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Stand with a Gorgoneion in the Metropolitan Museum of Art, March 2018
Terracotta stand,ca. 570 B.C.
Signed by Ergotimos
Gorgoneion (Gorgon's face)
Ergotimos and Kleitias signed a large volute-krater, now in the Archaeological Museum, Florence, that is a veritable compendium of Greek mythology, particularly relating to Achilles. This stand is the only other preserved work with their signatures. The three Gorgons were so horrible-looking that whoever saw them turned to stone. In Archaic art, the face is a frequent motif, partly because it fits well into a circular format.
Terracotta stand
Signed by Ergotimos as potter
Signed by Kleitias as painter
Period: Archaic
Date: ca. 570 B.C.
Culture: Greek, Attic
Medium: Terracotta; black-figure
Dimensions: H. 2 1/4 in. (5.7 cm)
diameter 3 9/16 in. (9 cm)
Classification: Vases
Credit Line: Fletcher Fund, 1931
Accession Number: 31.11.4
Text from: www.metmuseum.org/art/collection/search/253342
Signed by Ergotimos
Gorgoneion (Gorgon's face)
Ergotimos and Kleitias signed a large volute-krater, now in the Archaeological Museum, Florence, that is a veritable compendium of Greek mythology, particularly relating to Achilles. This stand is the only other preserved work with their signatures. The three Gorgons were so horrible-looking that whoever saw them turned to stone. In Archaic art, the face is a frequent motif, partly because it fits well into a circular format.
Terracotta stand
Signed by Ergotimos as potter
Signed by Kleitias as painter
Period: Archaic
Date: ca. 570 B.C.
Culture: Greek, Attic
Medium: Terracotta; black-figure
Dimensions: H. 2 1/4 in. (5.7 cm)
diameter 3 9/16 in. (9 cm)
Classification: Vases
Credit Line: Fletcher Fund, 1931
Accession Number: 31.11.4
Text from: www.metmuseum.org/art/collection/search/253342
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