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Miniature Skeleton in the Getty Villa, June 2016
Title: Miniature Skeleton
Artist/Maker: Unknown
Culture: Roman
Date: 25 B.C.–A.D. 100
Medium: Bronze
Object Number: 78.AB.307
Dimensions: 6.6 × 2 × 1 cm (2 5/8 × 13/16 × 3/8 in.)
Object Type: Human figure
Made of bronze, this miniature skeleton features round eye sockets and a wide, grinning mouth with large upper teeth. Pin holes in the clavicle bone show that the arms were separately attached and moveable. The same is true of the pelvis bone where the left femur is still attached. The other end of the femur also has a pin hole for the attachment of the tibia. Only the pin remains of the right leg. The neck and head are also attached by pins. Most of the right-side ribs and both arms of the skeleton are missing.
The Romans frequently linked images of banqueting and death in both literature and the visual arts. In Petronius' satirical novel, the Satyricon (A.D. 60s), Trimalchio, the crass, nouveau-riche host of a dinner party, brings out a small silver skeleton between courses. The skeleton has flexible joints, and after posing it on the table in various ways, Trimalchio recites a poem to the effect that life is short and should be enjoyed before becoming a skeleton like the one he displays. He declares: “Alas for us poor mortals. Thus we shall all be, after Hades takes us away. Therefore, let us live while it goes well with us.” This bronze skeleton may have been used in the same manner. Although now missing several limbs, it too is jointed in a way that allows it to be posed or shaken so that it jumps and dances. Several similar skeletons are known, including one in silver found at Pompeii.
Text from: www.getty.edu/art/collection/objects/8376/unknown-maker-miniature-skeleton-roman-25-bc-ad-100
Artist/Maker: Unknown
Culture: Roman
Date: 25 B.C.–A.D. 100
Medium: Bronze
Object Number: 78.AB.307
Dimensions: 6.6 × 2 × 1 cm (2 5/8 × 13/16 × 3/8 in.)
Object Type: Human figure
Made of bronze, this miniature skeleton features round eye sockets and a wide, grinning mouth with large upper teeth. Pin holes in the clavicle bone show that the arms were separately attached and moveable. The same is true of the pelvis bone where the left femur is still attached. The other end of the femur also has a pin hole for the attachment of the tibia. Only the pin remains of the right leg. The neck and head are also attached by pins. Most of the right-side ribs and both arms of the skeleton are missing.
The Romans frequently linked images of banqueting and death in both literature and the visual arts. In Petronius' satirical novel, the Satyricon (A.D. 60s), Trimalchio, the crass, nouveau-riche host of a dinner party, brings out a small silver skeleton between courses. The skeleton has flexible joints, and after posing it on the table in various ways, Trimalchio recites a poem to the effect that life is short and should be enjoyed before becoming a skeleton like the one he displays. He declares: “Alas for us poor mortals. Thus we shall all be, after Hades takes us away. Therefore, let us live while it goes well with us.” This bronze skeleton may have been used in the same manner. Although now missing several limbs, it too is jointed in a way that allows it to be posed or shaken so that it jumps and dances. Several similar skeletons are known, including one in silver found at Pompeii.
Text from: www.getty.edu/art/collection/objects/8376/unknown-maker-miniature-skeleton-roman-25-bc-ad-100
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