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Detail of a Panathenaic Amphora Attributed to the Kleophrades Painter in the Metropolitan Museum of Art, April 2017
Terracotta Panathenaic prize amphora
Attributed to the Kleophrades Painter
Period: Archaic
Date: ca. 500 B.C.
Culture: Greek, Attic
Medium: Terracotta; black-figure
Dimensions: H: 25 in. (63.5 cm)
Classification: Vases
Credit Line: Rogers Fund, 1916
Accession Number: 16.71
Obverse, Athena
Reverse, pankration (athletic contest) and judge
After the mid-sixth century B.C., artists' signatures do not appear on Panathenaic prize amphorae. It seems, however, that certain artists used their own "trademark" shield devices. The Kleophrades Painter favored Pegasos, the winged horse. The reverse of this vase depicts the pankration, which combined wrestling, boxing, and kicking. The inclusion of the judge may highlight the particular danger of the event to the competitors.
www.metmuseum.org/art/collection/search/249067
Attributed to the Kleophrades Painter
Period: Archaic
Date: ca. 500 B.C.
Culture: Greek, Attic
Medium: Terracotta; black-figure
Dimensions: H: 25 in. (63.5 cm)
Classification: Vases
Credit Line: Rogers Fund, 1916
Accession Number: 16.71
Obverse, Athena
Reverse, pankration (athletic contest) and judge
After the mid-sixth century B.C., artists' signatures do not appear on Panathenaic prize amphorae. It seems, however, that certain artists used their own "trademark" shield devices. The Kleophrades Painter favored Pegasos, the winged horse. The reverse of this vase depicts the pankration, which combined wrestling, boxing, and kicking. The inclusion of the judge may highlight the particular danger of the event to the competitors.
www.metmuseum.org/art/collection/search/249067
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