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Etruscan Terracotta Statue of a Young Woman in the Metropolitan Museum of Art, January 2018
Terracotta statue of a young woman
Date:late 4th–early 3rd century B.C.
Culture:Etruscan
Medium:Terracotta
Dimensions:H. 29 7/16 in. (74.8 cm)
Classification:Terracottas
Credit Line:Rogers Fund, 1916
Accession Number:16.141
The legendary king Aeneas, father of the Latin race, fled from Troy to Macedonia, then Sicily, and finally to the Italian peninsula. There he founded a city called Lavinium (modern Pratica di Mare), a site eighteen miles south of Rome, which became a major religious center for the Latin people. The distinctive clothing and jewelry on this life-sized statue closely resemble those on fourth and third century B.C. terracottas found there. The elaborate necklaces and armband appear to be reproduced from molds of actual jewelry. Some of the pendants are decorated with reliefs depicting various Etruscan deities and heroes. Originally, this woman wore a pair of grape-cluster earrings. The one on her left ear is visible behind her long hair. When complete, the statue probably stood in a sanctuary and showed the young woman holding an incense box in her extended right hand. This rare statue is an exceptional example of the awakening sophistication of Italic artists, who over the following two centuries fused native traditions with imported ones and gave birth to the multifaceted art of Late Republican Rome.
Text from: www.metmuseum.org/art/collection/search/249091
Date:late 4th–early 3rd century B.C.
Culture:Etruscan
Medium:Terracotta
Dimensions:H. 29 7/16 in. (74.8 cm)
Classification:Terracottas
Credit Line:Rogers Fund, 1916
Accession Number:16.141
The legendary king Aeneas, father of the Latin race, fled from Troy to Macedonia, then Sicily, and finally to the Italian peninsula. There he founded a city called Lavinium (modern Pratica di Mare), a site eighteen miles south of Rome, which became a major religious center for the Latin people. The distinctive clothing and jewelry on this life-sized statue closely resemble those on fourth and third century B.C. terracottas found there. The elaborate necklaces and armband appear to be reproduced from molds of actual jewelry. Some of the pendants are decorated with reliefs depicting various Etruscan deities and heroes. Originally, this woman wore a pair of grape-cluster earrings. The one on her left ear is visible behind her long hair. When complete, the statue probably stood in a sanctuary and showed the young woman holding an incense box in her extended right hand. This rare statue is an exceptional example of the awakening sophistication of Italic artists, who over the following two centuries fused native traditions with imported ones and gave birth to the multifaceted art of Late Republican Rome.
Text from: www.metmuseum.org/art/collection/search/249091
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