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Esther Before Ahasuerus by Artemisia Gentileschi in the Metropolitan Museum of Art, February 2019
Esther before Ahasuerus
Object Details
Artist: Artemisia Gentileschi (Italian, born Rome 1593–died Naples 1654 or later)
Medium: Oil on canvas
Dimensions: 82 x 107 3/4in. (208.3 x 273.7cm)
Classification: Paintings
Credit Line: Gift of Elinor Dorrance Ingersoll, 1969
Accession Number: 69.281
The most famous woman painter of the seventeenth century, Gentileschi worked in Rome, Florence, Venice, and Naples. This painting, among her most ambitious, represents the Jewish heroine Esther, who appeared before her husband, King Ahasuerus of Persia, in order to stave off a massacre of the Jewish people, breaking with court protocol and thereby risking death. Rather than turn to historical recreation, contemporary theater informed how Gentileschi conceived this dramatic scene, in which Esther faints before the king grants her request. An African page restraining a dog was painted out by the artist, but is partly visible beneath the marble pavement, to the left of the king’s knee.
Text from: www.metmuseum.org/art/collection/search/436453
Object Details
Artist: Artemisia Gentileschi (Italian, born Rome 1593–died Naples 1654 or later)
Medium: Oil on canvas
Dimensions: 82 x 107 3/4in. (208.3 x 273.7cm)
Classification: Paintings
Credit Line: Gift of Elinor Dorrance Ingersoll, 1969
Accession Number: 69.281
The most famous woman painter of the seventeenth century, Gentileschi worked in Rome, Florence, Venice, and Naples. This painting, among her most ambitious, represents the Jewish heroine Esther, who appeared before her husband, King Ahasuerus of Persia, in order to stave off a massacre of the Jewish people, breaking with court protocol and thereby risking death. Rather than turn to historical recreation, contemporary theater informed how Gentileschi conceived this dramatic scene, in which Esther faints before the king grants her request. An African page restraining a dog was painted out by the artist, but is partly visible beneath the marble pavement, to the left of the king’s knee.
Text from: www.metmuseum.org/art/collection/search/436453
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