winter Afternoon…
The Garden of the Tuileries on a Winter Afternoon…
The Adoration of the Magi by Gerard David in the M…
The Adoration of the Magi by Gerard David in the M…
Galatea by Max Klinger in the Metropolitan Museum…
Galatea by Max Klinger in the Metropolitan Museum…
Gray Weather, Grande Jatte by Seurat in the Metrop…
Gray Weather, Grande Jatte by Seurat in the Metrop…
Mada Primavesi by Klimt in the Metropolitan Museum…
Mada Primavesi by Klimt in the Metropolitan Museum…
Detail of The Stolen Kiss by Fragonard in the Metr…
Detail of The Stolen Kiss by Fragonard in the Metr…
Detail of The Stolen Kiss by Fragonard in the Metr…
The Stolen Kiss by Fragonard in the Metropolitan M…
The Stolen Kiss by Fragonard in the Metropolitan M…
The Stolen Kiss by Fragonard in the Metropolitan M…
Detail of Francesco Sassetti and his Son Teodoro b…
Detail of Francesco Sassetti and his Son Teodoro b…
Detail of Francesco Sassetti and his Son Teodoro b…
Detail of Francesco Sassetti and his Son Teodoro b…
Detail of Francesco Sassetti and his Son Teodoro b…
Francesco Sassetti and his Son Teodoro by Domenico…
Francesco Sassetti and his Son Teodoro by Domenico…
Finial from Atingting Kon in the Metropolitan Muse…
Finial from Atingting Kon in the Metropolitan Muse…
Model of the Ambassadors' Staircase in Versailles…
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
115 visits
Galatea by Max Klinger in the Metropolitan Museum of Art, January 2022
Title: Galatea
Artist: Max Klinger (German, Leipzig 1857–1920 Großjena)
Founder: Cast by Noack and Brückner Foundry (German)
Date: 1906
Culture: German
Medium: Cast silver; marble
Dimensions: Confirmed field dimensions: 43 3/4 × 12 1/2 × 18 3/4 in. (111.1 × 31.8 × 47.6 cm)
figure: 31 1/2 × 12 3/16 × 13 3/8 in. (80 × 31 × 34 cm)
base: 21 15/16 × 10 5/8 × 13 3/8 in. (55.7 × 27 × 34 cm)
Classification: Sculpture
Credit Line: Purchase, Bequest of Emma A. Sheafer, by exchange, Anonymous and Charles Hack and the Hearn Family Trust Gifts, and Gifts of Irwin Untermyer and Mrs. Robert M. Hillas, by exchange, 2018
Accession Number: 2018.25a, b
Born in Leipzig to a wealthy prominent family, and trained at the academy in Berlin, Max Klinger was an equally gifted painter, printmaker, and sculptor. He worked in a naturalistic figurative style and from it developed an art that was polemical in intent, uncanny in effect, and often controversial in reception.
Klinger created Galatea at the height of his artistic fame when he was celebrated in German speaking countries as one of their greatest sculptors. He was best known for his complex polychrome sculptures that were assembled from assorted colored marbles and bronze. The mythical sea-goddess and child seated on a marble throne is Klinger’s only independent figurative sculpture in silver. In 1906 Klinger presented Galatea as his principle work at the prestigious exhibition of German contemporary art in Weimar.
Shown in triumph, Klinger’s figure of the sea-goddess Galatea resonates with the primal aura of an idol. The subject was familiar to Klinger’s contemporaries from Goethe’s famous description of triumphant Galatea, "Grave in aspect like the gods, in dignified immortality…" (Faust II, 8387-90). But Klinger also drew from the contemporary philosophy of Nietzsche and Freudian psychology to create an unprecedented depiction of the goddess enthroned with a male child who together represent the archetypal union between body and mind, female and male, sexuality and the psyche.
Text from: www.metmuseum.org/art/collection/search/769187
Artist: Max Klinger (German, Leipzig 1857–1920 Großjena)
Founder: Cast by Noack and Brückner Foundry (German)
Date: 1906
Culture: German
Medium: Cast silver; marble
Dimensions: Confirmed field dimensions: 43 3/4 × 12 1/2 × 18 3/4 in. (111.1 × 31.8 × 47.6 cm)
figure: 31 1/2 × 12 3/16 × 13 3/8 in. (80 × 31 × 34 cm)
base: 21 15/16 × 10 5/8 × 13 3/8 in. (55.7 × 27 × 34 cm)
Classification: Sculpture
Credit Line: Purchase, Bequest of Emma A. Sheafer, by exchange, Anonymous and Charles Hack and the Hearn Family Trust Gifts, and Gifts of Irwin Untermyer and Mrs. Robert M. Hillas, by exchange, 2018
Accession Number: 2018.25a, b
Born in Leipzig to a wealthy prominent family, and trained at the academy in Berlin, Max Klinger was an equally gifted painter, printmaker, and sculptor. He worked in a naturalistic figurative style and from it developed an art that was polemical in intent, uncanny in effect, and often controversial in reception.
Klinger created Galatea at the height of his artistic fame when he was celebrated in German speaking countries as one of their greatest sculptors. He was best known for his complex polychrome sculptures that were assembled from assorted colored marbles and bronze. The mythical sea-goddess and child seated on a marble throne is Klinger’s only independent figurative sculpture in silver. In 1906 Klinger presented Galatea as his principle work at the prestigious exhibition of German contemporary art in Weimar.
Shown in triumph, Klinger’s figure of the sea-goddess Galatea resonates with the primal aura of an idol. The subject was familiar to Klinger’s contemporaries from Goethe’s famous description of triumphant Galatea, "Grave in aspect like the gods, in dignified immortality…" (Faust II, 8387-90). But Klinger also drew from the contemporary philosophy of Nietzsche and Freudian psychology to create an unprecedented depiction of the goddess enthroned with a male child who together represent the archetypal union between body and mind, female and male, sexuality and the psyche.
Text from: www.metmuseum.org/art/collection/search/769187
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.